Un jeune couple accueille leurs deux nièces et soupçonne qu'un esprit surnaturel nommé Mama s'est attaché à leur famille.Un jeune couple accueille leurs deux nièces et soupçonne qu'un esprit surnaturel nommé Mama s'est attaché à leur famille.Un jeune couple accueille leurs deux nièces et soupçonne qu'un esprit surnaturel nommé Mama s'est attaché à leur famille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 11 victoires et 19 nominations au total
Isabelle Nélisse
- Lilly
- (as Isabelle Nelisse)
Christopher Marren
- Cop
- (as Chris Marren)
Avis à la une
Mama (2013)
*** (out of 4)
A couple (Jessica Chastain, Nikolaj Coaster-Waldau) take in their two young nieces five years after they were kidnapped by their father and spent the majority of that time alone and in the wilderness. The two girls slowly start to come out of their state but it doesn't take long for the couple to realize that there's something else with them. MAMA is a feature length version of a short film by the director and for most part it's a successful horror film. There are a few problems that we'll get to but for the most part I thought director Andres Muschietti did a fine job at really creating a dark atmosphere that hangs around the entire film. He also managed to use this atmosphere and make it very effective during many of the scenes, which were quite creepy at times. I thought that really made the film stand out compared to so many other stories was the character played by Chastain. In most films like this you have the good person doing good deeds to protect the ones she loves. That's not the case here because her character doesn't want these girls, doesn't like how they've changed her life and there's not really any cute scenes. The character development here is something quite rare in horror films but I think it really works itself out nicely. As for Chastain, it's good that some of her caliber is here because a great performance really helps bring credit to the events in the film. The supporting players are good too and this is especially true of the two actresses playing the girls. Now, what really doesn't work in the film is the CGI "mama" character. I'm sorry but I really don't see why you have to have poor looking CGI bring a film down. Not only is the CGI rather poor but the ghost creation just does so many unrealistic things that you can't help but not be frightened of it. The director does a good job at building up the tension but once the creature actually comes it goes away. Still, MAMA is a pretty strong horror film that's not perfect but it's certainly good enough to watch.
*** (out of 4)
A couple (Jessica Chastain, Nikolaj Coaster-Waldau) take in their two young nieces five years after they were kidnapped by their father and spent the majority of that time alone and in the wilderness. The two girls slowly start to come out of their state but it doesn't take long for the couple to realize that there's something else with them. MAMA is a feature length version of a short film by the director and for most part it's a successful horror film. There are a few problems that we'll get to but for the most part I thought director Andres Muschietti did a fine job at really creating a dark atmosphere that hangs around the entire film. He also managed to use this atmosphere and make it very effective during many of the scenes, which were quite creepy at times. I thought that really made the film stand out compared to so many other stories was the character played by Chastain. In most films like this you have the good person doing good deeds to protect the ones she loves. That's not the case here because her character doesn't want these girls, doesn't like how they've changed her life and there's not really any cute scenes. The character development here is something quite rare in horror films but I think it really works itself out nicely. As for Chastain, it's good that some of her caliber is here because a great performance really helps bring credit to the events in the film. The supporting players are good too and this is especially true of the two actresses playing the girls. Now, what really doesn't work in the film is the CGI "mama" character. I'm sorry but I really don't see why you have to have poor looking CGI bring a film down. Not only is the CGI rather poor but the ghost creation just does so many unrealistic things that you can't help but not be frightened of it. The director does a good job at building up the tension but once the creature actually comes it goes away. Still, MAMA is a pretty strong horror film that's not perfect but it's certainly good enough to watch.
I really liked this movie and the concept for it was original. I think this film makes the viewer think about what the characteristics are of being a mother. What sort of instincts we as woman can display and what kind of connections can be made with a child, even if you're a terrifying ghost.
Del Toro will always put his name on a good thriller surrounding small children. This movie had all the thrills of a scary movie and the elements fright used in the film had everyone in my theater on the edge of the seat. The movie waist no time getting into the meat of the story.
There are flaws in the film and it does have to do with plot holes. The director could have worked these holes out with other writers......like Del Toro perhaps. The back story had the hugest gap of all.
Regardless, it was better than 'Don't be Afraid of the Dark', and I will be seeing this film again.
Del Toro will always put his name on a good thriller surrounding small children. This movie had all the thrills of a scary movie and the elements fright used in the film had everyone in my theater on the edge of the seat. The movie waist no time getting into the meat of the story.
There are flaws in the film and it does have to do with plot holes. The director could have worked these holes out with other writers......like Del Toro perhaps. The back story had the hugest gap of all.
Regardless, it was better than 'Don't be Afraid of the Dark', and I will be seeing this film again.
Horror has been one of the least appreciated film genres nowadays for relying nothing more than the excessive amount of violence and repetitive jump scares, plodding the storytelling by its completely lifeless characters who are ready to get killed. Mama is something else however it still has those horror movie clichés, like those easy loud jump scares and some ghostly pathos, but there is a fascinating concept behind the scares that leaves the audience a beautiful story than just a cheap horror shock. It also has a set of strong performances and solid production. It could have been much genuine in being scary than simply loud but Mama is still one of the great horror films we got in a while.
Unlike most modern horror films, this movie's ambition is to tell a compelling story. Obviously there is a hidden emotion beneath the concept, but before we get to that, it explores around the characters and the gloomy atmosphere. Rather than throwing a horrific death scene to show fear, it scatters some symbolic objects that indicate the presence of the titular monster. It's a fascinating trick of manifesting its mysteries and fear. What defy the odds of the genre are the characters. They are not only ought to get scared. This is a rare set of modern horror characters that possesses a genuine soul. The performances handle them terrifically. There is a lot of remarkable performance to talk about but anyway. It's not only about the scares. It finely balances the drama to the darkness of the story. Personally, it's kind of more interesting when it simply tells the story of the two kids and the Mama ghost even though it features a horror cliché of ghosts telling their past to the central character. In the end, we'll realize the film actually offers more to the picture.
The only largest misstep they had is the excessive amount of loud jump scares. Though, they can be effective at some point. They still used some other ways of scaring the audience, like mimicking the clever horror trick of "The Orphanage" and letting the character be alone exploring the creepiness going on. It could have lingered on those parts to feel the danger of the characters, but instead they immediately send off a loud jump scare because it works to everyone. The film uses some CGI which made the monsters look a bit awkward but they are decent enough. Everything looks great in general. The cinematography and the production are a total pay off. It's just beautiful to look at.
Mama turns out to be pretty good. At glance, it doesn't look like the kind of horror film we usually thought about but furthermore we get to realize it is beyond than we should expect. The clichés still exists but they are used in a better way. Putting aside those cheap scares, it's a refreshing story that is indeed worth telling. It's still far from classic but it is also far from generic and annoying like most horror films we get these days. The performances and the filmmaking give more to the experience. Mama is the kind of horror film that abandons the gruesome acts and rather shows its dark aspects in a quite endearing way.
Unlike most modern horror films, this movie's ambition is to tell a compelling story. Obviously there is a hidden emotion beneath the concept, but before we get to that, it explores around the characters and the gloomy atmosphere. Rather than throwing a horrific death scene to show fear, it scatters some symbolic objects that indicate the presence of the titular monster. It's a fascinating trick of manifesting its mysteries and fear. What defy the odds of the genre are the characters. They are not only ought to get scared. This is a rare set of modern horror characters that possesses a genuine soul. The performances handle them terrifically. There is a lot of remarkable performance to talk about but anyway. It's not only about the scares. It finely balances the drama to the darkness of the story. Personally, it's kind of more interesting when it simply tells the story of the two kids and the Mama ghost even though it features a horror cliché of ghosts telling their past to the central character. In the end, we'll realize the film actually offers more to the picture.
The only largest misstep they had is the excessive amount of loud jump scares. Though, they can be effective at some point. They still used some other ways of scaring the audience, like mimicking the clever horror trick of "The Orphanage" and letting the character be alone exploring the creepiness going on. It could have lingered on those parts to feel the danger of the characters, but instead they immediately send off a loud jump scare because it works to everyone. The film uses some CGI which made the monsters look a bit awkward but they are decent enough. Everything looks great in general. The cinematography and the production are a total pay off. It's just beautiful to look at.
Mama turns out to be pretty good. At glance, it doesn't look like the kind of horror film we usually thought about but furthermore we get to realize it is beyond than we should expect. The clichés still exists but they are used in a better way. Putting aside those cheap scares, it's a refreshing story that is indeed worth telling. It's still far from classic but it is also far from generic and annoying like most horror films we get these days. The performances and the filmmaking give more to the experience. Mama is the kind of horror film that abandons the gruesome acts and rather shows its dark aspects in a quite endearing way.
¨A ghost is an emotion bent out of shape, condemned to repeat itself time and time again.¨
Another South American director has made his splash on Hollywood after the successful debut of Mama in theaters this year. Argentinean director, Andres Muschietti, made over 70 million dollars in the box office and received decent reviews for this horror/suspense film based on a short 3 minute movie he directed in 2008. That short film garnered the attention of movie executives such as Guillermo Del Toro who decided to produce and present this film. The fact that Del Toro's name was used here and that the coveted Jessica Chastain signed on to play the main character gave Muschietti the tremendous possibility of debuting on a high note. The formula worked pretty well because critics and audiences seemed to enjoy this film alike, and we could be heading to the start of a new horror franchise. I enjoyed most of the movie, and loved Jessica Chastain's performance, but the ending just ruined the entire film for me. It is kind of the same problem pretty much every ghost story film has. I feel like most of the endings in this genre are pretty unsatisfying and ruin the entire suspense the film has been building throughout the story. There is no denying that Japanese films have heavily influenced the genre with films such as The Ring, The Grudge, Dark Water, and One Missed Call which have all been remade, but the truth of the matter is the only film that really worked with critics was The Ring. They have tried to imitate its success, but I haven't been scared like I was with The Ring, which had a pretty satisfying ending compared to the rest. I do prefer this type of psychological horror more than the gory slasher films, but I find it troubling that they can't find a satisfying ending. My favorites in this genre will always be the first two I saw: Zemeckis's What Lies Beneath and The Ring. The rest have all fallen short. Mama was close to achieving that similar success in my opinion, but the ending really hurt it.
The film centers around two girls named Lilly (Isabelle Nelisse) and Victoria (Megan Charpentier) who are abandoned in a cabin in the middle of the woods after their father murdered their mother and was attacked by some presence inside the cabin. Five years later the search finally pays off and their Uncle Lucas (Nikolaj Coaster-Waldau) finds them. To everyone's surprise the two girls have managed to survive on their own, but they live like animals crawling around the floor and talking to walls. Lucas and his girlfriend, Annabel (Jessica Chastain) decide to raise the kids with the help of Dr. Dreyfuss (Daniel Kash) who continues to treat the girls in order for them to make the transition from their isolated lives to a normal and nurturing family life. Annabel soon discovers that these girls might have never been on their own and that somehow the presence that was with them in the cabin might be in their home as well. Several suspenseful and horrifying events begin to take place while the girls continue to talk to shadows in the walls and call out for Mama.
The film has several thrills and suspenseful moments with a great performance from Jessica Chastain. It was good to see her try out a different role and she proves she can do about everything. It's hard to find good performances in horror films, but this may be one of the best. The movie also has its weaknesses like pretty much all horror films do considering the protagonists always seem to make stupid decisions, but that is what makes the genre so entertaining at times. They are clichés which we have learned to accept. The two girls were also surprisingly good, they had strong performances as well. I really enjoyed everything about the movie up to the last 15 minutes which pretty much ruined everything. Psychological thrillers usually have this impact: they begin with a lot of promise but end up on the wrong note, and that is exactly how I felt about Mama along with Sinister, a similar movie I got to see a few months ago. The film is above average thanks to Jessica Chastain, and Guillermo Del Toro's influence in the production of the movie, but that is about it.
http://estebueno10.blogspot.com/
Another South American director has made his splash on Hollywood after the successful debut of Mama in theaters this year. Argentinean director, Andres Muschietti, made over 70 million dollars in the box office and received decent reviews for this horror/suspense film based on a short 3 minute movie he directed in 2008. That short film garnered the attention of movie executives such as Guillermo Del Toro who decided to produce and present this film. The fact that Del Toro's name was used here and that the coveted Jessica Chastain signed on to play the main character gave Muschietti the tremendous possibility of debuting on a high note. The formula worked pretty well because critics and audiences seemed to enjoy this film alike, and we could be heading to the start of a new horror franchise. I enjoyed most of the movie, and loved Jessica Chastain's performance, but the ending just ruined the entire film for me. It is kind of the same problem pretty much every ghost story film has. I feel like most of the endings in this genre are pretty unsatisfying and ruin the entire suspense the film has been building throughout the story. There is no denying that Japanese films have heavily influenced the genre with films such as The Ring, The Grudge, Dark Water, and One Missed Call which have all been remade, but the truth of the matter is the only film that really worked with critics was The Ring. They have tried to imitate its success, but I haven't been scared like I was with The Ring, which had a pretty satisfying ending compared to the rest. I do prefer this type of psychological horror more than the gory slasher films, but I find it troubling that they can't find a satisfying ending. My favorites in this genre will always be the first two I saw: Zemeckis's What Lies Beneath and The Ring. The rest have all fallen short. Mama was close to achieving that similar success in my opinion, but the ending really hurt it.
The film centers around two girls named Lilly (Isabelle Nelisse) and Victoria (Megan Charpentier) who are abandoned in a cabin in the middle of the woods after their father murdered their mother and was attacked by some presence inside the cabin. Five years later the search finally pays off and their Uncle Lucas (Nikolaj Coaster-Waldau) finds them. To everyone's surprise the two girls have managed to survive on their own, but they live like animals crawling around the floor and talking to walls. Lucas and his girlfriend, Annabel (Jessica Chastain) decide to raise the kids with the help of Dr. Dreyfuss (Daniel Kash) who continues to treat the girls in order for them to make the transition from their isolated lives to a normal and nurturing family life. Annabel soon discovers that these girls might have never been on their own and that somehow the presence that was with them in the cabin might be in their home as well. Several suspenseful and horrifying events begin to take place while the girls continue to talk to shadows in the walls and call out for Mama.
The film has several thrills and suspenseful moments with a great performance from Jessica Chastain. It was good to see her try out a different role and she proves she can do about everything. It's hard to find good performances in horror films, but this may be one of the best. The movie also has its weaknesses like pretty much all horror films do considering the protagonists always seem to make stupid decisions, but that is what makes the genre so entertaining at times. They are clichés which we have learned to accept. The two girls were also surprisingly good, they had strong performances as well. I really enjoyed everything about the movie up to the last 15 minutes which pretty much ruined everything. Psychological thrillers usually have this impact: they begin with a lot of promise but end up on the wrong note, and that is exactly how I felt about Mama along with Sinister, a similar movie I got to see a few months ago. The film is above average thanks to Jessica Chastain, and Guillermo Del Toro's influence in the production of the movie, but that is about it.
http://estebueno10.blogspot.com/
I was not disappointed in Mama in the slightest. I found the story original and fascinating. The acting was well done. The children were great and the character of Mama was very creepy indeed, even if I did feel a bit sorry for her back story just a tiny point.
I don't see why people seem to have a problem with the second half of the film. I found it just as solid as the first part. I was engrossed right through the whole film and was not left feeling cheated of any scares or thrills.
The storyline is solid, and like I said previously it feels like a fresh creepy idea and certainly had the great atmosphere which I feel makes a good horror film. I am pleased to have it on my DVD shelf.
Would definitely recommend.
I don't see why people seem to have a problem with the second half of the film. I found it just as solid as the first part. I was engrossed right through the whole film and was not left feeling cheated of any scares or thrills.
The storyline is solid, and like I said previously it feels like a fresh creepy idea and certainly had the great atmosphere which I feel makes a good horror film. I am pleased to have it on my DVD shelf.
Would definitely recommend.
Jessica Chastain Through the Years
Jessica Chastain Through the Years
Take a look back at Jessica Chastain's movie career in photos.
Le saviez-vous
- AnecdotesMama's appearance was inspired by a painting by Amedeo Modigliani, owned by Andy Muschietti. The same visual was used again a few years later, as the painting come to life that terrorized young Stan in Muschietti's It: Chapter One (2017).
- GaffesWhen Annabel hears the girls playing, she goes into their room to tell them how late it is and to go to sleep - but it's light outside. There are about 3 other times when it's supposedly nighttime and the light is streaming in through the windows.
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #21.87 (2013)
- Bandes originalesMissing Pieces
® 2012 by Third String Tunes/EMI Music Publishing Ltd.
Edición autorizada para España a EMI Music Publishing Spain S.A.
All rights reserved. International Copyright secured.
Performed by Jack White
Courtesy of Sony Music Entertainment España, S.L.
Courtesy of XL Recordings Ltd
By arrangement with Beggars Group Media Limited
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Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 71 628 180 $US
- Week-end de sortie aux États-Unis et au Canada
- 28 402 310 $US
- 20 janv. 2013
- Montant brut mondial
- 146 428 180 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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