Hit & Run

This film is about a woman who has to go to Los Angeles for an interview. She runs into all sorts of trouble along the drive by her boyfriend.

"Hit and Run" is a comedy that combines comedy, some action and lots of cars. The prevailing mood of the film is very lighthearted, and the on screen couple is convincing. I can see how Charlie really cares for Annie with his dedication to taking Annie to her job interview. The incompetent cop is funny, and Bradley Cooper's thug character is funny as well. I am impressed by how, in the middle of all the mess, the directors still manage to throw in subplots about anti-homophobia and political correctness. I am also impressed by how many gay subplots get mingled in a movie with cool car swerves. "Hit and Run" is a comedy that is relatively different compared with the rest.

Fast cars and comedy have never really gone hand in hand. Movies such as the "Fast and Furious" franchise have always been about the cars, with the jokes mostly sticking to characters digging at each other and one-liners. "Hit and Run," on the other hand, is all about the humor — with a side of car porn.

"Hit and Run" serves predominantly as a showcase for the comedic style of its creator, actor Dax Shepard. Shepard's filmmaking debut, "Brother's Justice," which he also co-directed with partner David Palmer in 2010, went silently, but here he's convinced his fiancée, Kristen Bell, to co-star and snagged another A-lister in Bradley Cooper to elevate the film's profile.

The humor in "Hit and Run" can best be described as awkward. It's a lot like "Seinfeld" and "Curb Your Enthusiasm" in the way it constantly steps back to let the characters verbally break down the event, action or tension that just happened or is happening on screen, only Shepard is less concerned with social taboos and all the characters of "Hit and Run" are a little mentally off in one way or another outside of the central couple.

Shepard plays Charlie Bronson, only that's not his real name. He lives somewhere in hard-to- find California because he's in Witness Protection after testifying against some bank robbers a few years back. Since then he's started a new life and a serious romance with Annie (Bell), who doesn't know much about his past. When Annie gets an incredible and nearly shoo-in dream job opportunity in Los Angeles — the city Charlie must specifically stay away from — he decides to risk taking her there.

Setting it all in motion is a small contrivance: Annie needs to bring her teaching certificate, which she left in a photo album at her ex-boyfriend, Gil's (Michael Rosenbaum), house. Gil is still obsessed with Annie and convinced Charlie's a rapist of some kind because of his shrouded past. Ultimately, he discovers Charlie's real identity and in hopes of getting Annie back, contacts the very people Charlie must hide from, including Alexander Dmitri, a dreadlocked Cooper with an attitude problem.

It takes some time for all this to build, during which we're treated to a lot of weirdness. Tom Arnold plays Randy, the incompetent U.S. marshal assigned to protect Charlie who must then take off after him when he leaves town, and to call him a klutz would be a gross understatement. He's a running punch line in the film, which is fitting because Arnold is sort of a running punch line, but as you're waiting for the tension to ratchet up in the movie, he's frustratingly flattening it.

The slow first half of the film will immediately disappoint anyone looking for something high octane with lots of speeding cars and action. There's plenty of spinning out, chasing and wrecks, plus peeks under the hood for bona fide car nerds, but this isn't an action movie.

Eventually, Shepard's style finds its groove in the chaos of Randy, Gil and Charlie's old gang chasing after him. The characters arguing over trivialities, namely calling each other out on the dumb (and typically violent) stuff they do, works better in contrast with tension and suspense because it becomes less predictable. Before the story really gets going, the humor feels forced and anecdotal because we're just waiting for Alexander to find out about Charlie and go after him. The script in this sense could've used a veteran writer's assistance to help the plot hit the ground running.

Admirably, the core of the story is way these events test the romance between Charlie and Annie. Shepard and Bell's real-life chemistry is apparent on screen and the slow beginning includes plenty of legwork to make them people you want to root for. When Annie finally learns exactly who Charlie was and freaks out over it, the two have a very legitimate and believable argument and we yearn for that problem to be resolved, even if the other characters and elements of the film are too borderline psychotic for things to end up any way but happy or in complete ruin.

With the number of oddball supporting characters, random violence, car porn and plenty of meta-talk about relationships, the overall tone of "Hit and Run" is ironic. The soundtrack is probably the best example, as it includes Lou Rawls' recording of "Pure Imagination" from "Willy Wonka and the Chocolate Factory" during a car chase sequence, and the film ends with "Let My Love Open the Door," which has no place in a film unless you're trying to be cheesy on purpose.

"Hit and Run" could be a stepping stone to something bigger and better from Shepard, who might find more success if he took his brand to television or simply found a way to keep the energy up in future films so that the jokes will hit harder. In the meantime, "Hit and Run" avoids being total late-August junk, even if most will discover it down the road as a surprisingly decent rental.

~Steven C

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If I really paid attention to some stuffy movie critics I'd probably never see another movie in my life. Reviews riddled with technical jargon like screenplay this, and protagonist that bore me immensely when I just want to know, "will I regret paying $6-12 for the movie?".

With that being said let me tell you where I am coming from, the perspective of a good ole regular 30 year old black lady who watches more television then they should, and enjoys going to the movies at noon because at that time I don't have to worry about some jack ass propping their feet on the back of my chair. (and I can lay down across 3 seats).

Now to the task at hand, what did I think about Hit & Run? I thought is was a good movie, I was entertained and did not regret purchasing the movie ticket.

OK, Whats the Movie About?

Charlie is a self-named member of the witness protection program, hiding out in a small rural town where he enjoys a simple life of love, and days spent worrying over his buffoonish handler, Randy (Tom Arnold). Charlie's happy world begins to crack when Annie is offered a job developing her own curriculum at a university in Los Angeles – the home of Charlie's criminal past, and a lot of bad people who want to get even with him.

Trying to prove his love, Charlie dusts off his bad boy muscle car and scoops Annie for a high-speed run to her LA job interview. But when Annie's jealous ex-boyfriend Gil (Michael Rosenbaum) tries to undermine the happy exodus, he unwittingly brings down all the wrong kind of heat on the situation. Before long, Charlie and Annie's road trip is a high-speed chase, complete with shootouts, buried treasure, and…a dune buggy.

Dax Shepard is funny to me, and so is Kristen Bell. The fact that Dax and Kristen are a couple made their characters Charlie and Annie in the movie have a charming chemistry that you can only get by smashing (having sex) in real life.

Being a lover of classic cars just seeing that classic Lincoln rev around spoke to my soul.

Dax wore rugged, outlaw, bad-ass with a gentle side, pretty well. So well that he transcended from this lanky quirky white guy, to "hey, how you doin". Also, This movie just made it official that it's impossible for Bradley Cooper to be unattractive, even with a dredlock wig, and some played out Oakley's, we was still looking' good.

Yada yada yada yada...blah blah blah blah.... I like the movie.

I enjoyed this film. Not just because I am a fan of Kristen Bell, though that is part of it. I often like quirky films, and this film has plenty of quirk, thanks to writer and co-director Dax Shepard, who was Kristen's boyfriend during filming, now her husband.

Hit & Run is an action comedy. Look at the poster for the movie, with the small photos of the actors and the huge image of a car. That is a clue. Expect lots of cars and car chases, mixed with humor. Think Smoky & The Bandit.

One reviewer panned the film because, he said, it's "PC". On the contrary, some viewers may not enjoy the film because Shephard's sense of humor is very non-PC, riffing on some subjects that may make some uncomfortable. Me, I found it funny.

A great cast contributes to the chicanery, including Bradley Cooper and Kristen Chenoweth. Tom Arnold plays a U.S. Marshall who is an accident waiting to happen--and the wait is very short. I found his performance to be distracting.

Eventually, most of the cast participates in a multi-car chase that--you can tell-was choreographed by a real car lover. Motorheads will appreciate that aspect of the film.

I will score this film a modest "6" and hope that Shephard writes another script that is just as big on quirk, but maybe a little more focused.

No this isn't as mediocre as you're thinking. It isn't. No it's not just another cheesy Hollywood comedy with dense jokes that's all about car-oriented action scenes and a pretty girl. I for example know nothing about cars and don't appreciate by the number American comedies and I really enjoyed this. If anything the title does the film no favors.

Dax Shepard, the male lead, actually does surprisingly well as a writer and director. Better than you'd think. In one word, this comedy has great 'balance'. The humor is centered a lot around contemporary social issues like political correctness and its abuse, and Shepard gives in a really good shift of managing to expose the silliness of the whole debate while not really piking any side outright and juggles well with both positions in a way that's properly comedic and fun. The character played by Bradley Cooper is characteristically hilarious in that same sense, he's this tree-hugging eco-friendly extremist psycho who acts as a spoof and as proper plot material at the same time.

Some scenes are genuinely funny, a couple proper hilarious, and all in all it's very well paced, very well constructed, dialog as explained is witty and balanced (not too cute, not too thick), the characters are funny and believable despite being like comic book characters, and there's good attention to detail, everything is spelled out or made totally obvious.

Very pleasantly surprised: 7.5/10.