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Warriors of the Rainbow

Titre original : Sai de ke · ba lai: Tai yang qi
  • 2011
  • Not Rated
  • 2h 24min
NOTE IMDb
7,5/10
7,5 k
MA NOTE
Warriors of the Rainbow (2011)
An indigenous clan-based people living in harmony with nature find their way of life threatened when violent interlopers from another culture arrive, intent on seizing their natural resources and enslaving them.
Lire trailer2:04
1 Video
15 photos
ActionDrameL'histoire

Ajouter une intrigue dans votre langueAn indigenous clan-based people living in harmony with nature find their way of life threatened when violent interlopers from another culture arrive, intent on seizing their natural resource... Tout lireAn indigenous clan-based people living in harmony with nature find their way of life threatened when violent interlopers from another culture arrive, intent on seizing their natural resources and enslaving them.An indigenous clan-based people living in harmony with nature find their way of life threatened when violent interlopers from another culture arrive, intent on seizing their natural resources and enslaving them.

  • Réalisation
    • Te-Sheng Wei
  • Scénario
    • Te-Sheng Wei
  • Casting principal
    • Masanobu Andô
    • Jun'ichi Haruta
    • Sabu Kawahara
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    7,5 k
    MA NOTE
    • Réalisation
      • Te-Sheng Wei
    • Scénario
      • Te-Sheng Wei
    • Casting principal
      • Masanobu Andô
      • Jun'ichi Haruta
      • Sabu Kawahara
    • 23avis d'utilisateurs
    • 62avis des critiques
    • 62Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 15 victoires et 29 nominations au total

    Vidéos1

    U.S. Version
    Trailer 2:04
    U.S. Version

    Photos15

    Voir l'affiche
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    + 9
    Voir l'affiche

    Rôles principaux52

    Modifier
    Masanobu Andô
    Masanobu Andô
    • Genji Kojima, Constable at Tonbara clan
    Jun'ichi Haruta
    • Egawa Hiromichi, Police chief in Wushe area
    Sabu Kawahara
    • General Yahiko Kamada
    Shiang-Chu Tang
    Shiang-Chu Tang
    • Li, Ching-Fang, Special envoy of China
    Nolay Piho
    Nolay Piho
    • Mona Rudao
    • (as Lin Ching-tai)
    Umin Boya
    Umin Boya
    • Temu Walis
    Vivian Hsu
    Vivian Hsu
    • Obing Tadao aka Hatsuko Takayama
    Mei-Ling Lo
    Mei-Ling Lo
    • Obing Nawi aka Hanako Kawano
    Landy Wen
    Landy Wen
    • Mahung Mona (Mona's Daughter)
    Da-Ching
    Da-Ching
    • Mona Rudao - Young
    Pawan Nawi
    • Chief Rudao Luhe, Mona's Father
    Yakau Kuhon
    • Tado Mona (Mona's Eldest Son)
    Pawan Neyung
    • Baso Mona (Mona's Younger Son)
    • (as Lee Shih-chia)
    Yuan-Jie Lin
    • Pawan Nawi
    Chih-Wei Cheng
    Chih-Wei Cheng
    • Biho Sapo
    Yi-Fan Hsu
    Yi-Fan Hsu
    • Ichiro Hanaoka aka Dakis Nomin
    • (as Bokeh Kosang)
    Soda Voyu
    Soda Voyu
    • Jiro Hanaoka aka Dakis Nawi
    Hayung Gaki
    • Réalisation
      • Te-Sheng Wei
    • Scénario
      • Te-Sheng Wei
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs23

    7,57.4K
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    10

    Avis à la une

    9usa-mike

    an 'avangardiste' movie in its kind (tribes and wars)

    well, for whom doesn't have time to read my full review, let's say that if you loved both LAST OF THE MOHICANS and APOCALYPTO,then i'm pretty sure you will love this movie. This is a great movie about war strategy, tribes, honor,hope.Off course there is a plenty scene of blood because it is war, but the bloody effect is not so over than Spartacus TV series. Points of view of several scene are great, many aerial, of camera-handed run... No doubt, it is a modern war movie. if you got boring during Narnia or Lord of Rings, then you will get what you want here. There is mass-fighting scene, uncut real fight, very captivating. i did not give the max evaluation because women in the movie, are very 'platonic', linear role and 'too much respected' (which was not during a real war). I guess the director wanted to keep a part of his audience (and not sexual scene either of course).
    exjor

    voice of the native

    I walked out of the cinema with both surprise and worry. I'm worried because maybe this is not a very good film, especially not a good "commercial film" to make both ends meet, but I'm really glad to see that Te-Sheng Wei can still insist on his idea even in such a big production.

    Before going to the theater, my first concern was whether it would become a stereotypical nationalism or humanism film, because The Wushe Incident had been represented so many times in our history class in Taiwan that it seemed to be too difficult to make this film without compromising on political correctness, but Te-Sheng Wei made it!

    Sàidékè balái presented a mass of killing and death, not in a humanism or Han Chinese Nationalism way, but from the aspect of the Seediq. I have heard people arguing if it is necessary to have so much violence in this film, but I have to say that the value of peace or anti-war is the main stream nowadays but not so to the traditional Seediq that time. Therefore, I think the director is not a moral relativist, he just chose not to judge the past with today's value, and resisted the mainstream that drowned the voice of the minority.

    It impressed me that there was little Chinese or Taiwanese through out this film. Instead, the film is composed of Seediq language and Japanese. We should cherish it that 80 years after the The Wushe Incident, we can finally see a film which represents historical event not based on the authority opinion but on people who didn't lead the history, i.e. the native.
    10magchau

    (Our) Disappearing Cultures

    I agree too. I did some wiki research when I first learn about this film and it is really helpful to get a fuller sense of the theme given a basic historical context. Disclaimer: I have seen the first part only (the second part is in theaters today in HK).

    Similar to previous comment, this movie reminds me of the situation in Tibet right now. How the "Han-ization" is happening when the culture and religion in Tibet is slowing disappearing. What would I do if I were one of the young men in the tribes in the movie?

    And is this that much different to the change happening to our very own culture (both Eastern and Western) in the face of globalization and extreme consumerism? This is how much the film has provoked me into contemplating.

    Also with all the head chopping and fighting scenes the director has successfully illustrates the values and beliefs of life of the tribes without a taint of violence. Yes it's bloody but not violent. Wonder how that is possible right? (This is refreshing in the midst of our media culture on big screens and on TV).

    I would not use the word entertaining for this movie but nonetheless it is not as serious/"boring" as the topic and plot might sound. And 144 minutes just flew by without my notice and my 60+ years old parents were actually hoping to watch the second half right after the first.

    Definitely a not-to-miss for this year!
    9fishbelly2002

    do background research before going

    First of all it is better to watch the film in full 4.5 hr instead of watching as 2 parts, which is what I did in film fest.

    Secondly, you have to know a little of history and tradition of Taiwan and roles of aboriginals to truly have a feeling for the movie. Just Wiki "Wushe Incident", and "Taiwanese Aboriginal" and that makes things much better as you watch.

    Anyway back to the film, the selling point seems to be all the killing, the action, the big budget. However after watching it I've found out it's more about the value of "death" that the film tries to bring to us, and death weights in front of abstract values such as "tradition", "dignity", etc.

    It's really an entertaining film for sure and throughout the 4.5 hrs time just flies, and you have to adjust yourself to have that desire to discover more about aboriginals believes and ways of living, much like watching documentary films mentality.

    I can't stop comparing this "Civilization vs. Barbarian" plot to what is happening in middle east right now. In such sense history is repeating, and the film is definitely pointing out how pointless the loss of lives is (depends on which stand you are taking though).

    Overall this is one of the best and most enjoyable films in recent years. The director is trying to lead us to think critically towards topics on death, values, tradition and how these would change when worlds collide.
    9rgblakey

    Warriors of the Rainbow delivers an emotionally violent story

    If you are looking for an epic sized film look no further than the Asian film market. They have cornered the market on delivering huge scale movies on a regular basis like no other. Warriors of the Rainbow: Seediq Bale is not only an epic film it is the most expensive film to ever come out of Taiwan. Produced by John Woo, the film was originally released in Taiwan as two films running at over 4 and a half hours, but released in a single US version at about 2 and a half hours. Can this much be trimmed from a movie a still work clearly enough to keep the film's epic story in-tact and capture audiences? Warriors of the Rainbow is based on the 20th Century history of two warring tribes that not only clashed over the land they inhabited, but also a bigger war against the Japanese as they begin to colonize the island and wipe them out. Forging an alliance with the other tribes, they took the Japanese by surprise only to have to face an unstoppable force as they are attacked by aircraft and poison gas. This is not only a truly epic film; it is one that will leave you with some sort of emotional response. Whether its sadness, anger, or just awe, you cannot walk away from this movie without it affecting you in some way. This is an extremely violent and graphic movie, but is necessary to really convey this little known time in Taiwan history. At first this film feels a bit like Apocalypto then takes a turn to something like Last of the Mohicans, but with a way more violent and deep emotional story. It's hard to believe the amount of action that is crammed into this film and still have such a powerful story. This is a well-made, well-executed film that is hard to watch at times due to the content. Besides the war violence, there is a heavy amount of gore as well as suicide and children being killed that may be hard to watch for some people.

    This is easily one of the most emotionally charge epic war like movies to come out in a long time. With the amount of content that is included in this film, you can only imagine what else could have been cut out for this condensed US release. If you love Asian cinema, war films, or just great filmmaking, this is a must see film. Just be warned as mentioned before that there are some pretty heavy visuals.

    http://www.examiner.com/movie-in-dallas/bobby-blakey

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Taiwan's official submission to the Best Foreign Language Film category of the 84th Academy Awards 2012. To meet Academy regulations, the four-and-half-hour full version of the diptych was submitted as one entry.
    • Citations

      Mona Rudao: There are more Japanese people than the tree leaves in the forest, than the pebbles in Jhuoshuei River. But my determination to fight them is more adamant than Mt. Chilai! If your civilization wants us to cringe, I'll show you the pride of savages!

    • Connexions
      Followed by Sai de ke · ba lai: Cai hong qiao (2011)

    Meilleurs choix

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    FAQ20

    • How long is Warriors of the Rainbow: Seediq Bale I?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 9 septembre 2011 (Taïwan)
    • Pays d’origine
      • Taïwan
    • Sites officiels
      • Official Facebook
      • Official site
    • Langues
      • Aborigène
      • Japonais
      • Hokkien
    • Aussi connu sous le nom de
      • Warriors of the Rainbow: Seediq Bale I
    • Sociétés de production
      • ARS Film Production
      • Central Motion Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 23 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 136 166 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 57 183 $US
      • 29 avr. 2012
    • Montant brut mondial
      • 4 670 432 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 24min(144 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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