Ajouter une intrigue dans votre langueIn ancient China, the seven heirs of the Yang family face a horde of enemies to rescue their father.In ancient China, the seven heirs of the Yang family face a horde of enemies to rescue their father.In ancient China, the seven heirs of the Yang family face a horde of enemies to rescue their father.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 nominations au total
Ekin Cheng Yee-Kin
- Yang Yan Ping
- (as Ekin Cheng)
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Chinese historical stories have no lack of its own heroes who display virtues of courage, and loyalty, and the Yang Family of the Song Dynasty has been celebrated in countless of books, plays, operas and of course, film. There are many variations to the adventures of General Yang (Adam Cheng) and his seven sons in the face of deadly adversary, and this Ronny Yu directed period action film is yet another take that's done right, wiping off the unworthy stink that Legendary Amazons in 2011 had laced upon the family of valour.
This production brings back the creative talents of those behind the scenes of the successful Ip Man movies starring Donnie Yen, such as Producer Raymond Wong, his son Edmond who served as one of three co-writers, and musician Kenji Kawai who provided the score, and you'll be assured for that attention to detail, and high production values put into this retelling. There's good balance between the more dramatic moments in the film and the requisite war action scenes, but it only did adequately enough without pushing boundaries to have made it from good, to instant classic.
Admitedly, there are many characters here in the story, given the General and his 7 young sons, in addition to the women in the film, primarily represented by the General's wife (Xu Fan), and the Helen of Troy equivalent Princess Chai (Ady An), who drives a rivalry between the Yang family and the Pan family further when Pan's son vies with Yang's seventh son (Fu Xinbo) for the Princess' affection, only for the former to perish, and sets in motion the Pan's patriarch (Leung Ka Ying), appointed supreme commander against the invading Khitan forces led by Yelu Yuan (Shao Bing), to betray his fellow Song citizen by feeding him to the wolves with a lack of backup, and rescue troops.
Cornered at the Wolf Mountain, this film then takes on 300 proportions, with soothsayers boldly predicting unfavourable outcomes, while the strengths of the few, in this case just seven and an assortment of a handful of loyal soldiers, venture out to rescue their father/leader from impending doom. While the opening big battle sequence involving all seven brothers was a treat, this soon gave way to a fight choreography that bordered on repetition, with shots on characters on horses wielding their weapons around, and because of their bring grossly outnumbered, finding themselves backpaddling and fleeing most of the time.
But Ronny Yu, knowing the constraints of the story he wanted to tell, which is for the seven brothers to bring their father back home to their mom, while under pursuit by the Khitan Yelu Yuan possessing a personal vendetta against the Yangs, managed to keep the narrative moving at breakneck speed, leaving you breathless for its continuous swarm attacks of many against a pitiful few. It's a challenge featuring an ensemble cast battling it out against a stunt team, but these were action scenes crafted that managed to convey the sense of claustrophobia, frenzy, panic, and at times, fear. There's also that art house sensibility that found its way into the story through some shots that lingered around for a tad too long, giving us that detailed glimpse into the production effort in recreating that era.
At times though you'd feel that you want to get to know more about the individuals in the story, rather than to just get acquainted for a short period through flashbacks that highlight the brothers' diverse characteristics. While that would likely stretch this to television series proportions, I thought it would provide some deeper understanding, at least of the characters played by headliners such as Ekin Cheng, Vic Zhou and Wu Chun. The villain Yelu Yuan is obviously of one track mind and objective, and it's a good thing that we didn't get superhuman with the Yang generals, which was quite the surprise with injuries sustained from the get go, once again keeping things real, with that element of danger lurking around.
It's been a long gestation period ever since the movie was introduced at last year's Hong Kong International Film Festival, while making its world premiere recently at this year's festival edition. It's as close to a Chinese blockbuster as can be with a lightweight narrative propped up by heavy duty battle scenes. Who would have thought though, that the more dramatic moments in the film, turned out to be its key strengths, together with Xu Fan's limited moments as the wife/mom who harboured as much hope as dread as she waits out the return of her husband/boys. Recommended!
This production brings back the creative talents of those behind the scenes of the successful Ip Man movies starring Donnie Yen, such as Producer Raymond Wong, his son Edmond who served as one of three co-writers, and musician Kenji Kawai who provided the score, and you'll be assured for that attention to detail, and high production values put into this retelling. There's good balance between the more dramatic moments in the film and the requisite war action scenes, but it only did adequately enough without pushing boundaries to have made it from good, to instant classic.
Admitedly, there are many characters here in the story, given the General and his 7 young sons, in addition to the women in the film, primarily represented by the General's wife (Xu Fan), and the Helen of Troy equivalent Princess Chai (Ady An), who drives a rivalry between the Yang family and the Pan family further when Pan's son vies with Yang's seventh son (Fu Xinbo) for the Princess' affection, only for the former to perish, and sets in motion the Pan's patriarch (Leung Ka Ying), appointed supreme commander against the invading Khitan forces led by Yelu Yuan (Shao Bing), to betray his fellow Song citizen by feeding him to the wolves with a lack of backup, and rescue troops.
Cornered at the Wolf Mountain, this film then takes on 300 proportions, with soothsayers boldly predicting unfavourable outcomes, while the strengths of the few, in this case just seven and an assortment of a handful of loyal soldiers, venture out to rescue their father/leader from impending doom. While the opening big battle sequence involving all seven brothers was a treat, this soon gave way to a fight choreography that bordered on repetition, with shots on characters on horses wielding their weapons around, and because of their bring grossly outnumbered, finding themselves backpaddling and fleeing most of the time.
But Ronny Yu, knowing the constraints of the story he wanted to tell, which is for the seven brothers to bring their father back home to their mom, while under pursuit by the Khitan Yelu Yuan possessing a personal vendetta against the Yangs, managed to keep the narrative moving at breakneck speed, leaving you breathless for its continuous swarm attacks of many against a pitiful few. It's a challenge featuring an ensemble cast battling it out against a stunt team, but these were action scenes crafted that managed to convey the sense of claustrophobia, frenzy, panic, and at times, fear. There's also that art house sensibility that found its way into the story through some shots that lingered around for a tad too long, giving us that detailed glimpse into the production effort in recreating that era.
At times though you'd feel that you want to get to know more about the individuals in the story, rather than to just get acquainted for a short period through flashbacks that highlight the brothers' diverse characteristics. While that would likely stretch this to television series proportions, I thought it would provide some deeper understanding, at least of the characters played by headliners such as Ekin Cheng, Vic Zhou and Wu Chun. The villain Yelu Yuan is obviously of one track mind and objective, and it's a good thing that we didn't get superhuman with the Yang generals, which was quite the surprise with injuries sustained from the get go, once again keeping things real, with that element of danger lurking around.
It's been a long gestation period ever since the movie was introduced at last year's Hong Kong International Film Festival, while making its world premiere recently at this year's festival edition. It's as close to a Chinese blockbuster as can be with a lightweight narrative propped up by heavy duty battle scenes. Who would have thought though, that the more dramatic moments in the film, turned out to be its key strengths, together with Xu Fan's limited moments as the wife/mom who harboured as much hope as dread as she waits out the return of her husband/boys. Recommended!
I've just watched this movie and it's surprising to find its only get a 5.5 out of 10. I mean, come on, Saving General Yang deserves better! I went to this site to check the rating after I watched the movie and I expect it to get above 7, but after finding out that the rating was not even decent, I wonder if the people who rate it low truly watched the movie.
What's not to like about an epic tale of a legendary general, deceived by his devious comrade-in-arms, while a barbaric foe who hold a grudge against him ready to cut him in pieces, and his 7 sons, each with different personalities, risk their lives to save his father?
This movie has several memorable scenes, and some of them even gave me troubles to hold my tears. The fighting scenes were excellent. The only thing that keeps me from giving it a 10 is the ending, but overall, it's a joy to watch.
I highly recommend this movie!!!
What's not to like about an epic tale of a legendary general, deceived by his devious comrade-in-arms, while a barbaric foe who hold a grudge against him ready to cut him in pieces, and his 7 sons, each with different personalities, risk their lives to save his father?
This movie has several memorable scenes, and some of them even gave me troubles to hold my tears. The fighting scenes were excellent. The only thing that keeps me from giving it a 10 is the ending, but overall, it's a joy to watch.
I highly recommend this movie!!!
Firstly, at the time of writing this movie has only got 5.5/10 which seems kinda crazy to me, so don't be put off by the low rating.
Firstly this film took me completely by surprise. General Yang has seven sons who have to save him (I won't say any more - no spoilers). What amazed me is how the director has managed to give each of them depth and character. Rather than simply seeing them as seven brothers you get to know each one individually, both the good and bad of each character.
Secondly, I can't remember the last time a movie of this kind literally moved me to tears, but this one got me! It's the scene where they are next to an old grave of a past warrior. You will understand why when you watch that scene.
Watch this movie, I promise you won't be disappointed!
Firstly this film took me completely by surprise. General Yang has seven sons who have to save him (I won't say any more - no spoilers). What amazed me is how the director has managed to give each of them depth and character. Rather than simply seeing them as seven brothers you get to know each one individually, both the good and bad of each character.
Secondly, I can't remember the last time a movie of this kind literally moved me to tears, but this one got me! It's the scene where they are next to an old grave of a past warrior. You will understand why when you watch that scene.
Watch this movie, I promise you won't be disappointed!
Saving General Yang is an excellent Chinese period war movie in the same vein as Red Cliff and Warlords. Of course, the three of these films differ greatly. SGY takes place in Northeast China, early Song dynasty where the righteous General Yang is trapped behind enemy lines and his seven sons rush to the battlefield to rescue him. Directed by Ronny Yu, who directed some of my favorite Chinese language movies such as Fearless and The Bride With White Hair. As usual for Ronny Yu, SGY is real sharp looking with exceptional camera-work. Yu did well with this period epic with top notch cinematography, great action, nice sets/costumes, good storytelling and solid performances from the cast. As this is a war movie, I felt the film needed more blood. Even so, that is a minor complaint as SGY is a very solid and well made movie.
I have watched this movie just out of curiosity to find out if there was any "connection" with "Saving Private Ryan" and to some extent there was. The plot is quite obvious with a resemblance of old fairy tales about seven warriors. There are all movie elements you expect to see in recent Chinese movies like love, brotherhood, master and student relations, political intrigues, wisdom, betrayal, revenge, etc. Everything is the way it should be, the good guys remain good ones till they die and bad guys are either punished or learn their lesson. As a person who has been watching martial art movies for many years, I could appreciate the quality of fighting scenes choreography. I can hardly imagine how warriors of the past could fight for hours using their weapons when one gets tired after fencing for just an hour. Of course there are special effects, but most of the stunts are done with minimal "wire use" that has been heavily exploited by Jet Li in his last movies. I cannot say this is one of the best martial art movies, but I did not have a feeling of wasted time after watching it. The main thing that kept me watching this movie till the end was a prophesy written by a wise master. Intrigued? Then watch it yourself.
Le saviez-vous
- GaffesDespite shooting multiple arrows the archer brother always has the same number of arrows in his quivers. In the final duel he shoots far more than he has, and first one then the second quiver disappears without opportunity/time to drop them.
- Versions alternativesThe UK release was cut, cuts were required to remove sight of animal cruelty, in this case horses being tripped to fall forwards in a dangerous manner, in order to obtain a 15 classification. Cuts made in accordance with BBFC Guidelines and policy. An uncut classification was not available.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Giải Cứu Tướng Gia
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut mondial
- 12 756 500 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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