Ten Pound Poms
- Série télévisée
- 2023–
En 1956, un groupe de Britanniques quitte la Grande-Bretagne d'après-guerre pour partir à l'aventure. La famille Roberts tente de tirer le meilleur parti de sa situation, mais la vie au refu... Tout lireEn 1956, un groupe de Britanniques quitte la Grande-Bretagne d'après-guerre pour partir à l'aventure. La famille Roberts tente de tirer le meilleur parti de sa situation, mais la vie au refuge les met à l'épreuve.En 1956, un groupe de Britanniques quitte la Grande-Bretagne d'après-guerre pour partir à l'aventure. La famille Roberts tente de tirer le meilleur parti de sa situation, mais la vie au refuge les met à l'épreuve.
- Récompenses
- 2 victoires et 2 nominations au total
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Résumé
Reviewers say 'Ten Pound Poms' delves into migration, cultural clashes, and British immigrants' struggles in 1950s Australia. Criticisms include historical inaccuracies, over-dramatization, and modern issues in a historical context. Acting and production values receive praise, though some find characters and storylines shallow. The show's portrayal of Australian society and sensitive topics like racism and sexism garner mixed reactions. Despite criticisms, many reviewers show interest in a potential second season.
Avis à la une
If I had to summarize my experience of watching 'Ten Pound Poms' so far I would have to say that Danny Brocklehurst was determined to work his story around xenophobia and racism, and chose the Labour Camp outside Sydney as his best way to integrate those themes, as it brought many races closer together. Unfortunately, it makes the story flat as every day we see Terry going off to do his bit in a hole in the ground, and in the evening he gets together with the other immigrants for a drink or party. It's a generalization of course, but many members of the Maltese side of my family went to Australia at this time and they ended up in the big cities. I think this makes the whole story seem untrue. There may have been one of two places that were like the camp, but they were probably the exception rather than the rule and this is where this story falls flat for me.
The production values, acting, scoring, cinematography are all world class. It's just that the story falls flat, it is too crowded, and the characters are not three dimensional enough. I will make an exception for the Terry character, and I think the Michelle Keegan character could have been worked better. The orphanage scene was embarrassing and unconvincing.
I think the subject material needed a more sensitive approach and probably should have come from someone with more first jhand experience of the process of emigration.
The production values, acting, scoring, cinematography are all world class. It's just that the story falls flat, it is too crowded, and the characters are not three dimensional enough. I will make an exception for the Terry character, and I think the Michelle Keegan character could have been worked better. The orphanage scene was embarrassing and unconvincing.
I think the subject material needed a more sensitive approach and probably should have come from someone with more first jhand experience of the process of emigration.
I've often wondered why the Aussies call us whinging poms. After watching this six part BBC drama it would seem they had a lot to whinge about. Placed in cockroach infested one bedroom huts on some multi national camp in the middle of nowhere.
Whilst the show has some high quality production, with some impressive CGI and great attention to detail from the period. It's unfortunately let down with some just plane daft storylines like Michele Keegans character travelling the other side of the world in search of her son, after drugging her fiancé who seamed a perfectly decent bloke to go after her son.
Our Australian friends don't come out of the series to well with most being stereotyped as hard drinking wife beating foul mouthed Aborigines hater's.
Overall it feels like a wasted opportunity as the story itself is a fascinating one about a forgotten part of Anglo Australian history.
6/10.
Whilst the show has some high quality production, with some impressive CGI and great attention to detail from the period. It's unfortunately let down with some just plane daft storylines like Michele Keegans character travelling the other side of the world in search of her son, after drugging her fiancé who seamed a perfectly decent bloke to go after her son.
Our Australian friends don't come out of the series to well with most being stereotyped as hard drinking wife beating foul mouthed Aborigines hater's.
Overall it feels like a wasted opportunity as the story itself is a fascinating one about a forgotten part of Anglo Australian history.
6/10.
I was a member of the family of £10 poms at around the same time as this drama is set and, although I was around 5, I have many vivid memories of that time as well as overhearing stories when my parents and their friends got together. Granted we only stayed on the hostel for around six months but I got the impression it was an exciting time for adults as well as kids. Maybe we were lucky being so close to the beach and the relatively big urban area of Wollongong. Our hostel was Balgownie, not to be confused with the fictitious 'Galgownie' which seemed to be simultaneously in the Outback and near the beach! Most hostels, in NSW at least, were near major urban centres and were nothing like depicted in the show. Jobs were plentiful and we were given a house in pretty short order. Most of the streets in the equivalent of UK council housing areas were 50/50 Aussie and mainly British immigrant families. There was never a hint of xenophobia from the Aussies and everyone just got on...probably down to the shared experience of WW2. Diggers and Tommies sharing war stories. Southern European immigrants probably weren't so lucky. Not exactly a premise for riveting drama, so can't really blame the makers for ratcheting up the tensions and concentrating them in a short time frame. Just don't watch it as a documentary!
Not an unforgettable drama or a terrible one, somewhere in the middle. One of those shows where you should probably bail if the characters and storyline in the first episode don't grab you.
It had decent production values, with a few sound and lighting wobbles and a solid ensemble cast. Michelle Keegan's character felt a bit far-fetched in some of her endeavours, but fans will no doubt forgive her. One of its strengths was the number of strong female characters.
If you get on board with the first episode stay with it, if you don't jump ship as it continues along the same path.
On the downside there was a lot of heavy-handed messaging that didn't need to be there.
It had decent production values, with a few sound and lighting wobbles and a solid ensemble cast. Michelle Keegan's character felt a bit far-fetched in some of her endeavours, but fans will no doubt forgive her. One of its strengths was the number of strong female characters.
If you get on board with the first episode stay with it, if you don't jump ship as it continues along the same path.
On the downside there was a lot of heavy-handed messaging that didn't need to be there.
The first episode starts very well then it takes a nose dive. The cinematography and acting is superb, it is let down by a very weak script. Other reviews call it 'soap opera' drama and I tend to agree.
The writers had an amazing opportunity here to write a period drama delving in to the issues of the time. Instead we get a bloated over dramatic 'modern show' with nothing new.
If this is renewed for a 2nd season. I hope they tighten up the story focus on fewer characters giving the audience a chance to become invested. And for god sake leave the modern drama tropes behind. There is reality tv for that.
The writers had an amazing opportunity here to write a period drama delving in to the issues of the time. Instead we get a bloated over dramatic 'modern show' with nothing new.
If this is renewed for a 2nd season. I hope they tighten up the story focus on fewer characters giving the audience a chance to become invested. And for god sake leave the modern drama tropes behind. There is reality tv for that.
Le saviez-vous
- AnecdotesLots of linguistic anachronisms. For example, in Episode 1 the word striker is used to describe a football forward, this term emerged in the 1970's and in Episode 2 someone uses the exclamation "Oh my days" which, although first noted in the late 19th century, was virtually unheard and only became commonplace in the 21st century.
- GaffesApart from a pipeline that never seemed to advance, in the background was clearly shown a yellow mini articulated dumpster (used by the crew?) that was not used in Australia for another fifty years.
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- How many seasons does Ten Pound Poms have?Alimenté par Alexa
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