Le rituel du 9e jour

I know all you Shetlander's are saying its just bad press but we know you eat your babies, kill off your wives, really love your sheep, etc. 'She's taken one of the boats' how the f*<k did she park it half way up the beach?. All in all a predictable late night tv movie.

From the start you know this is going to stink when the lead asks her husband of many years "Your father doesn't know you're a diabetic, does he?", when they are IN HIS HOUSE having dinner! Presumably this didn't seem important enough to talk about before!

A nosy American doctor shows up at a remote Scottish island and without delay starts her own full scale murder investigation after she dug up a hole in her garden that uncovers a body! She immediately gets a job at the hospital, too. She must be a helluva doctor!

The bloody awful music tries to give an atmosphere of suspense for the entire 90 minutes... even when there's NOTHING HAPPENING!

The cult elements are never really explored, apart from a few daubings on walls and bodies... which the cops don't seem to think really matter.

Anyone who gets in the way is bumped off and for the cops it's just another day in the office. Happens all the time on these remote islands.

Somehow the house on the top of a mountain seems to have been FLOODED! How the bloody hell did that happen?

The final 20 minutes play out like the worst episode of a 1990's Ruth Rendell crap-fest.

Overall it's just very silly. It is Lifetime TV for people who think that Lifetime TV needs more murders!

What struck me about Sacrifice was that it had the feel of a really spooky episode of Monarch of the Glen (2000), somehow confused with an episode of Midsomer Murders (1997), with John Nettles played instead by an American doctor obviously in love with the adventures of Agatha Christie's Marple (2004). It's really a detective story more than a horror story. There is pace and some tension, and I admit I admired the lead's dogged determination. The story is wild, almost wacko, and will certainly make some viewers credulous. The story arc didn't really have any holes in it, which was quite a feat for such a spirally tale. I looked for them, but I have to hand it to the writers, they did a good job. I think the problem was more the premise which was far fetched. Even some of the scenarios beyond the story seemed far fetched. Would there really be a major maternity hospital on an island only reachable by boat? Wouldn't that present mothers with a problem if they came to term early? True, the hospital had a helicopter. The other problem I had was the filmmakers made no attempt to marry the story, with all its heritage, to the cinematography. The location was beautiful, but we only saw glimpses. British lovers of shows such as Marple and Midsomer Murders will enjoy this, but I doubt dire horror fans will be impressed.

First of all, I don't know why the notes / ratings here are so low - five is really so - so and this film is much better.

I did not really read the storyline of the film except that the woman is moving from New York to S Islands. So, that was what I knew and the rest of the film was interesting to me. It was rather on good pace. Not slow or too rushed. The acting was believable. The setting is good. The story is interesting and has some minor twists which are good. It keeps you guessing. I can not say that anything was predictable as many wrote.

I liked the movie. It was not really great and that blew me away, but for what it is - I give it eight!

Don't know whether because it is British, but the film kinda reminded me of those crime series from England my mother watches :) I don't know their names, but... somehow reminded me of that - and a bit of some Agatha Cristie movies.

This movie was clearly made to entertain you while you doze off on the couch: semi intriguing premise, clunky pacing and the usual European folklore bric a brac composed of small communities, weird rites of fertility and secret cults.