NOTE IMDb
5,8/10
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MA NOTE
Dans une tentative désespérée de retrouver sa fille, un homme armé fait irruption dans le centre médical où travaille sa femme, dont il est séparé, et l'enlève.Dans une tentative désespérée de retrouver sa fille, un homme armé fait irruption dans le centre médical où travaille sa femme, dont il est séparé, et l'enlève.Dans une tentative désespérée de retrouver sa fille, un homme armé fait irruption dans le centre médical où travaille sa femme, dont il est séparé, et l'enlève.
- Réalisation
- Scénario
- Casting principal
Suanne Braun
- Anna
- (English version)
- (voix)
Jake Sharp
- Mikael
- (English version)
- (voix)
- …
Avis à la une
Really put things in perspectives! A very thought provoking, original, unique, interesting and intense thriller. With a realistic and genuine ambiance and atmosphere.
Fares Fares (both as director and as a actor), Alma Pöysti and Alexej Manvelov does a amazing job!
Its a very captivating thriller! It really captures the viewer into the ongoing thrilling crime drama and family drama.
Soundtrack is really good!
One of those few thrillers that actually feels genuine.
Filming is very good!
A very good and original thriller
Wery well made, except it fails sometimes with the writing.
I truly recommend it!
Fares Fares (both as director and as a actor), Alma Pöysti and Alexej Manvelov does a amazing job!
Its a very captivating thriller! It really captures the viewer into the ongoing thrilling crime drama and family drama.
Soundtrack is really good!
One of those few thrillers that actually feels genuine.
Filming is very good!
A very good and original thriller
Wery well made, except it fails sometimes with the writing.
I truly recommend it!
The movie only seems like it takes a day and a half--it's only an hour and a half but I couldn't make it to the end, anyway. What a horrible premise.
Take the two least-suited people to get married and bring a child into the world, and then add a gun and a car and a whole lot of stupidity, and you've got this . . . Thing.
The protagonist is so far from sympathetic that the story is blown from the first couple of days (by which I really mean minutes). He has the boneheaded stolidity of Lou Reed trying to go straight. He can't be talked to. He is basically a victim of toxic patriarchal masculinity, but he doesn't play that in a way to invite the audience into his predicament. Instead he makes stupid choice after stupid predictably stolid boneheaded choice, what he thinks a man should do. He and his wife holler at each other a lot. As my Mom would say, "she's no prize, either."
The cop driving the car is kind of good--looks like maybe a version of Triton with that beard! He suffers the trials of Job, and I can only hope (because I just couldn't make it to the end) that he survived to take on some other unbearable burden of an assignment. Maybe he'll guard the Ferry Cross the Mersey or Cross the Styx.
Spartacus Super Bowl says, "well, it's kind of an attractive trainwreck."
Take the two least-suited people to get married and bring a child into the world, and then add a gun and a car and a whole lot of stupidity, and you've got this . . . Thing.
The protagonist is so far from sympathetic that the story is blown from the first couple of days (by which I really mean minutes). He has the boneheaded stolidity of Lou Reed trying to go straight. He can't be talked to. He is basically a victim of toxic patriarchal masculinity, but he doesn't play that in a way to invite the audience into his predicament. Instead he makes stupid choice after stupid predictably stolid boneheaded choice, what he thinks a man should do. He and his wife holler at each other a lot. As my Mom would say, "she's no prize, either."
The cop driving the car is kind of good--looks like maybe a version of Triton with that beard! He suffers the trials of Job, and I can only hope (because I just couldn't make it to the end) that he survived to take on some other unbearable burden of an assignment. Maybe he'll guard the Ferry Cross the Mersey or Cross the Styx.
Spartacus Super Bowl says, "well, it's kind of an attractive trainwreck."
This is simply one of the better Swedish movies that I have seen in a long time. It is an emotional ride both for the viewer and for the main characters and the script is very well done: Very believable. Me being a father of course makes the story all the more emotional.
The main characters are played by excellent actors and I would especially like to mention Fares Fares and Alexej Manvelov who has done a lot of excellent work before.
Swedish movies nowadays are often very hollow and empty and the main motive for them is to showcase as much diversity as possible. This movie also has diversity, in a way, but in this case it makes sense. And the actors are chosen for the simple fact that they are good actors, and nothing else.
The main characters are played by excellent actors and I would especially like to mention Fares Fares and Alexej Manvelov who has done a lot of excellent work before.
Swedish movies nowadays are often very hollow and empty and the main motive for them is to showcase as much diversity as possible. This movie also has diversity, in a way, but in this case it makes sense. And the actors are chosen for the simple fact that they are good actors, and nothing else.
This movie is a masterpiece. It focuses so much on the story and gives perspective from everyones point of view. It even manages to give some morals to the kidnapper. The acting is great and the actors fit the characters they play really well. The movie was a very emotional one, were you got to see the main peoples troubles in thier own life, which I really enjoy. It gives the movie a more involvment and actually make the movie more senceable. I feel like it is one of those movies were if it was made by hollywood, then it would've been given a 10/10 even if it was the same movie. I think the only reason it's not 10/10 by everyone watching is because it isn't made from a huge and famous business.
Spoiler, I love slow-paced and confined drama where we take the time to know the story of each character.
This movie is all about issues in a couple culminating to the father kidnapping his ex-wife and his daughter.
All the actors are excellent, the rythme is slow but tense.
Don't expect any crazy turn as this on point with a realistic scenario (I think it's based on a true story). At the same time, it is not boring as the protagonist are going through multiple stage during the movie.
If you are looking to an emotional experience, diving into human life difficulties, this can be a movie you will enjoy.
If you are looking for something less true to reality but more entertaining, please look for something else.
This movie somehow remember me of Locke, which is another great confined drama, which share tons of similitude.
This movie is all about issues in a couple culminating to the father kidnapping his ex-wife and his daughter.
All the actors are excellent, the rythme is slow but tense.
Don't expect any crazy turn as this on point with a realistic scenario (I think it's based on a true story). At the same time, it is not boring as the protagonist are going through multiple stage during the movie.
If you are looking to an emotional experience, diving into human life difficulties, this can be a movie you will enjoy.
If you are looking for something less true to reality but more entertaining, please look for something else.
This movie somehow remember me of Locke, which is another great confined drama, which share tons of similitude.
Le saviez-vous
- AnecdotesFares Fares's directorial debut.
- GaffesThe character Lukas wears an uniform of a Swedish "polisinspektör". Later in the movie the negotiator addresses him as a "poliskommisarie" which is a step higher in rank.
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- How long is A Day and a Half?Alimenté par Alexa
Détails
- Durée
- 1h 34min(94 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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