Le Bokushi propose un programme pour les vétérans des combats américains qui cherchent leur "but" et la voie à suivre.Le Bokushi propose un programme pour les vétérans des combats américains qui cherchent leur "but" et la voie à suivre.Le Bokushi propose un programme pour les vétérans des combats américains qui cherchent leur "but" et la voie à suivre.
- Réalisation
- Scénario
- Casting principal
Angelique Fernandez
- Catherine Monk
- (as Angeliquie Fernandez)
Jess Fuerst
- Shinja Mother
- (as Jessica L. Fuerst)
Avis à la une
Movie was and is a mess. I and others will better enjoy observing ants in their natural or artificial habit.
Movie needs help, what a mess. Budget probably went to Jamie Foxx's interview scene, 10min worth of work for 1mill.
How are these projects green lit. Lots of CGI, unfortunately not as much in script.
Movie feels like a chose your own adventure of slop.
Flashback scenes give the viewer the urge to flash themselves for greater entertainment, regardless of pro/con of self-flash.
Please use your time by donating energy to help the world and not on this mess of a movie. Pete Sampras would do better as a writer and/or director.
Movie needs help, what a mess. Budget probably went to Jamie Foxx's interview scene, 10min worth of work for 1mill.
How are these projects green lit. Lots of CGI, unfortunately not as much in script.
Movie feels like a chose your own adventure of slop.
Flashback scenes give the viewer the urge to flash themselves for greater entertainment, regardless of pro/con of self-flash.
Please use your time by donating energy to help the world and not on this mess of a movie. Pete Sampras would do better as a writer and/or director.
It's not hard to make a bad film. But it's hard to get the money together to involve actors of this level in something like this.
It's possible that viewers might wonder if the financiers were seeking to exchange money of a certain type for money of another variety. I wouldn't want to conjecture about that.
It's not just the spend on the leads either, it doesn't look cheap for the most part. And there's some kind of ham-fisted attempt to deliver a message too. It's not for me to be offended by the take on combat PTSD that's being put before us here, although I can imagine others would be.
It really is awful though.
It's possible that viewers might wonder if the financiers were seeking to exchange money of a certain type for money of another variety. I wouldn't want to conjecture about that.
It's not just the spend on the leads either, it doesn't look cheap for the most part. And there's some kind of ham-fisted attempt to deliver a message too. It's not for me to be offended by the take on combat PTSD that's being put before us here, although I can imagine others would be.
It really is awful though.
A movie filled with a bunch of quazi-religious overtones with some sprinkled in semi-narcissistic half-baked para-bu(ll)shido made up sort-of-kinda japanese sounding titles/words and a whole slew of useless filters on top of slow-mo and a seemingly acid-tripping editor trying to bring his LSD-visions onto the screen between the dark scenes with blinking lights and WAY too many close-up shots jockeying back and forth between faces and people.
Story was bad and barely made sense, the actors were probably (?) doing their best and failing at it, leaving the result a mess of a movie, a waste of money and about an hour and 5 mins - as I FFWed several times to skip the most annoying scenes of grand-standing monologuing and preaching - of my life I'll never get back.
It had about NOTHING to do with PTSD besides mentioning it in passing and the best thing about this movie was the people behind the scenes that were paid to work on it. And I'm not counting the actors in front of the camera into the crew here.
Story was bad and barely made sense, the actors were probably (?) doing their best and failing at it, leaving the result a mess of a movie, a waste of money and about an hour and 5 mins - as I FFWed several times to skip the most annoying scenes of grand-standing monologuing and preaching - of my life I'll never get back.
It had about NOTHING to do with PTSD besides mentioning it in passing and the best thing about this movie was the people behind the scenes that were paid to work on it. And I'm not counting the actors in front of the camera into the crew here.
This film is one of those examples for film students on how one should Not utilize flash backs as a substitute for terrible script writing.
Be prepared for 90% horrible flash backs and it's not brilliant like Memento and feels like Demento.
It's hard to believe considering this director did great films like The Infiltrator.
This film is a horrible attempt at dealing with a sensitive subject like ptsd but mixed it with a silly Jones cult story that is lost in translation and unfortunately does a hatchet job in both execution and editing that it ends up turning into a tossed messed up salad that makes one wonder if the writer and director suffer also from ptsd.
What a sad waste of top talent of Deniro whose lame character 6 mins is not justified and Scott Eastwood ( who seems to have a knack for picking lemons - even though he tries his best in this silly film), and the funniest best razzie of the year award is Jamie Foxx - starring as a cross of Carrot Head meets 70s Shaft with the worst hair wig ever.
This film is a thankfully only 75 minute disaster that if one removes the top cast it is a B film that Steven Siegel would be perfect except I read somewhere the budget was $39m so maybe it was a huge payday for Deniro and Jamie Fox.
Watch with low expectations
3 stars.
Be prepared for 90% horrible flash backs and it's not brilliant like Memento and feels like Demento.
It's hard to believe considering this director did great films like The Infiltrator.
This film is a horrible attempt at dealing with a sensitive subject like ptsd but mixed it with a silly Jones cult story that is lost in translation and unfortunately does a hatchet job in both execution and editing that it ends up turning into a tossed messed up salad that makes one wonder if the writer and director suffer also from ptsd.
What a sad waste of top talent of Deniro whose lame character 6 mins is not justified and Scott Eastwood ( who seems to have a knack for picking lemons - even though he tries his best in this silly film), and the funniest best razzie of the year award is Jamie Foxx - starring as a cross of Carrot Head meets 70s Shaft with the worst hair wig ever.
This film is a thankfully only 75 minute disaster that if one removes the top cast it is a B film that Steven Siegel would be perfect except I read somewhere the budget was $39m so maybe it was a huge payday for Deniro and Jamie Fox.
Watch with low expectations
3 stars.
When I stumbled upon this I didn't even think it was real, but it is! A movie with Jamie Foxx AND Robert DeNiro and not one trailer? Why are they not promoting this? I soon found out...This is one of the silliest things I have ever seen.
There are three main problems. First is the story itself. The narrative choice they made to tell the story in voiceover, flashbacks and then back to present day in a way that makes the timeline really confusing. Did this happen ten years ago or five? When did the character make this decision? How long were they together vs apart? How long did they know where a certain character was? Made it really hard to be invested in the character relationships that we are presented with. Also the cult titles/honorifics- Shinja, Bokushi? Pure lol wtf.
Second is Jamie Foxx as the villain. He's got this crazy wig and beard, straight hamming it up. I just couldn't take him seriously in what's supposed to be a deathly serious role.
The third and biggest problem is Scott Eastwood as the protagonist. I don't know why they keep asking him to carry lead roles. He is textbook nepo baby. He's got the looks and the name but he lacks the presence/gravitas of a leading man. There's an ironic scene close to the end where the villain PERFECTLY describes who Eastwood is in real life: a guy who always comes up short because he just doesn't have the mettle.
What about DeNiro? Well, he's in this for like, five minutes tops. They could have got any old character actor to do what he did, which wasn't much.
One star for Jamie Foxx looking crazy which is the only entertainment value. Real waste of time and talent.
There are three main problems. First is the story itself. The narrative choice they made to tell the story in voiceover, flashbacks and then back to present day in a way that makes the timeline really confusing. Did this happen ten years ago or five? When did the character make this decision? How long were they together vs apart? How long did they know where a certain character was? Made it really hard to be invested in the character relationships that we are presented with. Also the cult titles/honorifics- Shinja, Bokushi? Pure lol wtf.
Second is Jamie Foxx as the villain. He's got this crazy wig and beard, straight hamming it up. I just couldn't take him seriously in what's supposed to be a deathly serious role.
The third and biggest problem is Scott Eastwood as the protagonist. I don't know why they keep asking him to carry lead roles. He is textbook nepo baby. He's got the looks and the name but he lacks the presence/gravitas of a leading man. There's an ironic scene close to the end where the villain PERFECTLY describes who Eastwood is in real life: a guy who always comes up short because he just doesn't have the mettle.
What about DeNiro? Well, he's in this for like, five minutes tops. They could have got any old character actor to do what he did, which wasn't much.
One star for Jamie Foxx looking crazy which is the only entertainment value. Real waste of time and talent.
Le saviez-vous
- AnecdotesChristian George (FBI Special Agent Yates) suffered a severe leg injury just prior to filming his scenes. The writers modified the script to incorporate his injury and then allowed the cast to ad lib lines.
- Citations
Nash Cavanaugh: Some days... I don't know how I keep going. My mind is filled with things that... I don't want to remember. Trauma feeds on you like a disease. And then... even if it's just for a moment... life is unbearable. But this wasn't me not letting go of my past. This was my past not letting go of me.
- Bandes originalesWait in the Back of the Line
Written by Citizen Cope (as Clarence Greenwood) and Chris Hajian (as Christopher E. Hajian)
Published by CAS Film/Reservoir Media
Performed by Chris Hajian
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Kurşun Asker
- Lieux de tournage
- Prosotsani, Grèce(Cave Aggitis River)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut mondial
- 42 291 $US
- Durée
- 1h 26min(86 min)
- Couleur
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