Ajouter une intrigue dans votre langueThe story of former Hollywood star Grace Kelly's crisis of marriage and identity, during a political dispute between Monaco's Prince Rainier III and France's Charles De Gaulle, and a looming... Tout lireThe story of former Hollywood star Grace Kelly's crisis of marriage and identity, during a political dispute between Monaco's Prince Rainier III and France's Charles De Gaulle, and a looming French invasion of Monaco in the early 1960s.The story of former Hollywood star Grace Kelly's crisis of marriage and identity, during a political dispute between Monaco's Prince Rainier III and France's Charles De Gaulle, and a looming French invasion of Monaco in the early 1960s.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Primetime Emmys
- 1 victoire et 5 nominations au total
- Count Fernando D'Aillieres
- (as Sir Derek Jacobi)
- Hitchcock
- (as Roger Ashton Griffiths)
Avis à la une
The film shows a relatively small part of Kelly's remarkable life. After having been married for six years to Prince Rainier of Monaco, she is visited by Alfred Hitchcock who offers her the lead in his film project 'Marnie'. She wants to do it, but reviving her acting career turns out to be impossible because of a crisis in Monaco, caused by French president Charles De Gaulle's political manoeuvrings.
We see Kelly as a somewhat naive Princess, who against her will becomes involved in political power-play. When a French diplomat suggests that Europe should become a third pillar of world power, next to the Soviet Union and the US, the American-born Kelly quips that this wouldn't be necessary if Europe wouldn't have invented communism and fascism. It's one of the best one-liners in the film.
The story switches nicely from Rainier's political problems to Kelly's own personal doubts. She is not happy as a Princess, and has trouble with the rigid conventions of life at the palace. The film even suggests that her outspoken opinions help solving the problems with France in the end. This may not be historically correct, but it makes for a nice script.
Much has been said about casting Nicole Kidman. I think there are very few actresses on the globe who would have done a better job. I'm not exactly a big fan of Kidman, but in this case she shows exactly the right mix of a strong will, a fearless non-conformist attitude and a superb elegance. She fits in perfectly with the cinematography, full of warm colours and lush images.
I liked the way the script works towards an apotheosis: a speech by Kelly at a high-profile philanthropic event in Monaco. The speech is truly great; either it's very good script writing, or Kelly employed a very talented speech writer. It's the highlight of the film: Kidman delivers her text in a truly heartfelt way, with the camera extremely close, so only a part of her face is visible.
The film has weak points. The dialogue sometimes feels clumsy and pompous, there are too many subplots and intrigues, and the director indulges a bit too much in the glamorous palace life. But at least this film doesn't make the mistake of cramming too much biographical information into a 100-minute movie. It's an enjoyable movie about one of the most interesting women in film history.
The political and economic question behind the film is quite derisory, especially if we take into account that the world was then paralyzed in the face of the Cuban missile crisis. However, at the time, it was important for Monaco to show its sovereignty over its more powerful neighbor, and to continue with attractive taxes for millionaires and companies. Unfortunately, I have serious doubts about how much of this film is true, as everything is frankly exaggerated and stilted, and a diplomatic and fiscal crisis is transformed into an imminent threat of war in Central Europe! A bloody war that was halted by the energy and courage of an American princess... I really have serious doubts about all this!
Whatever the truth, the fact is that the film has an excellent Nicole Kidman. She is a good actress and has, herself, an aura of indisputable elegance, which she used to bring to life the former American actress, later princess. But even considering the good work of the actress, she is very different from the real Grace. The two don't look alike, even with the greatest goodwill. But she's not the only actress who seems to have been a casting mistake: who looked at Paz Vega and saw Maria Callas? In the midst of it all, Tim Roth would almost have escaped if it weren't for a tired, monotonic, tobacco-drenched portrayal of a prince struggling to control his tiny kingdom. Roger Ashton Griffiths works well as Hitchcock, but his appearance is occasional and unimportant. Frank Langella did well, but appears little, and the same can be said of Derek Jacobi.
In addition to Kidman's excellent performance and a super stilted and exaggerated story, with power struggles, behind-the-scenes moves and threats of war around a quiet little town near the Mediterranean, the film gives us excellent production values: if the audience looking for a film loaded with all the glamour of European royalty, this film is prepared to fulfill this desire. Luxurious dresses, jewelry, excellent costumes, palatial settings that make the most realistic dreams come true, and that make us really think that Grace Kelly had the life that many young women asked for. In addition, the film has good cinematography, good colors and light, and a relatively good pace, which doesn't waste much time on anything.
Story of Monaco was very interesting and this particular episode in life of the Principality was well described in the history and well portrayed in this film.
In the movie theater where I watched this film 99 percent of the audience were women. I guess all of the dream to marry a Prince charming. Be careful what you wish for, you might get it! My ex got her and she ran for her life ;)
Le saviez-vous
- AnecdotesIn January 2013, more than a year before the release of this movie, Grace Kelly's children Prince Albert, Princess Caroline, and Princess Stephanie of Monaco, issued a joint statement saying they had no association with the production. The family added that this movie contains major historical inaccuracies, and that Director Olivier Dahan ignored their requests for changes.
- GaffesOn the map Russia's Baltic seaport is named "St. Petersburg." From 1924 to 1991, the city's name was "Leningrad."
- Citations
Francis Tucker: [in a letter] Long after I'm gone, long after the House of Grenaldie has fallen, the world is going to remember your name, your Highness. You are the fairytale, the serenity to which we all aspire. And peace will come when you embrace the roles you have been destined to play: devoted mother, loyal wife, compassionate leader. Up against a task larger than yourself, you will overcome your fears. Those that preceded you will be forgotten. Those that follow you will be inspired by your strength and endurance. For no matter where you are in years to come, they will continue to whisper your name, the Princess Grace.
- Versions alternativesAccording to the Trivia section: There are three different versions of this movie: One cut from Director Olivier Dahan that premiered at Cannes in 2014, another cut by Writer and Producer Arash Amel at the behest of the North American distributor The Weinstein Company, and a third cut that was shown on Lifetime in May 2015.
- ConnexionsFeatured in Film '72: Épisode datant du 5 mars 2014 (2014)
- Bandes originalesTime Flows Like Tears
by Fox
Performed by Fox
Drums: Vincent Taeger
Acoustic Guitar and Bass: Ludovic Bruni
Piano and Synths: Vincent Taurelle
Additional Guitars: Philippe Almosnino
Music Producer: Renaud Letang, assisted by Thomas Moulin
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- How long is Grace of Monaco?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Grace of Monaco
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut mondial
- 27 515 247 $US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1