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7,1/10
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Ajouter une intrigue dans votre langueAfter repeatedly failing Captcha tests, music producer Lara becomes obsessed with a disturbing question: could she be a robot?After repeatedly failing Captcha tests, music producer Lara becomes obsessed with a disturbing question: could she be a robot?After repeatedly failing Captcha tests, music producer Lara becomes obsessed with a disturbing question: could she be a robot?
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 71 victoires et 29 nominations au total
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"I'm Not a Robot" is a sharp, timely provocation that confronts humanity's growing dependence on technology while questioning the very essence of what makes us human. The story revolves around Lara (Ellen Parren), a music producer who, after repeatedly failing CAPTCHA tests, begins to doubt her own humanity. From this quirky premise, the film weaves a narrative that blends humor, tension, and a hint of melancholy, exploring the thin line between what makes us human and what draws us closer to machines.
Parren's performance is one of the film's standout elements. She portrays Lara with remarkable authenticity, shifting between frustration, doubt, and despair in a way that draws the audience into her existential crisis. The supporting characters, like Daniel (Henry van Loon), with his awkward shyness, and Pam (Thekla Reuten), with her detached coldness, serve as perfect counterpoints, amplifying Lara's sense of unease. These interactions effectively highlight the emotional isolation that often accompanies modern technology, reinforcing the film's exploration of human disconnection in the digital age.6 /10 Those windows though
Road to the Oscars 2025. This is nominated for 1 Oscar, best short film.
This was a fun concept short that fits right into the Hollywood agenda at the moment. Humanizing computers and AI. While it works it never really leaves the realm of just okay, as it doesn't really explore more than the surface of the concept it is framing. There is also some logical flaws to the concept.
Lara, a music producer has a hard time saving her project since she can´t get past the "are you a robot" segment on her PC. She must ask herself "Am I a robot?"
The whole premise and concept really vibed with me, the overall idea is fun and is used for laughs in the best way possible. A dark comedy that really shines through. Now the overall concept kind of falls apart as it seems like this is the first time Lara encounters a screen with "are you a robot?" in her life and that is just not possible in our modern life.
Parren's performance is one of the film's standout elements. She portrays Lara with remarkable authenticity, shifting between frustration, doubt, and despair in a way that draws the audience into her existential crisis. The supporting characters, like Daniel (Henry van Loon), with his awkward shyness, and Pam (Thekla Reuten), with her detached coldness, serve as perfect counterpoints, amplifying Lara's sense of unease. These interactions effectively highlight the emotional isolation that often accompanies modern technology, reinforcing the film's exploration of human disconnection in the digital age.6 /10 Those windows though
Road to the Oscars 2025. This is nominated for 1 Oscar, best short film.
This was a fun concept short that fits right into the Hollywood agenda at the moment. Humanizing computers and AI. While it works it never really leaves the realm of just okay, as it doesn't really explore more than the surface of the concept it is framing. There is also some logical flaws to the concept.
Lara, a music producer has a hard time saving her project since she can´t get past the "are you a robot" segment on her PC. She must ask herself "Am I a robot?"
The whole premise and concept really vibed with me, the overall idea is fun and is used for laughs in the best way possible. A dark comedy that really shines through. Now the overall concept kind of falls apart as it seems like this is the first time Lara encounters a screen with "are you a robot?" in her life and that is just not possible in our modern life.
10biemansf
"I'm Not a Robot," directed by Victoria Warmerdam, is an extraordinary short film that masterfully blends humor, emotion, and thought-provoking themes. It challenges our understanding of identity in an increasingly digital world with an intriguing and refreshingly original concept.
Ellen Parren delivers a standout performance as Lara, navigating the delicate balance between absurdity and genuine self-reflection. Warmerdam's direction is sharp, blending subtle satire with poignant moments that linger long after the credits roll.
Visually striking and emotionally resonant, the film is both entertaining and deeply profound. "I'm Not a Robot" is a cinematic gem that deserves every bit of the acclaim it's received. A must-watch for anyone seeking art that entertains while encouraging introspection.
Ellen Parren delivers a standout performance as Lara, navigating the delicate balance between absurdity and genuine self-reflection. Warmerdam's direction is sharp, blending subtle satire with poignant moments that linger long after the credits roll.
Visually striking and emotionally resonant, the film is both entertaining and deeply profound. "I'm Not a Robot" is a cinematic gem that deserves every bit of the acclaim it's received. A must-watch for anyone seeking art that entertains while encouraging introspection.
"I'm Not a Robot" is an outstanding short film that captivates its audience from start to finish. The writing is both clever and poignant, weaving a compelling narrative that explores themes of identity and humanity in a digital age. The script is rich with subtle humor and deep emotional resonance, keeping viewers fully engaged throughout.
Ellen Parren's performance is nothing short of remarkable. She brings a nuanced depth to her character, capturing the complexities of someone navigating a world that constantly blurs the lines between human and machine. Parren effortlessly embodies her character's struggles and triumphs, allowing the audience to connect deeply with her journey. Her expressive range shines through every scene, making her portrayal genuinely memorable.
The film's unique premise, combined with Parren's exceptional talent, creates a thought-provoking experience that lingers long after the credits roll. The storytelling is concise yet impactful, demonstrating that even in a short format, powerful narratives can emerge. Overall, "I'm Not a Robot" is a testament to the artistry of its creators, particularly the brilliant writing and Ellen Parren's outstanding performance. I wholeheartedly give this short film a five-star rating and highly recommend it to anyone looking for a captivating cinematic experience.
Ellen Parren's performance is nothing short of remarkable. She brings a nuanced depth to her character, capturing the complexities of someone navigating a world that constantly blurs the lines between human and machine. Parren effortlessly embodies her character's struggles and triumphs, allowing the audience to connect deeply with her journey. Her expressive range shines through every scene, making her portrayal genuinely memorable.
The film's unique premise, combined with Parren's exceptional talent, creates a thought-provoking experience that lingers long after the credits roll. The storytelling is concise yet impactful, demonstrating that even in a short format, powerful narratives can emerge. Overall, "I'm Not a Robot" is a testament to the artistry of its creators, particularly the brilliant writing and Ellen Parren's outstanding performance. I wholeheartedly give this short film a five-star rating and highly recommend it to anyone looking for a captivating cinematic experience.
Interesting idea, decent use of it. But not real convincing Sure, a subject who becomes more and more seductive, provocative and just cool. One of familiar situations for many from us- captcha is al ways source of nervosity. But the situation, maybe only for me, sounds real - real unrealistic and more poor Daniel seems a bot , not exactly energetic Lara.
But , obvious , pretty unfair to be too critic about a story proposing only illustration for a future not comfortable for part of us , especially elders.
Nice acting - Ellen Parren offers a charming work, unuseful presence of Pam , ambiguous final.
But , obvious , pretty unfair to be too critic about a story proposing only illustration for a future not comfortable for part of us , especially elders.
Nice acting - Ellen Parren offers a charming work, unuseful presence of Pam , ambiguous final.
At the heart of this subtle sci-fi short is the question so many of us ask ourselves (even if only in the dark corners of the mind), which is: Do I belong here. "Here" could mean work, among friends, in your family, with a lover, in your community, or maybe even the "here" of anywhere. Do I deserve to be here as a living, thinking, entity? So many people in one's life can undermine our simple birthright of existence, whether parents, teachers or others, and but rarely would you so suddenly face such an existential crisis as Lara does in this compact but very effective story.
What especially reinforces the central theme of "Am I human?" is the way that throughout the film she is almost never allowed to be alone. Coincidence by virtue of a busy office? Or is everyone else in the the "truth" but her? Both the editing and cinematography do a great job of leaning into a growing claustrophobia as the story unfolds, all of reinforced by a kind of corporate HR vibe that is fairly dehumanizing in itself.
What especially reinforces the central theme of "Am I human?" is the way that throughout the film she is almost never allowed to be alone. Coincidence by virtue of a busy office? Or is everyone else in the the "truth" but her? Both the editing and cinematography do a great job of leaning into a growing claustrophobia as the story unfolds, all of reinforced by a kind of corporate HR vibe that is fairly dehumanizing in itself.
Le saviez-vous
- AnecdotesThe car of the main character, Lara, doesn't make the sound you'd expect from a Beetle of 1973. Nicknamed 'Blue,' the Beetle has been converted into an electric car. For writer-director Victoria Warmerdam, this choice subtly reflects Lara's unique essence. Additionally, Lara's blue jacket was carefully matched to the color of her car.
- GaffesAt 20:38, as Lara is running, the rooftop is covered in sunshine. After the camera sweeps back and forth towards Daan, the sun is suddenly gone and there is an overcast. This shows that the scene with the stand-in was cut in at that camera sweep.
- Crédits fousThe end credits roll during the final scene.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- No soy un robot
- Lieux de tournage
- CBR Building, Chaussee de la Hulpe 185, Watermael-Boitsfort, Belgique(Lara's office building)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 240 000 € (estimé)
- Durée
- 23min
- Couleur
- Rapport de forme
- 2.35 : 1
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