Smiley

There are movies out there like "Savage Weekend" and "Fat Crazy Ethel II" that are worse to sit through than this movie, but those have such low production quality they can't even be called actual movies. Smiley, however, is an actual movie, and by that standard, it's easily the worst slasher movie ever made. It's also the worst horror movie ever made. In fact, I even consider it one of the ten worst movies of all time.

Smiley is a movie made by and starring a bunch of internet celebrities I'm only vaguely aware of. A self-indulgent passion project, this movie was created purely to kick start all of their film careers.

Smiley is part of a depressingly skyrocketing trend of "Social Media"-themed horror movies. Other entries in this sub genre include the abominable "Megan is Missing" and "Unfriended." A movie that is easily the best of the three, but is still a 4/10 film.

Smiley revolves around a boring, lifeless protagonist I can't even remember the name of as she finds herself caught up in the seedy underground world of "Trolling." Here, evil internet trolls go to "The Bee board on Four-Chan" and "hack severs to post CP" and other inane nonsense. I'm not kidding, the dialogue is really like that.

This movie relies very heavily on internet references, and the creators saw it fit to have characters explain what all of the terminology and lingo means in really blunt, obvious, patronizing expository dialogue. So if you ever wanted to know what "Anonymous" and "Lulz" are, now you can! Of course you don't actually exist because no one with a proper amount of chromosomes cares about any of this.

Of course, being a movie about the evils of 4chan, Smiley puts a lot of stock into the phrase "I did it for the Lulz!" being haunting. Since the movie uses it over and over and over again. In fact one of the characters even gets a long-winded speech out of nowhere about how it represents nihilism and sociopathy and how it's extremely terrifying as the camera closes up on his pudgy face and smug grin with cinematography and lighting so cartoonish it feels like he's about to morph into a lizard or something.

But "I did it for the lulz" is not scary. It's not haunting. It's not even unintentionally comedic. It's stupid. It's a stupid phrase with bad grammar and a made up word. It's the type of thing that can only work on the internet ten years ago. It's like trying to make "lol" sound scary. It just isn't, and no amount of spooky low-voiced monologues or turning down the lights will ever make it scary.

It's hard to talk about this movie with using the word "cringe" a lot. It's the best way to describe the way you'll react to most of the dialogue and plot points: cringe. It doesn't matter if you know about "internet culture" or not. Whether you're a tech-savvy teenager or an old grandma, you'll be sighing, groaning, and cringing your way through this film until it's merciful credit sequence.

It's impossible to care about any of the characters. The ones that aren't complete blank slates or soulless exposition machines are extremely ridiculous strawmen with lines so over-the-top they should be saying them while tying girls to train tracks. This movie attempts to tackle the casual nihilism of internet communities and gets everything completely wrong.

I'd really hate to say it, but "Unfriended" took a lot of the concepts this movie attempts and did them far better. Using internet bullying and "trolling" as concepts for a horror movie is a stupid idea, but at least Unfriended was competent enough to make it's terrible characters seem like real people (terrible people, but real enough) and to avoid exposition about dumb internet crap nobody cares about.

Oh, and Smiley, the movie's killer? He gets about four minutes of screen time, and three of those aren't really him. I won't spoil anything but the twist pretty much invalidates the entire film and comes out of nowhere.

For some reason, Keith David makes an absolutely humiliating cameo in this and you can't help but feel sorry for him. I expected more dignity from the guy who played Coraline's cat.

If I had to use one word to describe this movie, it'd be "embarrassing." Even if you watch it alone it embarrasses you. It's a huge embarrassment for the entire cast and crew. I don't even like these guys, but nobody deserves to be a part of a piece of garbage like this.

They deserve better, and so do you. Don't watch this movie. It's insulting to your intelligence.

The premise of this film had potential to be a really good enjoyable slasher but it failed. Low budget doesn't always mean a bad film but think it does here. Caitlin Gerard as Ashley is appalling in this. The rest of the cast is better but not by much. Still watched it. It was OK to pass the time. Needs more gore to be a slasher horror or needs more psychological twists to be effective. I can watch many different types of horrors and whether they cost 10 dollars or 10 million dollars to make, usually I find something enjoyable about my favourite genre. Not this time. I got bored. And Ashley screaming just made me want to vomit. I think even if the acting was slightly more convincing it would be a better watch. Alas it isn't so.

Yeah, so I watched 2012's Smiley last night.

It's a piece of crap with a stupid plot, a stupid attempt at a "twist"… and I'm sure some freakin' hipster will defend it as the direction of the new "Artcore" movement.

Just because you call a piece of crap a rose, doesn't make it a rose.

So, a girl starts college, and her partying new dorm mate invites her to a party. Once there she's introduced to "Smiley" – You get in an Internet chat room with someone, and while you are there, you type "I did it for the lulz" three times, and magically something bad happens to the person on the other side of the chat window. Not a terrible idea for a horror movie, but unfortunately, it is a terrible horror movie. I'm not even 100% sure where it went off the track, but it was one of those movies where you just end up waiting for it to end.

Can you say HOT MESS? I hate writing bad reviews because I think people who make horror movies are awesome, but this one was just painfully bad. The main actress was just horrible and the script was unintentionally funny due to it just being awful. It's tragic because the killer's face was really scary and the idea of being killed on the internet could have been interesting, but sadly, the story was executed poorly. I would definitely pass on this one unless you and a group of friends like to get together to watch really bad movies.

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The poster for "Smiley" boasts the tag-line "The New Face of Fear" and honestly I did find Smiley's appearance unsettling the first time I saw the trailer. However, all feelings even vaguely related to fear immediately began to disappear less than 3 minutes into the film (more on that in a moment). Still, I give the film one star to stand as a personal reminder for that one moment in time Smiley seemed promising.

"Smiley" is not only bad, but it's exceptionally bad to such a fundamental degree in both film-making and writing that every problem is encapsulated in the phrase: "BAD BLANK 101". Bad acting, pacing, atmosphere, dialog, characterization, direction, cinematography, editing, and sound are all astoundingly present as if "Smiley" was the meeting place for the reunion of elements in hack film-making.

As a film alone the characters are painfully flat; the acting is atrocious and the main character acts like a being from another planet; the dialog is so bad it smells; every single one of the "scares" are some of the cheapest jump scares in modern horror (that's saying something); the pacing is slower than a slug; during the long-drawn out scenes of fundamental philosophical waxing from the college professor (Roger Bart) that same slug is glued to the floor; I will not spoil anything here because the ending still remains an incomprehensible mess that started in less than 3 minutes.

Two minutes and thirty-two seconds into the film is a jump scare by a little girl that is simply a soft then LOUD noise made for no other reason than hack writing. Get used to that because those are the only kind of "scares" in the entire movie. The problems really begin as the audience and babysitter are told by the little girl about an urban legend killer, the titular Smiley, a mysterious killer (in that he's never explained, we're just expected to take the horribly shoe-horned exposition from the little girl that Smiley is a well-known urban legend, yet the audience doesn't know; Gallagher just expects us to blindly accept this). How does the little girl know this? Who is she? If Smiley is based around the NOT-Chatroulette then is it an international urban legend? All of these questions are just a few examples of what I kept asking the film which gave me nothing in return.

Then the awful writing comes into play as the audience learns of how "Smiley" is summoned beginning the long endurance test that was this movie. The Smiley killer is summoned (ala Candyman) by typing out the phrase "I did it for the lulz" three times to someone on Not- Chatroulette causing Smiley (dressed in Michael Meyers' one piece jumpsuit) to sneak up behind the person you typed the message out to then stabs them in the back (with Ghostface's knife no less). Let that sink in. The killer is summoned through Chatroulette.

Now here's a quick lesson to future horror writers and filmmakers: if you want to create a new horror icon then its important to remember that often timelessness trumps modernity. Sure, technologically based horror movies can make some of the best in the genre (Ringu, Videodrome, Kairo, Christine, Poltergeist, etc) and there's nothing wrong with being hip to the now (if done right), but the technology has to age well and be recognized as being a staple of everyday life with the majority of the public and Chatroulette has not aged well at all. In fact, Chatroulette is stale and by having the killer revolve around such an unbelievably dated concept severely hurts the potentiality for the character only speeding along its inevitable fade into obscurity.

Smiley might as well have been summoned by wearing a haunted pair of Crocs. Of course Smiley might have appeared more if the characters were wearing haunted Crocs because Smiley rarely appears in his own film. The rest of the film is just awful acting, horrible dialog, and one middle- finger of an ending.

What else is there to say? Smiley is just all-around bad in every single way possible regarding filmmaking and writing dumbing down or ripping off intriguing concepts from far superior horror films to create a poorly-stitched together amalgamation of first year philosophy, general science, and psychology. The only amusement is watching Roger Bart trying to make "I did it for the lulz" sound ominous and if you want to see that I'm sure Youtube will provide for you.