NOTE IMDb
8,1/10
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MA NOTE
Ajouter une intrigue dans votre langueAn ex-cop is hired to track down a serial killer who carries out his killings according to Bengali poetry.An ex-cop is hired to track down a serial killer who carries out his killings according to Bengali poetry.An ex-cop is hired to track down a serial killer who carries out his killings according to Bengali poetry.
- Réalisation
- Scénario
- Casting principal
Prosenjit Chatterjee
- Probir Roy Chowdhury
- (as Prasenjit Chattopadhyay)
Abir Chatterjee
- Shurjo Sinha
- (as Abir Chattopadhyay)
Avis à la une
" Baise Srabon" ( 22nd Srabon) is Spell Bounding, Erratic, Obnoxious, Mind Crunching and Meaningful all in the right ways! From Direction to Editing, From Songs to Acting, from start to finish it keeps on changing its context! There is so much one can write about the movie, that every anecdote/every phrase/every adjective will fall short of praises! This movie has lot of apt literally influences which makes it all the more special! From the clue containing poetry of the eminent Bengali Poets to the right references of " hungry Movement" of 60's to establish the base of a character, everything is a master stroke.
And on top of it, there is Prasenit, one has to put this movie as a cross reference for Method acting in Indian Cinema. He is such a vibrant performer which is so easy on the eye that most of the time we tend to neglect his abilities! After " Autograph" I was really thinking what difference can he do with this role and he justified his abilities perfectly.
The next point of talk has to be Anupam Roy's Music! Spell Bounding! Each track is easy on the ear and is equally soulful and also meaningful! "Ekbar Bol, Gobheerey Jao and Ei Shrabon" are perfect examples of music blended with lyrical poetry! Any Blemishes! Yeah, some sub plots are unwanted! could have made the movie ten minutes shorter. Also Raima is wasted to an extend! LAstly, go watch this one! They don't make movies like that anymore! Nostalgia! aro gobheerey jao...........................
And on top of it, there is Prasenit, one has to put this movie as a cross reference for Method acting in Indian Cinema. He is such a vibrant performer which is so easy on the eye that most of the time we tend to neglect his abilities! After " Autograph" I was really thinking what difference can he do with this role and he justified his abilities perfectly.
The next point of talk has to be Anupam Roy's Music! Spell Bounding! Each track is easy on the ear and is equally soulful and also meaningful! "Ekbar Bol, Gobheerey Jao and Ei Shrabon" are perfect examples of music blended with lyrical poetry! Any Blemishes! Yeah, some sub plots are unwanted! could have made the movie ten minutes shorter. Also Raima is wasted to an extend! LAstly, go watch this one! They don't make movies like that anymore! Nostalgia! aro gobheerey jao...........................
This is an amazing Bangla movie.
This movie will keep you entertained from start to finish. There have been very few such movies in the history of Bengali movies.
Can't express my feelings about the movie. This one is a piece of gem. The every element of this movie is quite fabulous, fascinating and laudable, starting from direction, story, screenplay, dialogue, acting, music everything. The main plus point is the acting. Every character has played their role so naturally with the glimpse of being lived the character in real. The another plus point in this movie is its dialogue. Yeah, many slangs have been used in the movie but you can't complain because these abusive language made the movie more realistic. The dialogues are straight forward that it can reach upto the mass, which can be remembered for long time. The x-factor of the movie is its music. Every single song will touch your soul.
well, after watching a lot of Bengali movies, this film came as a pleasant surprise to me. Judging the film from its intensity, looks and specially MUSIC ,i would definitely say its a much better movie than some of the huge budget superhit bollywood films. The acting in this film has been good, but what steals your attention is the picturisation of the film. The film has a very good story line. Things to watch out for is the twist at the ending of the film apart from the macho unshaven Prosenjit using abusive language. But ,surely, once after watching the film you won't feel that you have been robbed of your time.
I must say that it definitely scores over Srijit Mukherjee's last film 'Autograph'. It has some very bright performances from Prosenjit Chatterjee, Raima Sen, Abir Chatterjee and Rajesh Sharma. But one man who easily scores over everyone else is Goutam Ghose. He truly shines as the poetic-minded hardcore intellectual of a by-gone era. As for Parambrata I found it a little hard to imagine him as a tough cop. However his acting is believable.
The plot has a couple of good surprises that are hard to predict. The story intermingles very well with the plot. The story-telling involves some non-linear sequences as well.(I would love to see more of these non-linear sequences in his future work)The screenplay is very bold. Its the first time I heard so much cursing in a Bangla film. However I still think that it needed a little more polishing(just my humble opinion).
The cinematography is quite good and in a couple of scenes it really stands out. My personal favorite being the first scene where the director successfully captures the eeriness of a north-kolkata gully at night. The climax also has a very unique Ram Gopal Varma-ish kind of camera angle in it.
All-In-All a considerably intelligent watch considering the usual play-with-your-emotions masala Bengali/Hindi fare.
The plot has a couple of good surprises that are hard to predict. The story intermingles very well with the plot. The story-telling involves some non-linear sequences as well.(I would love to see more of these non-linear sequences in his future work)The screenplay is very bold. Its the first time I heard so much cursing in a Bangla film. However I still think that it needed a little more polishing(just my humble opinion).
The cinematography is quite good and in a couple of scenes it really stands out. My personal favorite being the first scene where the director successfully captures the eeriness of a north-kolkata gully at night. The climax also has a very unique Ram Gopal Varma-ish kind of camera angle in it.
All-In-All a considerably intelligent watch considering the usual play-with-your-emotions masala Bengali/Hindi fare.
Le saviez-vous
- AnecdotesSrijit Mukherji: appears in the scene where the lead detectives are having coffee at a Terrace Cafe. The detectives have to borrow Srijit's laptop who is sitting on a different table leading to a sullen looking Srijit in the last shot.
- GaffesIn the last scene when Prabir is lying dead, the entire ice bucket and glass is full of blood. The blood splatter from his head wound wouldn't have reached the ice bucket lying some distance away to completely fill it with blood, while the part of the table lying in between is relatively clean with just a few splashes.
- Citations
Probir Roy Chowdhury: Try to understand the difference between Rice,Pulse and Biriyani.
- ConnexionsFollowed by Dwitiyo Purush (2020)
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- How long is 22 Shey Shraban?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- 22 Shey Shraban
- Lieux de tournage
- Kolkata, West Bengal(street scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
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By what name was Baishe Srabon (2011) officially released in Canada in English?
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