L'ancien chauffeur d'escapade Charles Bronson met en péril son identité du programme de protection des témoins afin d'aider sa petite amie à se rendre à Los Angeles. Les fédéraux et l'ancien... Tout lireL'ancien chauffeur d'escapade Charles Bronson met en péril son identité du programme de protection des témoins afin d'aider sa petite amie à se rendre à Los Angeles. Les fédéraux et l'ancien gang de Charles les poursuivent sur la route.L'ancien chauffeur d'escapade Charles Bronson met en péril son identité du programme de protection des témoins afin d'aider sa petite amie à se rendre à Los Angeles. Les fédéraux et l'ancien gang de Charles les poursuivent sur la route.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Avis à la une
Dax Shepard, the male lead, actually does surprisingly well as a writer and director. Better than you'd think. In one word, this comedy has great 'balance'. The humor is centered a lot around contemporary social issues like political correctness and its abuse, and Shepard gives in a really good shift of managing to expose the silliness of the whole debate while not really piking any side outright and juggles well with both positions in a way that's properly comedic and fun. The character played by Bradley Cooper is characteristically hilarious in that same sense, he's this tree-hugging eco-friendly extremist psycho who acts as a spoof and as proper plot material at the same time.
Some scenes are genuinely funny, a couple proper hilarious, and all in all it's very well paced, very well constructed, dialog as explained is witty and balanced (not too cute, not too thick), the characters are funny and believable despite being like comic book characters, and there's good attention to detail, everything is spelled out or made totally obvious.
Very pleasantly surprised: 7.5/10.
The plot is almost unimportant. It's just an excuse for Dax to have some fun with his car. Dax and Kristen seem to have a lot of fun. That chemistry saves this mess. Tom Arnold is incredibly annoying. There's also Michael Rosenbaum and Bradley Cooper plus many many other characters.
There was one funny scene of hilarious talk of prison rape worthy of a Tarantino script. Other than that, you'd have to really love cars or Dax driving the cars.
With that being said let me tell you where I am coming from, the perspective of a good ole regular 30 year old black lady who watches more television then they should, and enjoys going to the movies at noon because at that time I don't have to worry about some jack ass propping their feet on the back of my chair. (and I can lay down across 3 seats).
Now to the task at hand, what did I think about Hit & Run? I thought is was a good movie, I was entertained and did not regret purchasing the movie ticket.
OK, Whats the Movie About?
Charlie is a self-named member of the witness protection program, hiding out in a small rural town where he enjoys a simple life of love, and days spent worrying over his buffoonish handler, Randy (Tom Arnold). Charlie's happy world begins to crack when Annie is offered a job developing her own curriculum at a university in Los Angeles – the home of Charlie's criminal past, and a lot of bad people who want to get even with him.
Trying to prove his love, Charlie dusts off his bad boy muscle car and scoops Annie for a high-speed run to her LA job interview. But when Annie's jealous ex-boyfriend Gil (Michael Rosenbaum) tries to undermine the happy exodus, he unwittingly brings down all the wrong kind of heat on the situation. Before long, Charlie and Annie's road trip is a high-speed chase, complete with shootouts, buried treasure, and a dune buggy.
Dax Shepard is funny to me, and so is Kristen Bell. The fact that Dax and Kristen are a couple made their characters Charlie and Annie in the movie have a charming chemistry that you can only get by smashing (having sex) in real life.
Being a lover of classic cars just seeing that classic Lincoln rev around spoke to my soul.
Dax wore rugged, outlaw, bad-ass with a gentle side, pretty well. So well that he transcended from this lanky quirky white guy, to "hey, how you doin". Also, This movie just made it official that it's impossible for Bradley Cooper to be unattractive, even with a dredlock wig, and some played out Oakley's, we was still looking' good.
Yada yada yada yada...blah blah blah blah.... I like the movie.
Le saviez-vous
- AnecdotesThe budget for this film was about two million dollars. Half of that was to secure music rights.
- GaffesDuring one of the car chases, the CTS-V Wagon is sliding on a gravel road, yet the sound of squealing tires has been added. Tires don't squeal on gravel.
- Citations
Yul Perrkins a.k.a. Charles Bronson: Take three deep breaths. This is the only moment you need to be worried about. There's no yesterday. There's no tomorrow. There's just right now. You're not late for anything, and you're going to miss anything. You're exactly where you're supposed to be... and you're exactly who you're supposed to be. You're absolutely perfect. And whatever happens today is exactly what's supposed to happen... and if you want, I'll spend every moment with you for the rest of your life.
Annie Bean: Okay. I want.
Yul Perrkins a.k.a. Charles Bronson: You're going to have a wonderful day today. You don't have to be nervous about anything.
Yul Perrkins a.k.a. Charles Bronson: Okay. I'm not.
Annie Bean: You promise?
Yul Perrkins a.k.a. Charles Bronson: Yeah. Thanks buddy.
- Crédits fousDuring the final credits there is an additional scene depicting the job interview that was the point of the whole road-trip.
- ConnexionsFeatured in The Big Review: Summer Trailer Park Series (2012)
- Bandes originalesFever
Written by Ishmael Jingo
Performed by Ishmael Jingo
Published by The Estate of Ishmael Jingo
P1974 Afro Rock
Courtesy of Kona on behalf of
The Estate of Ishmael Jingo
Meilleurs choix
- How long is Hit and Run?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Golpe y fuga
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 749 300 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 526 222 $US
- 26 août 2012
- Montant brut mondial
- 16 816 647 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1