The Present

Not every plot twist will make sense in this family version of Groundhog Day. So the basic premise is not original. I've learned long ago that originality is not all that important. What matters is the fact that we've got very good roles written down for a cast who knows how to deliver when they have a very good role written for them. And it works - we quickly learn to care for this dysfunctional family, and since we care we stay through to the end. Pacing is just quick enough so we don't notice the bits that make less sense, and if we do notice, as I already said - it doesn't really matter.

It's not a masterpiece, it doesn't pretend it is. It's what my title said - a well-done fun movie. If that's what you're looking for, you'll get it here.

There's something quite engaging about Easton Rocket Sweda's "Taylor" character in this quite enjoyable and fast-moving family fantasy. He is a young man who loathes being touched and who communicates via an audio-board or by using an Etch-a-Sketch. Indulged? Well that was my first thought, then we meet the family and maybe the kid has the right idea. Anyway, his grandfather's bust old clock arrives and it's put in his basement where he tinkers around with it and gets it, somewhat miraculously, to work. His parents (solid efforts from Isla Blair and Greg Kinnear) have summonsed the family to a dinner that evening to announce their trial separation, but "Taylor" has discovered that the now repaired timepiece allows him to manipulate time - within a twenty four hour period. He reckons that he can change the circumstances of his mum and dad's struggling marriage - but every time he thinks he's on the cusp of averting familial disaster, well we are soon back to square one. He decides to enlist the help of his loved-up sister "Emma" (Shay Rudolph) the then finally their brother "Max" (Mason Shea Joyce - wasn't he in "McFly"?). The more they meddle, though, the messier things get as the grown ups all lurch from one near miss to an other. Old Father Time is starting to get a bit bored with the repetitive nature of this story (not just him) and when the kids realise that they can't keep doing this indefinitely, things have to come to an head. It works quite well for about an hour with quite a quirky storyline and the five main characters having some fun with almonds, a shiny red sports car and some fake snow but thereafter the story starts to recycle itself once too often as we head to what was always a fairly predictable conclusion. It's an easy film to watch, but not one you will remember and probably not one that needs to be seen in a cinema.

A cinema release without any prior reviews on a few major websites?! How about that!

I gotta say, 'The Present' surprised me big time! The lack of awareness that I had for it prior to watching (to be expected based on the earlier mentioned, evidently), a bog-standard poster and a meh-sounding premise meant that I wasn't expecting much from this 2024 flick. However, I had a seriously good time viewing it!

It's, in my opinion, a well crafted movie and, unexpectedly, quite amusing, it is also extremely touching when all is said and done. Isla Fisher and Greg Kinnear make for a solid onscreen pairing, while the trio of youngsters in Shay Rudolph, Easton Rocket Sweda and Mason Shea Joyce - even if the latter has less to work with - all give good performances.

One bad thing about me leaving the first review is if everyone else dislikes this, so here's hoping that a barrage of low-rated reviews aren't forthcoming!😆 Hey-ho, I had fun with it and that's all I can say!

The main issue with this movie is how the movie cant seem to decide which demographic its for. Is this a kids movie? Definitely not. Theres sex jokes, condom jokes, implied sex, and tons of other stuff that would lead to you having some really awkward conversations with your kids afterwards ("mommy, what did that guy mean when he said that the girl was a 'virgin'?") is this a movie for adults? Ummm... nope. The tone and premise is just way too childish and silly for that either.. so who is this movie for?

Its also got plenty of other problems under the surface as well. The actor playing the therapist was just annoying, the middle child max is just an extra in the first 2 thirds of the movie before suddenly deciding he wants to be an actual character in the final act. Also some of the sources of conflict were just dumb, like oh no, the dad is renting out a bathelor pad for when he moves out? Thats terrible for... some reason. I will say though that i did like it how whenever the movie relived a day it didnt re-show everything beat for beat, it only showed the stuff that changed from the previous day, that definitely saved a lot of filler.

Its just... meh. It just feels like a movie that came out a couple decades too late, it literally feels like a movie from the 80s or 90s. Its not terrible, but its just not completely compatible with any specific demographic.

It's really sad how critics wrote this Christian Ditter film off. It's actually a pretty great family comedy, aimed at younger children, propulsive and colorful with a great message placed safely within a very mischievous faux-SF plot.

This science fiction aspect of the film is actually the easiest one to get out of the way. It's a gateway movie when it comes to science fiction and it's a nice introduction to chronomotion and stuff like Groundhog Day and maybe even Back to the Future. Of course, the real deal works are better and obviously the best version of this plot device but as an interpretation for kids, Jay Martel and Christian Ditter deliver a proper version.

So, any unfavorable comparison to science fiction classics of cinema aimed at older audiences are literally moronic. This film is actually doing a favor to the genre.

However the fundamental element of this film is not chronomotion. It's family values and the ability of family members to actually heal it and fix its issues. It's inspired by Parent Trap alright but it's an archetypal thing and Isla Fisher & Greg Kinnear play the main characters as a couple worth keeping together.

Kids are also pretty great in leading roles and Christian Ditter brings great proficiency to staging which is pacy and imaginative.

Mayve, the film fell victim to its perceived lack of Wokeness, even though there are elements of inclusion. But if you are on the lookout (no pun intended to Fisher's film Lookout) for quality family fare, check this out,