Derrière la colline

The film is technically a masterpiece. The long periods of silence succeeding natural sounds incorporate the viewer into the scenery and the atmosphere.

The key to the comprehension of the movie is the closeted parallel of this archaic in manners Turkish family with the modern state. What prevails is suspiciousness against imaginative external enemies as well as hidden guilt between the members of the inner family. The outcome is quite tragicomic and indicative of the obsessions and artificial dead ends which point at the "foreign" as the source of all our woes.

I also underlined the scene where the little girl with all its innocence states that we are also nomads, so "these" nomads won't do us any harm. The mature man replies that "they are bad nomads" and so differ from the morally immaculate family.

Emin Alper's Beyond the Hill is a master class in film making and in particular the use of sound in movies. With a soundtrack composed of only natural sounds found in nature and without any music (except at the very last scene) Alper manages to build unbearable tension.

A small landowner has punished some people living beyond a hill whose goats were grazing in his land by taking one of their goats and killing it to make a feast for his son and grand sons who are visiting him. Will those people now take revenge and what form would that be? From the moment the landowner's family arrive Alper builds up the tension expertly and manages to maintain this tension throughout the film.

In the Q&A after the screening Alper confirmed that his film is a political allegory about Turkey and its neighbors. In parts it is reminiscent of Once Upon a Time in Anatolia and clearly Emin Alper is a name to watch out for.

I was very fortunate that EYE Film Museum Amsterdam ran this movie during the Turkish Beat festival. Must say that I really really loved this movie. It is the sort of movie keeps you thinking within a couple days after you watch it. And I'm not talking gets you thinking out of not understanding the story but more like wanting to really know what is really "behind the hill".

The story take place in a remote village in East of Turkey where a family with complicated internal relationships constantly struggle with the villagers on the other side of the hill. You never see them but you only see their actions- or the actions that are attributed to them. From the start to the end, it's all wrapped with tensions of the unknown and how the villagers find ways to deal with them.

I do want to write so much more but I hate the spoiler reviews so I will leave it at this. For all I know, I still am not sure what was behind the hill.

Gorkem

I was lucky enough to catch this at this years International Berlin Festival. The director was realistic about the eventual outcome of the movie I suppose, but still the fact he made this movie is something that should be celebrated. It's a really remarkable movie, with standout performances by the cast. And while it does revolve around violence, none is actually really shown.

Which makes the whole thing even more intriguing and more arresting at the same time. Human interactions are the main course, with our instincts, drives and fears being dissected very slowly and for all to see. You can see things coming, but it seems to be impossible to stop them. It's in our nature. While this is a pessimistic view of things (or at least my interpretation of it), this is an amazing movie, that I cannot recommend highly enough!

It is an interesting movie that shows very well how Turkish people feel to live in this land. I think this is because of the education system, politicians and media in Turkey. They want us to have fears for "those people beyond the hill". They want us to hate "those people beyond the hill". They want us to kill "those people beyond the hill". Of course this is a generalization but it fits for a lot of people who lives in Turkey.

I don't agree with people who thinks that this movie is slow or boring. (If you want, you can always watch an action movie or something.) It helps you to think what is next, but you never know everything at the moment.