L

The most damning thing I can say about any film is when you walk out not 5 minutes in or 10 minutes in, but you stick it out until the bitter end, then give up in the last 10 minutes. That's what I did here. Kept hoping against hope it was going to start making sense, be less vacuously pretentious, devoid of emotion, bleak and empty, but it never did. Nihilistic, in a way that reminded me of 60s French movies by people like Jean Luc Godard. (I laughed like a drain at Pierrot Le Fou, but most of them were dire.) If you like people having banal and platitudinous conversations that are supposed to have some kind of elliptical meaning or symbolism, perhaps like Beckett's Waiting for Godot, you will probably love this!

As I'm not fond of lengthy comments and reviews, especially on thought-provoking and philosophical movies - as I believe that the perception of every single one of us is remarkably specific - I will relieve only one thing, about this very controversial movie, which kept my wits working for quite some time, as I've been stewing over it for a couple of evenings after seeing it at the Ljubljana International Film Festival.

The movie is not about cars and motors as a previous comment puts it. It's a symbolist, minimalist and often claustrophobic and bizarrely ridiculous approach on depicting life. It is not at all shallow, but rather unintentionally philosophic in its extraordinary cinematographic simplicity of various static shots. It is definitely worth watching, but beyond question not for everyone.

If you cherish modern Greek cinematography - movies like Kynodontas or Attenberg - you will love this one for sure. Mr. Makridis' director-debut definitely payed off. In my personal opinion: an amazing movie and an amazing director!

Beautiful movie, a dive into human psyche regarding choices, life, and actions.

This is one odd duck of a film. A brilliant comedy drama that completely shines as something so far out there that's it's completely crafted in a unique originality that makes the viewer laugh and just giggle at its complete uniqueness. This is Wes Anderson meets Andrei Tarkovsky.

Babi Makridis directed a film that will stand the test of time as being a modern day classic. This is his first feature film. To direct an odd comical piece of art like this, for being his first feature length film, it makes me smile and super happy in knowing there are new and fresh directors making a new bold statement of film perfection. This movie is odd and strange and creates fantastic characters that the viewer can become a part of or at least follow along on the strange and odd journey of the Man. The characters other than Man are Black Rider, Bear, Wife, New Driver, Friend, Boss and Skipper just giving it another odd sense and yet brilliant film making at the same time.

This Greek film is something to remember and also watch several times in that the viewer can fully appreciate the value and interesting statement made. I think the value of the film is something that grows on you as you watch it over and over again. It was an official selection at 2012's Sundance Film Festival and also was a part of many film festivals. I believe the world of independent film making and festivals saw the ultimate value and uniqueness of this film. The direction has to be something to be seen to understand. I can't just put into words how amazing the shots are and how the landscape is beautiful and picture perfect as a piece of art on landscape come to life.

So what does the title stand for well here is the definition of the letter L: An L-plate is a square plate bearing a sans-serif letter L, for learner, which must be affixed to the front and back of a vehicle in many countries if its driver is a learner under instruction?

You can finish my Review here: www.abucketofcorn.com