Un prédicateur laïc arrive dans une colonie britannique dans les années 1830. Son passé violent est bientôt remis en question et sa foi mise à l'épreuve, alors qu'il se retrouve pris au mili... Tout lireUn prédicateur laïc arrive dans une colonie britannique dans les années 1830. Son passé violent est bientôt remis en question et sa foi mise à l'épreuve, alors qu'il se retrouve pris au milieu d'une guerre sanglante entre tribus maories.Un prédicateur laïc arrive dans une colonie britannique dans les années 1830. Son passé violent est bientôt remis en question et sa foi mise à l'épreuve, alors qu'il se retrouve pris au milieu d'une guerre sanglante entre tribus maories.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 5 nominations au total
Avis à la une
While this film tells of a seemingly unimportant bit of history from a global political perspective, it is infact a very interesting tale which is omitted from commonly known pop history.
The scenes are dramatic and don't pause, one picture almost seems better than the last. Every shot tells a story of culture and narrative, and every line of the script only adds more meaning to human nature.
In a lot of ways the seemingly small skirmish which is depicted in this film, can be far more dramatic than the large scale battles of the massive nation States who dominate the Globe. Each member of the warring tribes are not only friends but also lovers, family members and close nit family legacies.
As a history enthusiast, I also very much appreciated a more realistic portrayal of...history which is often, or almost always ignored by mega budget Hollywood fairy tales disguised as history. Yes there were some goofy flaws with weapons, but the flaws told a larger narrative and gave more color to viewers who might not be history buffs.
In the end this movie is at heart a play and not a documentary, but it's a story true to it's spirit.
Enjoy!
The scenes are dramatic and don't pause, one picture almost seems better than the last. Every shot tells a story of culture and narrative, and every line of the script only adds more meaning to human nature.
In a lot of ways the seemingly small skirmish which is depicted in this film, can be far more dramatic than the large scale battles of the massive nation States who dominate the Globe. Each member of the warring tribes are not only friends but also lovers, family members and close nit family legacies.
As a history enthusiast, I also very much appreciated a more realistic portrayal of...history which is often, or almost always ignored by mega budget Hollywood fairy tales disguised as history. Yes there were some goofy flaws with weapons, but the flaws told a larger narrative and gave more color to viewers who might not be history buffs.
In the end this movie is at heart a play and not a documentary, but it's a story true to it's spirit.
Enjoy!
A very simple straight forward watch about the start of the invasion of west into new Zealand. I love watching Maori films , but unfortunately majority of them are terrible and unwatchable. Due to all new Zealand TV being pretty cheesy and terrible. When I was there , quality is like watching stuff from the 80's.... Anyway the film has fantastic locations and captures the maori's well . Brutal culture , very tough people. They were way more aggressive than native Indians in usa. Their general rule of thumb is they will cook you until your eyes pop out , then feast on you. This film kept me to the end and I enjoyed the acting and story. It reminded me of the last samurai with Tom cruises character, very similar to the main protagonist in this movie. It has hints of the old traditional movie ' The bounty ' as well. It's a little slow to begin with , but has some fun exciting scenes towards the end.
Guy Pearce plays Munro, a lay preacher tasked with looing after a new British settlement on the coast of 1830's New Zealand. The area is riven still with tribal wars and Munro becomes involved in these by accident, during other endeavours.
While this does not pretend to be an accurate retelling of events, it does portray very much the feelings of the time. Tribes who think revenge blood is the only redemption, explorers who think they have a right to other lands, a King who seeks to rule over lands he's never even seen, and the power of the passionate belief of a handful of people.
Munro, an ex soldier who has realised that war is not the route to peace, attempts to convince 2 warring tribes to find a more peaceful way. Of course, this ends in a brief war. However his influence appears to have lain on the victor as he seeks peace from now on with the vanquished.
There is of course a lot of sacrifice along the way of loved ones, some dirty dealing, some giving up of values and some compromise. But is that a fair price to pay for peace?
It's very, very well acted, and the story flows quickly yet in great detail. Guy Pearce is his usual excellent self and the story is inherently interesting and emotional. I liked it a lot so I gave it a solid 7.
While this does not pretend to be an accurate retelling of events, it does portray very much the feelings of the time. Tribes who think revenge blood is the only redemption, explorers who think they have a right to other lands, a King who seeks to rule over lands he's never even seen, and the power of the passionate belief of a handful of people.
Munro, an ex soldier who has realised that war is not the route to peace, attempts to convince 2 warring tribes to find a more peaceful way. Of course, this ends in a brief war. However his influence appears to have lain on the victor as he seeks peace from now on with the vanquished.
There is of course a lot of sacrifice along the way of loved ones, some dirty dealing, some giving up of values and some compromise. But is that a fair price to pay for peace?
It's very, very well acted, and the story flows quickly yet in great detail. Guy Pearce is his usual excellent self and the story is inherently interesting and emotional. I liked it a lot so I gave it a solid 7.
It's 1830 New Zealand. Guns have changed the local Maori culture and soon Christianity. Thomas Munro (Guy Pearce) is the newly arrived Reverand from England to preach over the tiny community of Epworth. On the way there, he encounters a tribal conflict and rescues Rangimai (Tioreore Ngatai-Melbourne) from execution. She turns out to be the daughter of a rival clan leader. Charlotte (Jacqueline McKenzie) is an Epworth villager with connection to the Maori.
This is essentially the story of Dances with Wolves in another place with more religion. There is a lot to like. It also feels very familiar. It is nice to see this culture and this particular time/place being represented. It's not the most covered. This may not be the most inventive, but it's nice just to see it.
This is essentially the story of Dances with Wolves in another place with more religion. There is a lot to like. It also feels very familiar. It is nice to see this culture and this particular time/place being represented. It's not the most covered. This may not be the most inventive, but it's nice just to see it.
In 1830-based period-drama "The Convert" English lay-preacher Guy Pearce (strong as ever) is assigned to a remote New Zealand outpost where the Brit settlement (led by Mark Mitchinson) rents land from local Maori chief Antonio Te Maioha whose tribe is threatened by warlike rivals led by Lawrence Makoare. Aided by Scottish outcast Jacqueline McKenzie and Te Maioha's daughter Tioreore Ngatai-Melbourne, Pearce attempts to break the savage cycle of violence... but can he? The screenplay from Michael Bennett, director Lee Tamahori & Shane Danielsen is interesting & engaging (if not outstanding for the genre). It's good, solid, worthy, & well-performed fare.
Le saviez-vous
- AnecdotesIn a 2024 interview with Screen Rant, Lee Tamahori spoke about the depiction of Maori warfare in the film and the contrast of directing it versus his experience on Meurs un autre jour (2002): "...we haven't seen combat like this much on film. There's been a film called The Dead Lands (2020), and another couple. There is now a highly trained number of Rakau experts. This is Maori hand to hand combat with edged weapon. They call them patu and taiaha. So there's weapons like most indigenous cultures had spears clubs edged weapons. So there's a lot of people trained in that now, young Maori. They're all in the film. They're a combat unit, which we put together. Action is just something you make up in your head and you do it shot by shot by shot by shot, and work your way through it. To me it is always important, and in the difference between a James Bond action sequence and a Convert action sequence is The Convert the action has to be scarily authentic. It has to be brutal. It's fast. There's no slow motion, no trickery going on. It's just shot by shot by shot, edited down to a point. Whereas with something like most modern action films have speed ramps, and all sorts of post-production tricks on them. But I didn't want to do anything other than show the brutality of hand-to-hand combat as it was."
- GaffesWhen they land for the first time, Munro talks to the crew of the landing boat then rides his horse along the beach. There is a wide shot towards the end of this scene where the boat obviously isn't on the beach.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Convert?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 5 491 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 963 $US
- 14 juil. 2024
- Montant brut mondial
- 764 882 $US
- Durée
- 1h 59min(119 min)
- Couleur
- Rapport de forme
- 2.39:1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant