Robot & Frank

Robot & Frank opens nationally this week only at a limited number of select art-house theaters across the country, and most likely won't get the larger release it deserves…which frankly is too bad. The film uniquely crosses across so many genre borders and can best be described as a dramedy meets a heist thriller. Robot & Frank is incredibly charming, funny and moving.

Writer Christopher D. Ford pens his rare tale set sometime in the ambiguous near future. He doesn't worry about flying cars or futuristic fashion, and keeps this tale grounded in a plausible future that is easily believable. First time director Jake Schreier reveals a mature ability to find the perfect pacing that develops the characters with ease and exact timing that turns the comedy bits into gold.

Frank Langella (Frost/Nixon, Good Night, and Good Luck) is nothing short of exceptional as the title character of Frank. He is hilarious and poignant as the surly ex-con who is starting to lose his mind, and radiates a million emotions across his face without saying a word. If this film could possibly find a larger audience, Langella would have a good shot at punching his Oscar card again.

The smaller supporting cast plays in perfect to establish Frank's present and his past. Susan Sarandon (Thelma & Louise, Dead Man Walking) radiates a beautiful sadness playing a lonely librarian and one of Frank's only connections to the real world. Liv Tyler (Lord of the Rings, Armageddon) and James Marsden (X-Men, 27 Dresses) are solid as Frank's grown-up kids who don't have the time to care for their father and his worsening condition. Best of all is Peter Sarsgaard (Jarhead, Garden State) who brings a perfect sense of comedy and real life validation as the voice of the robot. His dry wit steals the scene on numerous occasions.

Robot & Frank is one of the best films of the year. It's a mystery why bigger studio distributors are so afraid to fully get behind a film like this and push it out the mass audience, especially when you think about the $80 million that was spent on advertising costs for a film like Battleship alone. Robot & Frank is funny, exciting and touching. What else does a movie need?

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A funny & touching film that is very effective at getting the audience to identify and empathize with Frank Langella's aging character, a former cat burglar who is gradually growing senile. Frank's son buys him a robot caretaker --a health-nut disciplinarian with a soft spot in its hardware heart -- and Frank eventually persuades the robot to be his partner-in-crime in some late-life capers he has planned.

The film is cleverly and ambiguously set in the "near future," so the 30- & 40-somethings of today could easily be the Franks of tomorrow: still using the slang of the 2000s & 2010s, not scared of the latest technology but still somewhat befuddled by it, and rather aghast when young people ask us about our quaint "relationship with printed media."

I could find no error in the story and that is unbelievable when I remember those top latest movies that I have watched in recent days of which they had at least a few.

What impresses me at most is that we can trace those warm family ties which we used to have once and now deteriorating.

The movie is easily watched; can assume the camera is well used and Frank Langella is acting marvelously.

I wonder if the reason I liked the movie too much is that I am 63 years old.

One more comment: It shows that you can make also make a good movie without a big budget and too many walking man.

It's hard to fault this movie. Literally. I was going to rate it as an 8, but I have to give it a 9 because I can't think of anything about it to criticise.

The plot is rather simple. Frank is a confused older man who is finding it difficult to take care of himself. He is given a robot medical assistant who is programmed to do only one thing: help Frank. Frank resists mightily at first, but soon Frank improves remarkably and takes up his earlier vocation: stealing jewels. It turns out that the robot's programming does not extend to obeying the law...

This film is interesting, surprising, heart-warming, intelligent, thought-provoking, amusing, understated, well written and well directed. It delivers first-rate performances by first-rate actors.

It defies categorisation. Is it science fiction? A heist movie? A family drama? A melancholic feel-good story about aging? It has no shootouts, no car chases, no superspies, no superheros, no martial arts scenes, no demented villains. What it does have is character development, good writing and a nice story.

Kudos to Schreier, Ford, Langella and Sarandon.

I didn't expect much. Frank Langella is a great old actor, but I don't really like him much. Same for Susan Sarandon. Then it is an indie film, something that just a few people would see in a limited release. So I hoped for something slightly funny, maybe with crazy people that try to seem deep, that kind of stuff. Well, I was mistaken on all counts!

Frank Langella played beautifully his role of an amnesic old man helped by a caretaker robot to plan and execute heists. His son and daughter have minimal roles, as well as most other actors. Susan Sarandon's important role is revealed towards the end. All actors play very well, though the gem of this movie is the story and the little details in the script. Finally I can say that I saw a movie with a fantastic script and am naturally puzzled how this kind of film gets a limited release.

Bottom line: a comedic drama which explores the depth of soul, while taking us through a story that is both original and very well written and executed. The Keystone cops type of thing at the end blew it a little for me, but the rest is top notch and the film is definitely worth the watch.