Conclave

Greetings again from the darkness. It feels like it's been a while since we had a good old fashioned serious-minded, tension-packed, "big" drama film featuring big movie stars. Well, that's exactly what director Edward Berger, fresh off his Oscar-winning ALL QUIET ON THE WESTERN FRONT (2022), serves up with his latest. Writer Peter Straughan (TINKER TAILOR SOLDIER SPY, 2011) has adapted the 2016 Robert Harris novel, and the result is a welcome crowd-pleaser that may garner some Oscar consideration.

Ralph Fiennes delivers what may be his best performance yet. And that's saying something for the much-respected actor who has previously excelled in such films as SCHINDLER'S LIST (1993), THE CONSTANT GARDNER (2005), IN BRUGES (2008), A BIGGER SPLASH (2018), and THE MENU (2022). His impressive career is only enhanced by this most recent role of Cardinal Lawrence, saddled with the heavy burden of facilitating the titular Conclave charged with electing the new Pope. As the film opens, the beloved Pope has just passed ... and as they say, "let the games begin". Of course, these games are all about political maneuverings and power struggles and backroom promises. Director Berger opts to show us very little of the actual negotiations, and instead puts the various iterations of loyalty on display during each successive secret (of course) vote.

Within the confined walls of Vatican City and the Sistine Chapel, Cardinal Lawrence's time is mostly spent investigating tips, scolding others for their behavior, and dealing with the immense egos of the few being considered (including himself). Stanley Tucci plays Cardinal Bellini, who pretends to not want the job while campaigning as the 'progressive' voice the church needs now. John Lithgow is Cardinal Tremblay, one of the most assertively ambitious who may or may not have purposefully undermined the work of another. Either way, Lucian Msmuati's Cardinal Adivemi is the victim of Tremblay's actions. Cardinal Tedesco, portrayed by Sergio Castellitto, is the most outspoken in his desire to return the church to the old ways (Latin masses forever!), what he sees as proper. Bryan F O'Byrne plays O'Malley, assistant to Lawrence, and yet, despite all of these men, it's Isabella Rossellini as Sister Agnes who manages to shoot (figurative) fire from her eyes, while maintaining her 'place' and significantly impacting the process. She is stunning and memorable in her limited role.

Early on, a big surprise arrives in the form of Cardinal Benitez (Carlos Diehz) of Kabul, who was the most recent appointee by the previous Pope, and unknown to the others. As a novel, this may be a real page-turner, and yet the movie never rushes from one moment to the next. Tension builds with each revelation and tarnished robe and secretive plot. Although the film barely skims the years-long sexual abuse scandal in the church, there is a stream of twists and turns that keep us on our toes as the Cardinals are sequestered. It's fascinating to see how cinematographer Stephane Fontaine keeps things visually interesting in an enclosed environment filled with characters who aren't allowed to go anywhere else. Another aspect I truly appreciated was the unusual musical score composed by Oscar winner Volker Bertelmann. This is the type of movie which often features overbearing music to 'enhance' tension, yet Bertelmann's notes are effective jabs at just the right times.

Power plays, corruption, and political stunts are all present as these Men of God bungle the process of picking their next leader. Importance of the mission and tradition pale in comparison to ego and self-interest. The symmetry to U. S. politics is unmistakable and surely a purposeful approach by Berger. The final twist may be a bit out of proverbial left field, but in a room filled with secrets, perhaps that's as it should be. To balance the tension and seriousness, anyone paying attention will appreciate the subtle humor, especially as it plays out as these relics muddle through modern day situations (technology, social progressiveness, terrorism). This is certainly not a film created for Catholics only, although for a brief moment, I worried we might have one that could be subtitled, "The Catholic Crying Game". Fortunately, it's one with a tension-filled story, terrific visual shots, a perfect score, and superb acting ... a fun movie to watch.

Opening in theaters on October 25, 2024.

Just come out of the cinema after watching Conclave, and I was impressed.

Unless we are (or have been) a Catholic Cardinal, we don't know what goes on behind closed doors after a Pope dies. Conclave gives us a convincing glimpse of the machinations and intrigue.

Fiennes is outstanding as the "Dean" - the one entrusted by the past Pope, to conduct the ancient procedure which selects a new one.

The close-up camera work is excellent. Long corridors, talking heads, facial looks, body movements, and even the sound of breathing do a lot of heavy lifting to create a tense yet controlled and subdued mood. Superb settings, sumptuous costumes. Good dialogue and interaction.

Conclave has a slow pace - but it's a mood piece so that's fine. We gradually go deeper and deeper into the process, but also into the minds of the senior clerics assembled. There is emotion and scandal.

Strong film 8/10. But Fiennes 10/10, and possibly an Oscar for best actor?

I just got back from the theater after seeing "Conclave," a film I was extremely excited for and liked a lot. For most of the movie I was so captivated by the gorgeous cinematography, fantastic performances, great score, and quality costume and production design, that I was convinced this must be a 10/10 movie. But then, unfortunately, the ending arrived.

I believe that the ending to a film is the most important part. What will you leave the audience with? What is your final statement to them? Well, in this movie, it's so contrived, confusing, and absurd that any final statement becomes muddled, and I left the theater with a bad taste in my mouth. The ending is so unrealistic that it threatens to destroy every frame of what came before. It is done purely to make a statement about the church and to shock the audience. Now, this doesn't ruin the movie as a whole (not to me, anyway), but it does unfortunately mar an otherwise superb film.

Conclave is a fine movie with excellent performances by all the actors involved. The ending of the film was telegraphed early on, so there was not so much of a surprise by the final selection of the next Pope. However, the final twist seemed unnecessary. There did not seem to be a sufficient build-up to it, that made it feel like a genuine twist, but was more of an add-on. Beyond that, the drama between all the main candidates was compelling, though I thought the conservative Italian was more of a caricature for them to use as a foil, rather than a standout on his own. There are some interesting visuals and uses of color that I did not expect. I'm sure this will be an Oscar contender, but I'm not sure it has the depth to actually win anything.

And now...a film for adults.

Based on Robert Harris' 2016 novel, CONCLAVE takes the viewers inside the Vatican during the College of Cardinals' process of selecting the new Pope...filled with Political in-fighting, twists, turns and surprises galore.

And...if the average age of the folks in the Movie Theater I attended a showing is any indication..."Grown-Ups" are flocking to this film.

As Directed by Edward Berger (ALL QUIET ON THE WESTERN FRONT), CONCLAVE moves along sprightly, unraveling a mystery - not a "whodunnit" but rather a "who's gonna get it" - and it gets surprisingly tense.

This is thanks, in part, to the fine, fine actors that have been cast in this film. Ralph Fiennes (Voldemort in the HARRY POTTER films) anchors the events as the "Dean" of Cardinals who is tasked with leading the disparate group of Cardinals to a consensus pick of the next Pope. He acts as much as a Detective as a Facilitator as he battles his own conscious of faith...and ambition...all while uncovering schemes and plots of some of the "humble servants" vying for the top job.

Ably assisting is John Lithgow, Isabella Rosellini and quite a few others (mostly unknown) who battle for the "pole position" in the race to be the next Pope. Special notice should be made to GREAT Stanley Tucci for his supporting turn as one of the contenders who's platform seems to be "I don't want this" but who, underneath, really, really wants it.

Don't be surprised if both Fiennes and Tucci (as well as Director Berger) are mentioned come Oscar nomination time (they are that good).

As stated above, this film has twists and turns galore and it is a fun ride to roll with these turns, but if I am being honest, I felt that this film went "one twist too far" and should have/could have ended 10 minutes before it ended (without the one last twist). Now, some would say that this final twist is the point of the film, but...I would have been fine without that point being made.

You be the judge...and join other "adults" in the movie theater.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank(ofMarquis)