I Want Your Love

First, I have to admit my surprise at the graphic sex scenes in this movie. I really didn't expect that and although I'm not a prude by any stretch of the imagination, I felt like they detracted from the story instead of adding to it because when sex is shown in an explicit way, it becomes only about that. I should have guessed from seeing Naked Sword in the opening credits but I figured they could produce something else than adult flicks.

This felt to me like a porn disguised as an artsy movie. And there is certainly nothing wrong with that. This said, I really didn't like it at all. But first, the strong point is that the acting is quite good, surprisingly so I must say. All the while, I expected the plot to get to a higher state of interest but that was in vain which brings me to the worst trait of this film.

Without a good story, a movie can't be anything but an exercise in futility. Where is the drama? The heart of the matter? All I saw were huge closeups and inane dialogue leading nowhere. This felt like the writer/director had no idea where to go and how to get there. Nothing really made sense in terms of action because I never felt like the character were clearly defined even though as I said, the actors did a good job but with very little substance.

I would have hoped for a better story to let them shine but all we got were bland concepts and pretentious angst which were not well explained nor expressed on the screen. This felt like a waste of time just watching a bunch of characters trying to come up with the something, anything to retain our interest.

I have to say, I could only award this 2 stars and it's only because the acting worked. But as for the actual purpose of doing this movie, I see no message, no story arc or purpose. I gained nothing from viewing and I actually forgot what happened as soon as I watched because it all felt so disposable and pointless.

It's a miss in my book, not even if you like sex really explicit and in your face. There are great porn movies for that. This is like a hybrid that doesn't know what it wants to say or how it wants to show it. Huge disappointment and no, I don't recommend it to anyone.

I was having problems with this film. It sagged heavily half way through. However it did continue to produce flashes of originality, the main points i list below:

1. Whilst struggling to stick with the film (see below), in an attempt to scrape the bottom of the barrel, i was gratefully amused for the slogan 'lesbian bed death' - referring to the condition of the cessation of sex in long term relationships.

2. The film documents a kind of fin de siecle moment for a San Franciscan gay generation who interestingly are not particularly defined by any significant notion in the political struggle for gay rights; a detail which is startling for the fact of it's final appearance after effectively 60 years of multiple generations entirely defined by successive phases of political struggle. The film also focuses on the twilight of youth, where the protagonist, Jesse, sensing his impending maturity into full adulthood seeks to return to the place of his youth and to leave the city which has defined the first part of his young adult experience. It is a timeless right of passage and small details capture that strange sense of change and reappraisal with a quiet sophistication.

3. Characteristic of this generation's gay themed cinematic work, perhaps because of a diminishing sense of identity rooted in oppression and struggle, lies a problematic vacuum. Films such as this and also for example, The Lost Coast, also set in San Francisco, evoke a genre, which though not so much narcissistic, display a lack of capability or willingness to dream up a relationship with the future and consequently portray an intense over involvement in the experience of the present. This creates a genre which has a tendency to over dramatise what could be undeserving issues. Relatively minor events in the path of life are over magnified and their importance exaggerated with a post/adolescent preoccupation whose departure is at times long overdue. One is left with a sense of a potentially lost and tragic generation, who have been entirely defined by a profoundly conservative free-market ideology and show no sense of having engaged in any real spirit of rebellion. What we see is reassuringly quotidian, but also lacking any connectivity to a wider social context.It's essentially stuck at the inward looking. Jesse's departure offer's no sense that this wider malaise is due for a change. It's frustrating to sit through, because cinema in the past has been so much more than this. It raises the question, where are we headed as this generation comes to power ?

4. Something the new generation do offer and which is seen extensively in this film is the growing trend to show explicit sex as an extension of the cinematic language of emotional intimacy. This film raises the bar and pushes that to greater heights than the plethora of recent films which have exploded with a laid back approach to cinematic (gay) sex. However, because the last third of this film is literally saturated in sex it did raise an interesting question. As i gagged and squealed my way through the images i wondered if sex in cinema was like sex in literature; namely incredibly hard to do well. It's not enough just to show the whole ugly load. You need to do something cinematically. Certainly i would not say this is manufacturing moments of porn. But it was also uncertain what it's intention was other than to revel in a new found freedom to let it all hang out. period. That's just not enough. It's immature because as happens in this film, it detracts from the essential flow of energy in the work as a whole, especially for a film whose story is so incredibly thin on the ground. What happens is the sex becomes just another symptom of the portrait of a generation who don't really have anything to say for themselves at all and remain largely undefined and invisible as an entity.

5. Regarding the title, 'I want your love', the meaning is ambiguous on inspection. Certainly the protagonist Jesse, spends the film contemplating the cessation or diminishment of his emotional bonds in general. He may be sensing a future to come where the definition of love is going to have to be far broader than his previous assumptions. The title could also refer to the short-sightedness and frustration of emotional bonds and sex in young adult groups in general. The people we meet here stand in contrast to the old 1970s and 80s San Franciscan gay 'communities' defined by a celebration of hyped up promiscuity as a mark of liberation and also the more recent era preoccupied with AIDS and death. But either way, it remains unstable as a title. It speaks more of insecurity, of a need unfulfilled rather than a love successfully acquired. To this extent it supports the idea of a new generation who remain undefined and occupy a vacuum, despite ironically, finally inheriting the legal right to fully love in public. Is this a depiction of a generation in shock at the arrival of the 'you are now normal' identity and it's options ?

I gave this film 4 because i do remain impressed with this new breed of actor who is willing to share their body so intimately. I also gave points for the 'lesbian bed death' slogan. But i remain concerned at the appearance of yet another film which portrays an emerging generation caught in a sense of unarticulated and broody crisis about their sense of purpose.

Young man needing to leave the city for home. 30-something/late 20-something life angst - where am I going, what am I doing? Old relationships resurfacing. All of that had great potential for some solid story-telling. This effort certainly had some decent actors. Decent production values as well.

So WHY did this story get told? It was very difficult to connect to any of the characters, with the possible exception of the older artist who is a friend of our departing lead character. Don't misunderstand me - I wanted very much to like everyone in the film - but it was hard to find any reason to relate with them, or even figure out what they were contributing to the story (again, with the exception of the older artist.) Baffled. That's what I'm left with at the end of this film. The sex in the film was for the most part equally disconnected - it was never clear WHY we needed to see these sex scenes, with the possible exception of the first.

Wanted to like this film. Watched it beginning to end. Don't know why it was made.

Pretentious!!! This beautifully shot bucket of animal muck screams pretentious from afar. I should have seen it from a mile. Shame on me.

Puh-leeeese - graphic sex scenes? Close ups, shots of happy endings, full on anal, interracial hook-ups? Come oh-n, gurl! Can we have some substance in a form different than body fluids?

Pseudo-philosophical ramblings, cool performance art kids, talking, talking, talking... On top of that the cast is purposefully unattractive, I'm going soft just at a sheer thought of their appearance. It's not even a mixed bag, they're all fugly hands down.

Plus the obligatory, early morning goodbye scene... and too-cool, hipster indie music. No, I'm not having it, nah, never. The director will most likely end up like the protagonist. Going back to his mum's basement flat or a cabin in the woods. To live with the deer.

I first caught sight of this film in Time Out magazine... where it got good reviews. I was intrigued that Peccadillo Pictures, famous for LGBT film, had teamed up with Naked Sword, a pornography company to produce it.

I'm always reluctant to buy gay film... the majority of the time they bore me and depend on sex and six packs to maintain the viewers interest. 'I Want Your Love' was a surprisingly perceptive take on gay life in San Fransisco. The sex was natural and the films part improvisation made it feel like a realistic view into the characters lives. The film made no apology for its approach to explicit gay sex, but interestingly its association with Naked Sword seemed to be kept fairly low key on the film's cover. It was obvious that the film wanted to be taken seriously.

However, despite the film trying to deliver it failed to maintain my interest. The characters aren't that interesting to watch and their lives are fairly mundane. It affirms my thoughts about films that contain explicit sex. Sex generally replaces more subtle, interesting and intelligent portrayals of emotion that help us to connect with a character. Therefore sex, unless used well, acts as more of a distraction from what the film is actually about.

If you're looking for serious gay cinema learn from some of the most successful gay films ever made and avoid explicit content.