I Do

This is your usual "Green Card" story with your gay guy trying to get a green card through a fake marriage. After some drama along the way, with the lead actor a walking ad for hair mousse, everyone has a happy ending, floods of tears. The end! It was just pretty lame!

It is refreshing to discover a little film that deals with important issues and respects those issues to the point of avoiding cliché and parody. I DO was written, produced and stars the very talented (and handsome and hunky) David W. Ross who has composed a story that deals with the now newsworthy attention on Proposition 8, the Defense Of Marriage Act (DOMA), immigration issues, and the spectrum of the gay community, and from these poignant issues he delivers a touching, humorous, tart, and ultimately deeply moving film.

Jack Edwards (David W. Ross) was born in England but came to America to study Photography and is successful in his art but lacks a significant other: we get the message that he has transient affairs with men who disappoint him. We meet Jack in a restaurant where he is joining his brother Peter (Grant Bowler) and his wife Mya (Alicia Witt) to hear that Mya is expecting. The happy trio leaves the restaurant and in hailing a cab, Jack drops his wallet and when Peter attempts to find it Peter is killed by an oncoming car. Devastated, Jack assumes Peter's role with Mya and when her daughter Tara (Jessica Tyler Brown) is born, Uncle Jack helps Mya raise her (Mya is in Nursing School and needs supportive assistance). The relationship is warm and each of the three enjoys each other's presence - young Tara is utterly accepting of Uncle Jack's being gay - a fine lesson for all adults...

Jack is notified that his Visa is expiring and he must return to England unless he can find a way to attain a Green Card. A very fine councilor, Gloria (Patricia Belcher) is strict and warns Jack that unless he finds a way to stay he will be deported. The idea of getting married as a means of obtaining a Green Card is raised and Jack's close friend, the lesbian Ali Federman (Jamie-Lynn Sigler) has just been dumped by her lover Christina (Ashleigh Sumner), and agrees to marry Jack to support his staying in the US. Meanwhile Jack, who usually has one night stands with such hunks as young Craig (Mike C. Manning), meets an architect from Spain, Mano Alfaro (Maurice Compte) and the two share many traits and philosophies as well as a powerful physical attraction and they become a couple. Feeling abandoned by her soul mate, Ali decides to ask for a divorce and this creates a real crisis that must be solved. But in the end the need for real love and for family and for meaning brings this beautiful story to a meaningful end.

The cast is exceptionally fine - without exception (little Jessica Tyler Brown at times steals the show but that is due to the brilliant lines Ross has given her) - and the cameo role by Mickey Cottrell as Sam, Jack's mentor in Photography and dear friend, is particularly meaningful to the story. But one of the most important aspects of the film is the very positive light that it sheds on equality of people - gay and straight - and how that honest depiction of people of all sexual persuasions can and do live bonded by the importance of the family of man. Highly recommended.

Grady Harp

Well this little ditty has every sappy melodramatic cliché ever thought of, and with a twist too! Well maybe not.

Here we have Jack & Peter Edwards, brothers. Peter & wife Mya meet Jack at a fancy fancy eatery to proudly announce to Jack that Mya is pregnant and they are joyful that Jack is going to be the gay uncle! All is right in their world ... oops, not so fast ... Peter gets run over by an automobile that very same evening, and the movie just started! Poor Peter!

Jump forward eight years. The daughter, Tara, is now eight years old and ever-so sweet. Mom Mya is studying to be a nurse and Jack has been a comfort and a supportive uncle. All is right in their world ... oops, not so fast ... Jack receives notice that his visa is about to expire and he will have to go back to England! He has family, a job, and has been a fine member of the community in NYC. But 9/11 changed everything he is told, so get ready for a rough ride. So Jack gets his lesbian studio assistant to marry him so he can stay in the USA. Perfect solution ... oops ... turns out if you marry after visa expiration notification you can get into some deep dodo. Lesbian chick wants to bail out on this deal ... no jail time for her. Poor Jack!

Jack just happens to meet a lonely Spanish/American guy at an art opening! Things get hot between them. Spanish/American guy to the rescue, let's get married ... all is right ... not so fast. The gay marriage deal isn't going to work either. And on and on the story goes. Little Tara gets sick, Jack and Mya have a falling out, Spanish guys father falls over dead (and Spanish guy gets all upset over this even though he hasn't spoken with his father for 20 years and dear old dad tried to stab him once!) You can just hear the weepy violin music in your head - such drama!

Guess what - happy ending! Turns out Spanish guy inherits a famous vineyard, Jack goes through with divorce, little Tara gets well, Mya aces her nursing test, and Jack flies off to Spain to jump into the eager and now wealthy arms of Spanish guy. All is right in their world.

Now the twist - two gay guys instead of a guy and a girl. Big deal.

Anyone who's hungry for a feel-good, studio-quality gay romance - with crisp photography, classy sets, clear sound, attractive actors with celebrity stubble, hot bods, pure hearts, and plenty of obstacles for true love to overcome - is going to love this movie. There are no others like it. Even lesbians are pretty well represented, within the movie's Hollywood-like straight-acting constraints. It's certainly as good and as believable as any straight romance Hollywood ever made. Even straight people might like it, because there's a very cute child, the gays are wonderfully domestic and straight-acting, and true love is true love regardless of gender.

The fact that this movie's objective - equal treatment of gay married couples under US immigration law - had, to the whole world's amazement, already been achieved by the time the DVD was released doesn't compromise its effectiveness as much as it could have. It really is a very romantic drama much more than an appeal for justice, so while the appeal already sounds dated it's a small enough part of the movie that it's easy to overlook.

For gay men like me, though, and others who aren't particularly romantic, this movie is not so great. The problem is the screenplay, written by David W. Ross, who also stars as Jack.

Nearly every point on which the highly melodramatic story turns is weak at best, and often ludicrous: Drag-racing taxis on a rainy Manhattan street at night? Jack suddenly losing his work visa after 20 steadily productive years in the US? Why? His lawyer says it's "because of 9/11"? Was every gainfully-employed British WASP deported ten years after 9/11? It makes no sense.

And after all those years of obviously successful employment (just look at his fabulous Manhattan loft apartment!), why doesn't he already HAVE a green card, or even citizenship? That's just the beginning; the contrived, nonsensical crises, one after another, are just too absurd to swallow. It's also hard to sympathize with affluent people who repeatedly make stupid choices.

But this is Hollywood (or might as well be). So while I found the movie mostly annoying (a few dynamite turns by Jamie-Lynn Sigler are the only exceptions), I strongly recommend it to my less cynical and more romantically-inclined brothers who've been waiting an unfairly long time for a movie just like this.

I saw this at this year's London Lesbian & Gay film festival ... and whilst I normally stay for the Q&A after each film ... this was one of the few that I couldn't bear to!

Don't get me wrong, I was carried along the emotional roller coaster with everybody else - I was welling up with the best of them ... but ultimately it was a fairly trashy film.

Some of the clichés and poor writing was simply inexcusable ... and some of the scenes felt as clunky as a home video. And some of the acting was fairly grim too!

Highlights were the male bodies, Jamie-Lynn Sigler and the beautiful Mike Manning.

If you want a slushy cry-fest, go for it, just be prepared for the issues listed above!