NOTE IMDb
6,0/10
18 k
MA NOTE
Ajouter une intrigue dans votre langueFormer college frenemies Lauren and Katie move into a fabulous Gramercy Park apartment, and in order to make ends meet, the unlikely pair start a phone sex line together.Former college frenemies Lauren and Katie move into a fabulous Gramercy Park apartment, and in order to make ends meet, the unlikely pair start a phone sex line together.Former college frenemies Lauren and Katie move into a fabulous Gramercy Park apartment, and in order to make ends meet, the unlikely pair start a phone sex line together.
- Réalisation
- Scénario
- Casting principal
Lauren Miller Rogen
- Lauren Powell
- (as a different name)
Lawrence A. Mandley
- Henry
- (as Lawrence Mandley)
Avis à la une
With a premise in a similar vein to 'Zack And Miri Make A Porno', which also starred a dim- witted Seth Rogen, 'For A Good Time, Call' is a crude, daring comedy that never crosses the line simply because it doesn't have one.
Resorting to phone sex to help pay the bills in their city apartment, Lauren and Katie - two completely opposite personalities - bond despite a teenage feud still lingering. While Ari Graynor has the better role to play, Lauren Miller manages to prove she shares a sense of lowbrow humour with her husband (Rogen), who cameos in one of the film's most memorable scenes. Justin Long's flamboyant character is used to the right extent; the film never outstays its welcome in any aspect, its brisk running time only slowing for a more serious third act, a missed attempt at giving the film emotional weight where, given its no- holds barred hilarity, feels somewhat unnecessary.
Refreshing and relevant, 'For A Good Time, Call' is a chick flick for both genders; a sugary depiction of sisterhood flirting with a risqué exploration of what men enjoy about it.
Resorting to phone sex to help pay the bills in their city apartment, Lauren and Katie - two completely opposite personalities - bond despite a teenage feud still lingering. While Ari Graynor has the better role to play, Lauren Miller manages to prove she shares a sense of lowbrow humour with her husband (Rogen), who cameos in one of the film's most memorable scenes. Justin Long's flamboyant character is used to the right extent; the film never outstays its welcome in any aspect, its brisk running time only slowing for a more serious third act, a missed attempt at giving the film emotional weight where, given its no- holds barred hilarity, feels somewhat unnecessary.
Refreshing and relevant, 'For A Good Time, Call' is a chick flick for both genders; a sugary depiction of sisterhood flirting with a risqué exploration of what men enjoy about it.
The film title doesn't mislead us. Sex toys, phones, and ladies are involved. It's also a relationship film, but an impressive variation from the usual romantic comedy angle.
Like another film from this year, Giant Mechanical Man, a significant part of this story involves young adults finding themselves along with happiness after what they thought was a serious relationship was ended by the significant other. And so begins the adventure. It may be we have a new type of urban adventure involving main characters exploring the unchartered territories of themselves and those close to them.
Unlike GMM, this is not nearly as predictable. Just when you think you know where it's headed, it shifts directions and explores areas that rarely get explored in film.
It also does many of the artistic things that other films keep failing to do in terms of how and who the villains/enemies are and who those you can trust are.
Another relatively low-key, indie film from 2012 doing new stuff that doesn't involve 3D, computer FX, or horribly loud audio blasted at the audience.
Like another film from this year, Giant Mechanical Man, a significant part of this story involves young adults finding themselves along with happiness after what they thought was a serious relationship was ended by the significant other. And so begins the adventure. It may be we have a new type of urban adventure involving main characters exploring the unchartered territories of themselves and those close to them.
Unlike GMM, this is not nearly as predictable. Just when you think you know where it's headed, it shifts directions and explores areas that rarely get explored in film.
It also does many of the artistic things that other films keep failing to do in terms of how and who the villains/enemies are and who those you can trust are.
Another relatively low-key, indie film from 2012 doing new stuff that doesn't involve 3D, computer FX, or horribly loud audio blasted at the audience.
Okay first things first, I know this movie will raise a few eyebrows amongst you, but I would urge you not to base this film off of its synopsis or concept. Don't get me wrong, this film is what you think, but it's also NOT. It all revolves around two former-college "frenemies" (I really hate that term, but whatever
) who both need to find a roommate so they can stay in New York and live the "American Dream" which is when mutual friend Jesse (played by an hilariously camp Justin Long) forces them to move in together. The two women, strapped for cash, very quickly set up a phone-sex-line and realise a very lucrative, if not slightly filthy, business opportunity. The phone-sex-line however, is not the centre of this film, though it certainly plays a significant part. The heart of this film lies in the friendship that grows from this business, and this is where a lot of our laughs and "awh" moments come from. This film is borne from a post-Bridesmaids we-women-can-be-just-as- filthy-and-funny-as-men era and it takes that female empowerment to a whole new level with both ladies showing their modern-esque sexuality and embracing there situation. They don't lament their career and pity themselves for running such a service. In fact they revel in their power and it's quite an empowering, if not slightly wacky, message to bring to our screens. Aside from the I-am-woman-hear-me-roar quality to the film though comes the message of love that slowly grows between the characters, and this is where the film really grows on you. The chemistry between the two lead actors is very convincing and as I watched I couldn't help but think that they had a truly distinctive "Womance" (that's the female version of a bromance) that is rear to see in film or TV. In fact now I think about it there is no pop-culture media-frenzy womance that really comes to mind, which is irritating really. Maybe this awesome little film will pave the way for more womances in the future, I certainly hope so.
Lauren (Lauren Miller) and Katie (Ari Graynor) have a mutual friend (Justin Long), but they hate each other. A humorous flashback scene is included to help explain their hatred. Essentially, they hate each other because they're opposites. Lauren lives the settled conservative life with her perfect, boring boyfriend; Katie is an adventurous, flamboyant sex phone operator. And now their current situations force them to become roommates.
Our ticking clock of the three-month lease sets a good, quick pace for the adventures and relationships the girls get themselves into. Lauren's sudden unemployment coupled with the good head on her shoulders sparks her idea to help Katie launch her own sex phone hotline. Cut-out the middle man and take more of the profits.
A smart move the film made was to have their business be successful right off the bat. That's because the film isn't about the phone sex hotline business but rather Lauren and Katie's friendship. Written by girls, starring girls, about girls and for girls. Earlier this summer, the male stripper movie "Magic Mike" turned into a rather nice surprise as it became a quarter-life crisis dramedy. And now the crass and crude sex comedy "For a Good Time, Call " is actually a cute and sweet female buddy film.
While the dialogue is extreme, it is surprisingly fairly well written. It's all in context, and the vulgar and coarse sex jokes fit in extremely well with the plot. The final scene, the climax if you will, is an excellent example of keeping the sex-addled jokes funny and completely in context of the story.
A certain indie filmmaker shows up for one cameo scene where self-servicing has never been as funny. The other well-documented cameo with Seth Rogen isn't nearly as funny because it is also supposed to serve as plot advancement. Plot advancement is limited as it is very predictable and the jokes are very one-note, but it's still funny.
"For a Good Time, Call " is honest in what it claims to be, and despite an unresolved storyline, we're cheering for Lauren and Katie by the end because of the actors and how they have connected them to us. Lauren is beautiful and sympathetic; Katie is more complex and is gorgeously displaying one of the sexiest figures to grace the screen.
Our ticking clock of the three-month lease sets a good, quick pace for the adventures and relationships the girls get themselves into. Lauren's sudden unemployment coupled with the good head on her shoulders sparks her idea to help Katie launch her own sex phone hotline. Cut-out the middle man and take more of the profits.
A smart move the film made was to have their business be successful right off the bat. That's because the film isn't about the phone sex hotline business but rather Lauren and Katie's friendship. Written by girls, starring girls, about girls and for girls. Earlier this summer, the male stripper movie "Magic Mike" turned into a rather nice surprise as it became a quarter-life crisis dramedy. And now the crass and crude sex comedy "For a Good Time, Call " is actually a cute and sweet female buddy film.
While the dialogue is extreme, it is surprisingly fairly well written. It's all in context, and the vulgar and coarse sex jokes fit in extremely well with the plot. The final scene, the climax if you will, is an excellent example of keeping the sex-addled jokes funny and completely in context of the story.
A certain indie filmmaker shows up for one cameo scene where self-servicing has never been as funny. The other well-documented cameo with Seth Rogen isn't nearly as funny because it is also supposed to serve as plot advancement. Plot advancement is limited as it is very predictable and the jokes are very one-note, but it's still funny.
"For a Good Time, Call " is honest in what it claims to be, and despite an unresolved storyline, we're cheering for Lauren and Katie by the end because of the actors and how they have connected them to us. Lauren is beautiful and sympathetic; Katie is more complex and is gorgeously displaying one of the sexiest figures to grace the screen.
Co-writer and star Lauren Miller has played various smaller roles in several of her husband Seth Rogen's movies (Superbad, 50/50, Zack and Miri Make a Porno), but uses For a Good Time, Call
as an attempt to step out of her hubby's shadow and distinguish herself as a star on her own. Her script is a fun, light hearted take on the so-called taboo world of phone sex, and while the endless amount of naughty jokes are humorous to a certain extent, the gimmick runs itself a bit thin by film's end. Miller, paired with veteran ditz-for-hire Ari Graynor make a fun female version of the Odd Couple, but it doesn't take long for these characters to run out of steam on screen. Along with Miller, Graynor has long been the sidekick in other people's starring vehicles, so it's nice to see her actually get the chance to carry a movie on her own, but her persona in this flick is virtually the same to her characters in Nick and Norah's Infinite Playlist and The Sitter. Graynor shows flashes of what could be. I truly hope she gets the chance to do something different and show the world that she's not just a one trick pony. One plus going for the flick is the numerous cameos of big-time actors getting to come in and day play as the skeezy pervs calling into the hotline for some help with their self gratification. Rogen makes a cameo as an air pilot showing a possible reason why all our flights are delayed. Kevin Smith (Jay and Silent Bob) delivers huge laughs taking care of his business while driving a cab. Ken Marino (Party Down, Role Models) a blunt tax attorney, and Martha MacIsaac (Superbad) a female prisoner using her one phone call, also get to chime in on the fun as well. It's obvious the cast got a kick out of making this film. Although For A Good Time, Call
is fun and has its charm, it doesn't have enough weight to dig past its superficial glossy exterior and tell a truly realistic story.
Le saviez-vous
- AnecdotesThe film was shot in sixteen days.
- GaffesWhile Jesse is walking on the sidewalk talking to Katie on the phone, the same extra with a green handbag can be seen twice.
- Citations
Katie Steele: You know you're not better than me. You're not better than phone sex.
- ConnexionsFeatured in Maltin on Movies: Arbitrage (2012)
- Bandes originalesSimple Time
Written and Performed by Haroula Rose
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- For a Good Time, Call...
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 850 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 251 749 $US
- Week-end de sortie aux États-Unis et au Canada
- 143 935 $US
- 2 sept. 2012
- Montant brut mondial
- 1 386 088 $US
- Durée
- 1h 25min(85 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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