Keep the Lights On

My biggest beef with this movie was that the romance between the two main characters, Erik and Paul, seemed shallow. They only meet each other a couple times before we as an audience are supposed to believe that they are "in love." Even Erik can't seem to really put into words why he's so into Paul when directly questioned. That, and that alone, made it difficult for me to be emotionally invested in the relationship between Erik and Paul, and therefore I didn't really care about any of the subsequent ups and downs that they went through. What the script lacks is the development of the relationship, and without it I am left confused as to why Erik chooses to stay with Paul throughout the story.

Otherwise, the acting was believable and the plot was interesting. I just like to feel emotionally connected to the love story in any romance movie, and I didn't feel it here.

As a gay man, I like to support films with gay characters and stories when I can. Oftentimes such films sacrifice writing and acting in order to titillate. This film avoided that pitfall and delivered a cohesive, relevant and tasteful product. The characters were gritty and weren't cardboard cut outs. Personally, I found it a lot more relevant than a recent art film I caught called THE MASTER. The central relationship in this film is between gay men but the film manages to touch on failing/toxic relationships in general and offers up some noteworthy and humorous ensemble performances. As difficult as it is to believe, these relationships exist in gay and straight life. It seems to me that the filmmaker decided it was important to hold up a mirror and show us reality and a real relationship gone awry instead of showing us that gays can have just as little sex and/or just as loving relationships as straight folk. We have enough sanitized and safe portrayals of gays on network TV. I found the performances to be interesting and the characters were dynamic. Each had a journey unlike the static characters in the aforementioned, lauded art film. Since this film was most certainly shot quickly and with a limited budget, I take my hat off to cast and crew. The selfishness, desperation, preoccupation, co-dependency and obsessive behavior depicted seemed right on point. I felt that the filmmakers unflinchingly and without apology depicted the good, the bad and the ugly of this relationship while tell a story about two individuals in love.

I wanted to like this one for some obscure reason. The subject matter seemed promising and I dove into it with an open mind. Even though the acting was adequate (although nothing great), the one flaw was of course the story or rather the lack of it.

At first, I was lulled into a false sense of hope that something would come to grab my attention so I kept on watching and soon found out that this was as good as it would get. The story should always be the number one priority when producing a movie and sadly, this is not the case here.

The drug aspect didn't bother me as much as it just seemed like yet another cliched way of depicting a love story between 2 men. True, drug addiction can be a part of that community but in this case, it just felt stitched together to give the characters something to do.

The whole time I felt like the director/writer didn't know what to do with his characters to make them interesting. The chemistry between the 2 leads was fair and the supporting actors were also decent but yet again, the story didn't have enough meat to make this riveting. It dragged along to its wobbly conclusion which felt like a letdown because the payoff never came.

The only actor who I felt really owned his part was Thure Lindhardt as Erik and he was quite good in portraying the anguish and sadness of his character but he wasn't given enough substance in terms of his tale to make me feel satisfied with this movie so I could only give it a decent 4 star rating. Nothing horrible certainly but nothing outstanding either.

The approach, manner of depiction, and pace are more characteristic to a Danish or Swedish movie rather than a US one. The gay topic is atypical to a US movie industry as well, although a few of them were even awarded Oscars (e.g. Brokeback Mountain); still, gay erotica there was rather superficial. Keep the Lights On shows - apart from deep and painful dramatic moments - carnal part of love and affection as well (probably too much for certain viewers, on the other hand, the director/screenwriter is gay). The other main topic - drug addiction - has been approached more frequently. However, the plot is uneven, at times the tension disappears and some moves are not grounded, the last 20 minutes or so is protracted, and the ending is trivial. But the cast is evenly strong, the best performance is carried out by a relatively unknown Dane Thure Lindhardt (as Erik Rothman); he is worth remembering, he has recently had several big roles in good productions. But all other characters are deliberated and performed giftedly as well.

If you like dramatic movies with passion and addictions, then the one in question is definitely for you.

Keep the lights on is a story about Erik, a filmmaker, who falls in love with Paul. The movie is about their decade long relationship with many highs and lows and how their lives, tangled into each other's, gets affected by the choices they make.

First of all, hats-off to the direction by Ira Sachs. The film is shot in a very sombre manner which states that the men were never meant to be together to begin with, without the characters explicitly saying it in the film. I am excited now to see his much spoken about "Love is Strange" if I wasn't before. Another thing which I liked is the character development of the protagonist. As he is a filmmaker, he is depicted as eccentric who follows his desire but at the same time, we see him getting entirely overwhelmed by not being able to handle his relationship. As if he is putting so much efforts to make it work but it doesn't seem to be happening like he wanted which makes him furious and forces him to say or assume something which makes the whole situation even worse. Erik is played by Thure Lindhart. I haven't seen any of his other work, but I'll sure keep a lookout from now on.

The movie occasionally takes a very slow pace which might be a turn off to some people but I'll recommend one and all to stay fixated as all the other times, the movie is truly heartbreaking. The truthfulness of the characters, the amber cinematography, the contemporary demeanours but still yearning for traditional facets of a relationship like having a child, are the things which triumph for Keep the Lights on. It's the absence of emotional transparency between the couple which makes it one of the most moving films of its time.

Do give it a go if you're a fan of watching budding romantic flings on-screen and are not too afraid of watching it all shatter as well in less than an hour and a half.

NOTE: If you like, "Keep the Lights On", you might also like, "Happy Together" by Kar-Wai Wong.