Copper

Copper may not be the greatest show on earth but it is damned good. Every time I start and episode I am put off by it for a few minutes, into it for a few more. Then straight up Enthrawled in it as the plot gains weight and momentum.

The show has exception gripping scenes of violence when it has them though it usually doesn't, but when they are their they fully justify the TVMA rating (which is hard to get considering the stuff that hell on wheels does only manages them a tv14).

The acting is superb, the setting well done despite a few quirks with some virtual backgrounds, though totally understandable given the small budget. all in all the people seem rough dirty and brutal.

Most of the show consists of a our main character corky navigating up and down the lines of inner and upper class as he searches for criminals. sick, petty. and vial criminals. that are intertwined in both.

The mellow drama isn't up to par with some other shows other but its not trying too hard and its also not trying to rip off these shows. In that the echos of deadwood are seen, if only they could make this like that, but that wouldn't happen, never the less the spirit in deadwoods creation is in this, just with less articulate melodrama.

The characters are interesting and engaging, the violence brutal and bloody and the way the plot snowballs in mini stories is great.

Its also a touch relaxing to watch, for all its brutality, its very comfortable. you trust the characters to behave as they should and in that kinda in a bit of a trip./

I absolutely love this show. The characters are so well written and really pull you into their world. I really love shows that don't throw any punches about the subject matter of the time they are showing. The dirty and grittiness of the sets make you feel like your really there.

If you like crime drama then you should really check this show out. It really captures the time period well. Showing how even though the North is fighting to stop slavery that racism was still a very large part of life everywhere.

Detective Cochran is one of those guys you would always want on your side, and would never want to be on his wanted list. And what a outstanding job that Kiara Glasco does as Annie. I haven't seen a young actress act so beyond their age since Kirsten Dunst in Interview with a Vampire.

One of my new favorite shows on TV. I wish more shows today would have the substance this show does. Well done indeed.

And it delivered. I was not expecting much from this show, not because of the relatively unknown actors, but because there's a lot of "back in the day" shows coming out the last couple of years (Deadwood, Hell On Wheels, Boardwalk Empire etc) though this show has certain hints from other shows, it has it's own gritty feel about it.

The characters are great, and you never know who is doing what or who they are doing it for, there's no "Oh I know what's about to happen" and even if you get that thought process, it's a very unlikely chance you'll have guessed it right.

As stated in a previous review it's not the greatest show on earth, but just when you're about to give up on it, you get smacked in the face with the next scene which leaves you hanging for the next season, I do recommend watching this if you are a fan of Deadwood/Hell On Wheels.

Copper came out of the gate a bit slowly, and that turned out to be a good thing. It's written to give a good, solid character development that really comes in handy as the show progresses and avoids the usual 2 dimensional "good guy/bad guy" stuff where so many characters usually become boring in similar types of drama.

Tom Weston-Jones is solid as Irish American copper Kevin "Corky" Corcoran and he's completely believable as a 19th century law officer in the Five Points area of New York City trying to do the job as honorably as he can, as well as locate his missing wife and find the murderer of his young daughter, amongst other things. An added bit of gritty reality finds that he's human and sometimes finds himself tempted by stuff (and occasionally partakes in certain acts) that most viewers today know are pretty much illegal or at least borderline not lawful. That's what makes this series so good is that it plays on a part of 19th century history that was pretty messed up due to the tumult caused by the civil war, but not touched on too often in television, anyway, from the gritty appearances of the cast and the scenery, to the questionable law practices. That's what makes this show a standout.

BBC America has got a winner in this one and it just keeps getting better as the storyline is fleshed out a little more with each episode. I can see why Barry Levinson is not afraid to attach his moniker to this show as an executive producer. It's that good.

I was hooked by the promos. Although I like period dramas, usually my preferences tend more toward much earlier times. The atmosphere, the setting, even the costumes on "Copper," however, bespoke something unusual.

The actors are spot-on. Their characterizations are very human, making them both likable and unlikeable. Justice is often dispensed based on situational ethics rather than word of law. This is refreshing, since we don't have to root for every one, every time.

The writing, production values, even the editing make the show compelling and the unanswered questions persuade me to come back each episode to see how the plot is furthered. While we still don't have the larger answers, there is enough going on in the foreground so that this is not a drawback. It makes the denouement worth waiting for.

I have favorites among the characters, of course, but have a couple of unfavorites, as well: Eva, the friends-with-benefits "businesswoman" who, apparently doesn't mind snuffing out any potential rivals for someone who, in the end, will never be hers, anyway (she's quite awful: who would want to be?) and the evil child we've seen in so many horror movies that I, for one, can't muster up even a modicum of sympathy for. They and a smattering of others simply elicit the "Can't wait for this one to buy it" response.

It's outstanding in the current field. This, alas, means it probably will have a short shelf-life, as so many imaginative, non-generic shows do. I sincerely hope, however, that this proves the exception.