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Une exploration de l'œuvre inachevée de Charles Dickens dans laquelle le mystère du meurtre d'Edwin Drood est examiné.Une exploration de l'œuvre inachevée de Charles Dickens dans laquelle le mystère du meurtre d'Edwin Drood est examiné.Une exploration de l'œuvre inachevée de Charles Dickens dans laquelle le mystère du meurtre d'Edwin Drood est examiné.
- Nomination aux 1 BAFTA Award
- 2 nominations au total
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I have to say that if you like the novel, you need to see a Russian version year (1981) of four part TV series of " The Mystery of Edwin Drood". The movie is great and explores in depth Dickens' characters. The cast of actor cannot be better! The music composed by the Russian Composer, Eduard Artemiev is absolutely enchanting. To watch the sample episode and listen to Mr. Artemiev music , please go here http://www.youtube.com/watch?v=WG5N7J9kJbw
I am sorry the movie is on Russian language. However, you will be very surprised how well it is made.
If you would like to see a full version of four parts of the movie, please click here, for the part one http://www.youtube.com/watch?v=xLW_3ESsZIg
As for this BBC production, I find it somewhat hard to watch. The entire story seems to be very compressed for the time allotted. The cast of actors are mediocre, except for Matthew Rhys. Perhaps, I am coming from a standpoint of someone who has a comparison of the two different productions.
I am sorry the movie is on Russian language. However, you will be very surprised how well it is made.
If you would like to see a full version of four parts of the movie, please click here, for the part one http://www.youtube.com/watch?v=xLW_3ESsZIg
As for this BBC production, I find it somewhat hard to watch. The entire story seems to be very compressed for the time allotted. The cast of actors are mediocre, except for Matthew Rhys. Perhaps, I am coming from a standpoint of someone who has a comparison of the two different productions.
Although Edwin Drood was unfinished at the time of Dickens' death, it was only the very ending that was left unfinished, and it seems clear from other sources how Dickens had intended the story to conclude. I feel this version took too much liberty with the source material and its supposed incomplete nature. It made it too convoluted and mysterious I think in an aim to boost its TV appeal. But for fans like me who prefer adaptations to be faithful this was disappointing. And on top of this, it wasn't all that entertaining, I think the artificial complexity only served to distract the audience and distract from how enjoyable it might have been. The 1935 version, though a very old film, is much clearer and enjoyable and truer to the Dickensian spirit.
Yes, "Mystery" does vary in tone from other works by Dickens but not nearly to this extent. The whole movie plays like a sweaty dream induced by a night of heavy eating and drinking. It utterly lacks the feeling of concrete reality that Dickens somehow evokes even as he spins ludicrous tales.
Not a single character feels like a real person with a real life beyond what appears on screen and a full range of emotions. There's never a hint that the choirmaster runs a choir, or that the lawyer has ever handled a case or that the schoolgirl has any studies.
The very talented Matthew Rhys is wasted on a role with only two notes, hatred and self pity. But it's still the deepest role in the show. None of the other characters has more than one characteristic and many of them have none at all. Oddly, despite this lack of personality (or perhaps because of it) all of the characters are unlikable. There's no one to root for in the story.
To make up for the lack of character, there is mood, lots of mood, hitting you in the face again and again with dream sequences and funny camera angles and music that is supposed to make us fearful in moments that are not scary to anyone older than 5.
The production isn't even technically competent in a way you'd expect of the BBC. Rhys, who is great with accents and can surely do an English one, frequently reverts to his native Welsh. In one scene, they say the Lord's prayer as "Our Father, Who art..." rather than "Which art," which would have been used in Victorian England. It's a miracle a car did not drive through the background in one of the scenes.
The worst adaptation of Dickens I have ever seen.
Not a single character feels like a real person with a real life beyond what appears on screen and a full range of emotions. There's never a hint that the choirmaster runs a choir, or that the lawyer has ever handled a case or that the schoolgirl has any studies.
The very talented Matthew Rhys is wasted on a role with only two notes, hatred and self pity. But it's still the deepest role in the show. None of the other characters has more than one characteristic and many of them have none at all. Oddly, despite this lack of personality (or perhaps because of it) all of the characters are unlikable. There's no one to root for in the story.
To make up for the lack of character, there is mood, lots of mood, hitting you in the face again and again with dream sequences and funny camera angles and music that is supposed to make us fearful in moments that are not scary to anyone older than 5.
The production isn't even technically competent in a way you'd expect of the BBC. Rhys, who is great with accents and can surely do an English one, frequently reverts to his native Welsh. In one scene, they say the Lord's prayer as "Our Father, Who art..." rather than "Which art," which would have been used in Victorian England. It's a miracle a car did not drive through the background in one of the scenes.
The worst adaptation of Dickens I have ever seen.
This recent BBC adaptation of Dickens' unfinished final work for me takes too many liberties with the tale. Not for the first time of late in a TV Dickens adaptation, one suspects the hand of political correctness rather than imaginative casting in having the Landless siblings played by black actors. It only serves to make the nascent love scene between Reverend Crisparkle and Miss Landless seem the more awkward especially in the context of the time in which it is set.
While there is melodrama in the plot, a Gothic over-dramatisation is applied, especially when John Jasper "has one of his heads", a cue for unusual camera placements, distorted shots and mad-scene background music. It also disobeys the golden rule, which even Hitchcock acknowledged, of never using a flashback that lies. The invented ending, which plays on the title of the piece, made me wonder if the writer hadn't had a hookah or two of opium before putting pen to paper.
As for the acting, I found some solace from the scenery-chewing of the leads in the supporting parts of Durdles, Brossard and young Deputy. No offence to the actress playing Rosa but one can hardly imagine her freckled, girlish demeanour inspiring the passions it does here.
In short, I found this production overdone and undercooked at the same time and rather think the BBC for once failed the great writer in this particular version of this tale.
While there is melodrama in the plot, a Gothic over-dramatisation is applied, especially when John Jasper "has one of his heads", a cue for unusual camera placements, distorted shots and mad-scene background music. It also disobeys the golden rule, which even Hitchcock acknowledged, of never using a flashback that lies. The invented ending, which plays on the title of the piece, made me wonder if the writer hadn't had a hookah or two of opium before putting pen to paper.
As for the acting, I found some solace from the scenery-chewing of the leads in the supporting parts of Durdles, Brossard and young Deputy. No offence to the actress playing Rosa but one can hardly imagine her freckled, girlish demeanour inspiring the passions it does here.
In short, I found this production overdone and undercooked at the same time and rather think the BBC for once failed the great writer in this particular version of this tale.
The Mystery of Edwin Drood is both captivating and frustrating, captivating in its tension and suspense as well as the titular character and frustrating in its incompleteness. This adaptation is not perfect but does nobly with its source material. It does suffer from incompleteness(the book doesn't help) and its contrived and abrupt ending. But it is very handsomely filmed and remarkably authentic to the period it's set in, while the score is unobtrusive and hauntingly beautiful. The dialogue is carefully and intelligently adapted, making an effort to sound Dickenesian and not too contemporary, also nobly developing the characters in rich detail. The story is tense and suspenseful, with some good twists and turns and very compelling storytelling, more so in the first half admittedly. It is a very well-performed adaptation too, Matthew Rhys steals the show, intense and heartfelt it is a brilliant performance. Freddie Fox shows command of the Dickenesian language, Tamzin Merchant is appealingly pert and Rory Kinnear, Ian McNeise, Julia MacKenzie and Alun Armstrong turn in strongly dependable performances too. In conclusion, solid and very well-done especially for the performances. 8/10 Bethany Cox
Le saviez-vous
- AnecdotesRobert Webb was offered a role
- ConnexionsVersion of The Mystery of Edwin Drood (1909)
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Détails
- Date de sortie
- Pays d’origine
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- Aussi connu sous le nom de
- The Mystery of Edwin Drood
- Lieux de tournage
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- Durée
- 2h(120 min)
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