Perfect Mothers

It is novelistic, and by that i don't mean it is dreadfully slow. The movie is quiet yes, but, it is also sufficiently visual to free up the tensions that characters face.

If you thought it was going to be erotic then you won't like it. It is much like eva green's 'womb' insofar that the movie is keen in keeping the audience attention within the spectrum of possibilities that are available to the characters.

so if you were to exclaim - oh, come on, this kinda thing never happens. well, you may have a point but that doesn't undermine the quality of the movie

Well done. Well acted. But it is all events without exploration of those events. There is not enough dialog to explore how characters are reacting to their situation. At one point the boys fight, one trying to drown the other. The cause of the fight is never explained or explored. People get hurt. Relationships are damaged. But the film doesn't explore how the main four characters feel about the damage they've caused. The male actors seem to cast for their bodies not their acting abilities. Ultimately disappointed with characters that are depicted as apathetic, remorseless and selfish.

{8.5 stars}

ADORE could have turned out really cheesy, but the very real characters, along with a nice blend of funny and sad moods, fitting soundtrack, and pretty Australian beach scenery keep it from becoming so. Fine performances by all the major players. Though more character and conflict development may seem needed at first, we get to know everyone and everything gradually, and the fact that they are all just fairly "normal" (whatever that is) people is pivotal. Not the greatest script, but it's nothing if not realistic.

Regarding the plot: The way the improbable quadrangle develops is pretty convincing. Even if what's happening in the premise is nothing illegal, it's obviously weird if not downright perverse. Yet, I was surprised to find myself rooting for both couples as ADORE proceeded, wanting them all to be happy together. The way the two women bear a superficial resemblance to each other, causing us to occasionally forget who's whose mum and who's whose lover, is another interesting effect. Finally, the isolated cove with its stationary sun-raft is an apropos symbol.

Though it's obviously not a "family film" or one for younger children, there is no gore, serious nudity (just a couple of brief booty-shots of Robin Wright and Xavier Samuel), or other flinchable elements (unless you count the multiple unexplicit sex scenes).

ADORE is one of the strongest, most satisfying films to come out in recent years, and I enjoyed it immensely.

This lovely movie was based on Doris Lessing's short story "The Grandmothers". I just saw the premiere at Sundance and absolutely loved it. Supposedly inspired by a true story, it's about two mothers who really like their son's best friend (their best friend's son) And that tag line is what you'll hear all about. Oh, the horror. I imagine middle age male reviewers will not particularly like this movie, though gay men will most likely love it. But it's a film about women--their friendships, husbands, relationships, sons and lovers. It's directed by Anne Fontaine, a French woman (which explains the exorbitant number of scenes with smoking cigarettes, and an insanely un-American story concept that young men might be attracted to older women.)

It's beautifully crafted (gorgeous cinematography) and has intelligent editing (watch for the skillful matched cuts that "age" the characters). The performances are all around great. Robin Wright is amazing--it's an Oscar caliber performance, however, the film probably won't get a large enough release to be on the radar for awards (sort of like poor John Hawkes not getting nominated for "The Sessions", what was the Academy thinking?) Of course, setting the movie in Australia means the other main character is the location. Tanned surfing teenage boys with model-beautiful mothers in bikinis, cowabunga mate (and significantly less handsome husbands and admirers, thankfully not shown in Speedos.)

There was laughter in the screening in places unexpected by the director, but this was probably just anxious laughter by viewers unaccustomed to thinking about middle aged women having sexual and emotional interest in younger men. Actually, I felt the laughter lightened up the viewing experience, and made the characters more human (okay, so I laughed and cried in this movie, but I never laughed at it.) At almost every story point where an expected turn would happen (if following Hollywood development script notes) the writer took what I call the "elegant decision" and pleasantly surprised me.

This is all around superb filmic story telling. Brilliant performances, intelligent and gentle direction, spectacular scenery, highly professional technical craftsmanship, and (for most of us, I expect) new emotional territory. It's a great film. I truly hope you get to see it.

I wanted to see what would happen even afterwords,

I wanted it to continue. I was stunned to my seat with lot of thoughts and emotions. Tanned surfing teenage boys with model-beautiful mothers in bikinis, The beautiful filming that is so well themed and constructed, this relaxed and ecstatic feel that transcends from the screen

making the audience feel the exact erotic atmosphere in which the characters dwell and that pull of desire that comes across in the silence and in the sound of the ocean; and Robin Wright's extremely deep character building and original portrayal of female strength, pull the film together to a true work of art. The location, beach houses, cinematography are beautiful and makes you want to move to Australia. Just for that the movie is worth watching.