Emmanuelle est en quête d'un plaisir perdu. Elle s'envole seule à Hong Kong, pour un voyage professionnel. Dans cette ville-monde sensuelle, elle multiplie les expériences et fait la rencont... Tout lireEmmanuelle est en quête d'un plaisir perdu. Elle s'envole seule à Hong Kong, pour un voyage professionnel. Dans cette ville-monde sensuelle, elle multiplie les expériences et fait la rencontre de Kei, un homme qui ne cesse de lui échapper.Emmanuelle est en quête d'un plaisir perdu. Elle s'envole seule à Hong Kong, pour un voyage professionnel. Dans cette ville-monde sensuelle, elle multiplie les expériences et fait la rencontre de Kei, un homme qui ne cesse de lui échapper.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Anthony Chau-Sang Wong
- The Eye
- (as Anthony Wong)
Avis à la une
Too scary for Emmanuelle. Rating is overrated, I give it a 2*. 36-year-old actress. Kristel was 21-22 at the time of the first movie. I won't talk about attractiveness, it's a matter of taste, but at least you could have picked someone closer in type for the plot. "It used to be better"? I guess so.
The casting is as lame as possible. All attempts to shoot "by the book" after that are useless about completely. Absolutely. The image of Emmanuelle is not formed in any way. Of course, a new movie production of a beautiful novel has long been relevant. But something like this is better not to be filmed at all. Better nothing than this bad.
The casting is as lame as possible. All attempts to shoot "by the book" after that are useless about completely. Absolutely. The image of Emmanuelle is not formed in any way. Of course, a new movie production of a beautiful novel has long been relevant. But something like this is better not to be filmed at all. Better nothing than this bad.
The original Emmanuelle, released in 1974, was hardly Citizen Kane. It was soft core porn dressed as art. It was probably quite provocative for its time but by today's standards is reasonably tame. There are some moderately interesting sub-plots but overall it is quite forgettable.
This film, the 2024 version, strives to take that film and make it even less memorable. The director and writers have somehow set out to make the world's most dull, sanitised, meaningless "erotic" drama. The average comedy is more erotic than this!
There's absolutely nothing good about this. The plot is close to non-existent and follows the original's style-over-substance, nothingness-dressed-as-art line.
Avoid.
This film, the 2024 version, strives to take that film and make it even less memorable. The director and writers have somehow set out to make the world's most dull, sanitised, meaningless "erotic" drama. The average comedy is more erotic than this!
There's absolutely nothing good about this. The plot is close to non-existent and follows the original's style-over-substance, nothingness-dressed-as-art line.
Avoid.
Why did this production come into being?
I read the books when they were written and, I saw the movies in Ireland, when censorship was rampent.
Whomever came up with the idea of bringing the stories into the 21st century, should never be involved in cinematopraghy, ever again.
They denigrated the books, the movies, and the memory of Sylvia Krystel. I am so very surprised that Namoi Watts would lend herself to this travesty.
The books were erotic for the '70's, and were ripe for European art movies, which were not always available to us Irish "children".
I read all the books, saw all the movies, and this is a disgrace. Even the Black Emmanual movies that were later produced, are better than this piece of crap.
Avoid, Avoid, Avoid.
I read the books when they were written and, I saw the movies in Ireland, when censorship was rampent.
Whomever came up with the idea of bringing the stories into the 21st century, should never be involved in cinematopraghy, ever again.
They denigrated the books, the movies, and the memory of Sylvia Krystel. I am so very surprised that Namoi Watts would lend herself to this travesty.
The books were erotic for the '70's, and were ripe for European art movies, which were not always available to us Irish "children".
I read all the books, saw all the movies, and this is a disgrace. Even the Black Emmanual movies that were later produced, are better than this piece of crap.
Avoid, Avoid, Avoid.
What an embarassment to the Emmannuelle collection of movies throughout history.
Anyone who has ever watched an Emmanuelle movie knows that it is about sensuality and eroticness above all.
This movie was filmed like it was some new advertisement for a women's perfume. Make of that what you will.
The biggest sin of all is the main casting. Unfortunately, Noémie Merlant while appears sexy and sultry at first, she just doesn't have the physical beauty to live up to the legendary Silvia Kristel.
The movie becomes more and more drab and boring as each scene comes and goes without much excitement.
Overall, for fans of T n A, this was also a colossal disappointment.
Anyone who has ever watched an Emmanuelle movie knows that it is about sensuality and eroticness above all.
This movie was filmed like it was some new advertisement for a women's perfume. Make of that what you will.
The biggest sin of all is the main casting. Unfortunately, Noémie Merlant while appears sexy and sultry at first, she just doesn't have the physical beauty to live up to the legendary Silvia Kristel.
The movie becomes more and more drab and boring as each scene comes and goes without much excitement.
Overall, for fans of T n A, this was also a colossal disappointment.
This is a decidedly darker take in style and substance than the original. The cinematography is darker; where the original was mostly outdoors in the lush yellow sunshine of Bangkok, this version is all shadows and dark interiors. The characters are darker, too, more silent and secretive.
Noémie Merlant, while lovely, is sharper and more angular than Sylvia Kristel, and lacking in Kristel's pure, innocent beauty. She tends to play the part much less open and expressive, adding to the mystery.
The secondary and peripheral characters are mostly undeveloped. Naomi Watts is totally wasted in a very minor role, and no one else seems up to the task of becoming an important part of the story. This version also lacks the other beautiful bodies that populated the original. The nudity, such as it is, is far less copious and quite a bit less explicit, making the sexuality of the character almost a sidelight of her personality, rather than an important feature of the story.
For my taste, there's a whole lot more to like in the original, from Sylvia Kristel's stunning beauty, to the lush tropical scenery, to the beautiful bodies filling so many of the scenes. If you aren't going to make it better, why bother to remake it?
Noémie Merlant, while lovely, is sharper and more angular than Sylvia Kristel, and lacking in Kristel's pure, innocent beauty. She tends to play the part much less open and expressive, adding to the mystery.
The secondary and peripheral characters are mostly undeveloped. Naomi Watts is totally wasted in a very minor role, and no one else seems up to the task of becoming an important part of the story. This version also lacks the other beautiful bodies that populated the original. The nudity, such as it is, is far less copious and quite a bit less explicit, making the sexuality of the character almost a sidelight of her personality, rather than an important feature of the story.
For my taste, there's a whole lot more to like in the original, from Sylvia Kristel's stunning beauty, to the lush tropical scenery, to the beautiful bodies filling so many of the scenes. If you aren't going to make it better, why bother to remake it?
Le saviez-vous
- AnecdotesThe lead actress Sylvia Kristel was 21 years old when Emmanuelle (1974) was released. By comparison, Noémie Merlant was 35 with the release of the remake Emmanuelle (2024).
- ConnexionsReferenced in Radio Dolin: The Results of 2024. The Best Films of the Year (2024)
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- How long is Emmanuelle?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 712 413 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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