Non credo in niente

"Unbelievers" is a cinematic marvel that defies expectations, showcasing the power of storytelling and creativity on a limited budget. Shot in just 13 nights on Kodak Super 16 film, the movie exudes a nostalgic charm that harks back to the golden era of independent filmmaking.

The film's visual aesthetics, captured through the distinctive warmth of Super 16, add a unique texture to the narrative. The grainy, tangible quality of the images heightens the immersive experience, evoking a sense of authenticity often missing in contemporary cinema.

The tight, well-paced script, coupled with stellar performances from the cast, transforms the film into a gripping exploration of the human psyche.

"Unbelievers" transcends its indie origins, offering a thought-provoking commentary on belief systems and the boundaries between reality and perception. The characters, though rooted in a specific context, resonate universally.

The minimalist soundtrack complements the visual narrative, enhancing the emotional impact of key scenes. The director's adept use of lighting and shadows further underscores the film's thematic depth, showcasing a mastery of the craft that transcends budgetary constraints.

While the film's production limitations are evident in some aspects, they become part of its charm, contributing to the overall allure of this indie gem. "Unbelievers" is a testament to the ingenuity and passion of its creators, proving that a compelling story and creative vision can triumph over resource constraints. Alessandro Marzullo is a Master of the New Italian Cinema.

In an era dominated by big-budget spectacles, "Unbelievers" stands out as a refreshing reminder of the power of independent cinema to captivate and provoke thought. It's a testament to what can be achieved when filmmakers embrace constraints and use them as catalysts for innovation. This Kodak Super 16 masterpiece is a must-watch for cinephiles seeking a cinematic experience that transcends the boundaries of budget and conventional storytelling.

This movie has maybe one of the worst flaws a movie can have: favoring the visual appeal over the quality of the screenplay. The whole movie revolves around bland, passive and dumb characters who never do anything to make us like them or to improve their condition.

Overall, "Non credo in niente" feels like a pretentious attempt to write a story that wants to talk about a tormented generation by showing its problems and consequent disappointment, while never really managing to represent the sorrow that the characters feel inside.

Beside that, I truly believe that this movie photography is some of the best that came out in recent Italian cinema, so kudos to Kacper Zieba.