My Brother the Devil

James Floyd and Fady Elsayed rivet your attention as older and younger brothers, UK-born of Egyptian parents, who have hopes and, therefore, frustrations living in council-houses London. As with so many young, poor males in that milieu, the only immediate path to some kind of decent income is in the gang activities commonplace in their part of town.

And yet this movie avoids every clichéd turn of plot suggested by the familiar premises of the story. The drama is consistently fresh. The developments, though surprising, are invariably right. This movie will hold your attention and its characters your sympathy from the opening scene to the last blackout.

I'd also mention that a lot of the movie is in closeup so it helps that James Floyd is very easy to look at. The most perfect nose without rhinoplasty I ever saw. Jim Smith

Seen this film at Sundance and was absolutely amazed by the acting in it. This film is so authentic, I loved that some of the cast are people from the streets of London. Listening to the director even prior to the screening talk about being excited screening in front of "real" people instead of the usual Sundance industry crowd was refreshing. Can't wait for some of her other stuff. The film feature some amazing cinematography. The scene with the younger brother on the tree with use of sunlight is beautiful.

See this film and watch out for everyone involved.

P.S. I cannot believe Fady Elsayed who played the younger brother hasn't acted before. That guys gonna be a star!

MBTD has a great cast, not a single complaint about it. The young actors are truly phenomenal. The story of two brothers in Gangland London doesn't ring that right to me. This is not gangland London. What the producer wants to show is the under layer of society where kids too mature for their age get in the lowest ranks in the hierarchy of drug dealers and their rivalry to make it big or make it out. But it's too clean, too polished and too polite.

El Hosaini goes methodically by a list of what are considered controversial topics just enough to charm but not offend the audience. Events are nicely sown together to make festival goers feel that this movie is "deep". Played out in sleek designed apartments and clean street scape instead of rough neighbourhoods governments neglect and fail to maintain . The director doesn't really understand the dynamics although apparently she spend 5 years doing research for the script. It looks like she spend a lot of time reading about it. The world she tried to capture is far more gritty than this. It's a nice watch but in no way La Haine where you see desolation, despair and boredom with a life that will have nothing else to offer. If I could I would rate this 8 for the cast and 5 for the script.

MY BROTHER THE DEVIL has quite a lot of quality for a low budget, shot-on-the-streets type of British youth film. It tells the story of a couple of Arab kids growing up on the mean streets of Hackney, where they must intermingle with drug gangs and adult life in a bid to make something of their lives - or merely survive.

Unfortunately for me, I've seen all this sort of thing before in the likes of Noel Clarke's KIDULTHOOD and ADULTHOOD, plus the wave of films along the same line that have been made over the past decade, and MY BROTHER THE DEVIL doesn't really have much more to say on the subject, other than to make a point of how ridiculous, violent, and difficult it all is. Director Sally El Hosaini elicits some strong performances from her young, unknown cast members, and the film is certainly watchable from beginning to end. But it's too familiar and fatalistic to have much of an impact on this viewer.

I saw the film at Sundance and I really liked it. The film represents a realistic portrayal of inner-city London gangs and the performances of the lead actors are excellent. In particular, the performance of James Floyd, who has a powerful and engaging on-screen presence deserves praise.

Don't be fooled into thinking this is just another low budget London gangs film. It is much more than that and the quality of the cast and crew shines through in the final product. The cinematography gives the film a truly authentic feel, giving it firmer foundations than many others of its kind.

This is definitely worth a watch and I hope the film gets recognised with more awards.