Tai Chi

Touted as one of the most anticipated Chinese movie blockbusters of the year, actor-director Stephen Fung's TAI CHI ZERO is a revisionist take of a classic martial-art movie with a steampunk twist. On paper, the concept sounds interesting enough. Even the trailer itself makes me believe it's a go-for-broke, martial arts comedy in the vein of KUNG FU HUSTLE (2004). But for all the colorful effort that Fung tries hard to be different than your regular martial-art movie, TAI CHI ZERO is strangely uninvolving and poorly executed in many ways.

The story centers on a martial-art prodigy named Yang Luchan (Jayden Yuan) who is born with a fleshy abnormality where he has a "horn" sprouting from his forehead. Whenever someone punches his "horn", he turns himself into a mystical warrior that able to take down a score of enemies in a short period of time.

One day, when his master, Zhao Kanping (Fung Hak On), who is a leader of the Divine Truth forces, ends up being killed by Qing army. The Divine Truth army physician Dr. Dong (Leung Siu-Lung), who also badly injured by the attack, urges Luchan to head on to Chen Village to study Master Chen's (Tony Leung Ka-Fai) unique martial arts technique that promotes internal energy. Apparently Luchan's "horn" has already turned red and he will die soon enough if it turns black.

But upon arrival, Luchan finds his presence is unwelcome by the villagers of the Chen Village. He finds out that nobody will teaches an outsider of their Chen-style martial arts. Worse, Master Chen is nowhere to be found. He only manages to locate Chen's daughter, Yuniang (Angelababy), who runs a local medicine shop. She also makes it clear that she will not teaches Luchan at any circumstances, and urges him to give up instead. But the hard-headed Luchan keeps trying to find way to learn Chen-style martial arts at all cost.

Yuniang's boyfriend, Fang Zijing (Eddie Peng), who recently returns studying from Europe, tries to convince the villagers to allow a railroad through their land and to install electricity. Unfortunately his visual presentation goes terribly wrong and ends up being an object of ridicule by the villagers. Zijing is upset about this, and subsequently joins forces with East India Company representative Claire Heathrow (Mandy Lieu) to persuade the villagers by force.

Meanwhile, Luchan befriends with an old laborer (also Tony Leung Ka-Fai) and secretly copying Chen-style martial arts from the villagers he's encounter from.

Then one day, Zijing and Claire returns to Chen Village with foreign soldiers, along with a giant destruction machine called "Troy No. 1", to teach the villagers a hard lesson.

On the surface, the movie is exceptionally busy with lots of fancy visuals. From arcade game-like screen graphics that has exclamation marks of "K.O.!", "Round 1!" to video game pop-ups (labels on people and location), as well as manga-like animated section, the movie should have been a fun-filled entertainment. Unfortunately, Fung's direction is terribly haphazard and he doesn't have sense of pacing. Despite clocking at a compact 97 minutes, the movie feels unusually overlong (as if watching a 2-hour movie) because of numerous expository-heavy scenarios that could have been trimmed short.

Another huge problem here is Chen Kuo-Fu's overcrowded screenplay that tries too hard to be everything. For a movie that supposes to concentrate on Yang Luchan's quest to learn Chen-style martial arts, his story here is more like an afterthought.

All the actors here are mixed bag. As the main star of the movie, real-life martial arts champion Jayden Yuan is terribly dull and wooden as a performer. Eddie Peng is unconvincing to portray the kind of character who is vengeful and filled with lots of hatred. Angelababy, who is best known for acting in romantic comedies, does quite an okay job as a strong-willed martial artist. American-Malaysian Chinese model Mandy Lieu, is all porcelain beauty but her acting skill is plain terrible, as well as her wooden English dialogues. Of all, only Tony Leung Ka-Fai is credible as the old laborer and Master Chen.

Technical credits are overall adequate at best, while Sammo Hung's action choreography is surprisingly average. The martial arts scene, which combined wirework and slow-motion, are all empty style but little substance. It's especially a shame that Jayden Yuan is given little chance to strut his stuff here.

Overall, TAI CHI ZERO is a huge disappointment for a movie that tries to expand into a planned trilogy. What's more, the sequel, TAI CHI HERO will be released in a few weeks' time on Oct 25. Hopefully we can see some significant improvement by then.

I always love a good kung fu movie. Black Belt Theater was one of the things that inspired me to train in martial arts and become a stuntman. Of course being a stuntman means I get my butt kicked by the star 99% of the time I am on film, but hey it's a paycheck for doing something I love. I have been working in stunts for about seven years now and have done everything from music videos and commercials to low budget indies and big budget blockbusters. I perform and also coordinate and choreograph fights so I tend to watch action films very carefully and spot any flaws or miscues pretty easily during fight scenes. I figure my kung fu fanboy persona is balanced by my professional stuntie persona, making me a good candidate to give an honest review.

The film is written by Kuo-fu Chen who really hasn't written many kung fu movies, and has only written nine films total, but more on that later. Directing is Stephen Fung, an actor who I really like that has also directed a few good films including "House of Fury" and "Jump", the latter working with Stephen Chow of Shaolin Soccer and Kung Fu Hustle fame, which is obviously where he tried to go with Tai Chi Zero.

When I first saw the trailer for Tai Chi Zero it looked like another period piece kung fu movie where the hero is a dopey loser until he unlocks his inner kung fu genius, and for the most part it is. Mix in some slapstick comedy, and slick graphic elements along with performances from some old school kung fu legends and it seems like a recipe for success a la Kung Fu Hustle. Also add that the hero of the film is real life 2008 Wushu Champion Yuan Xiaochao with fights choreographed by Sammo Hung and that should ensure some great action sequences. And for the most part it does deliver on the action.

Where TC0 falls short, for me, is in the writing. And in fairness maybe I should reserve judgment until I see the sequel, Tai Chi Hero, because the film feels incomplete. It really felt like I only watched half of a movie. Yes it was very entertaining and enjoyable, but the characters lacked development and most of the story relied on the clichés of "Western influence bad, Chinese tradition good", and as mentioned above "dopey loser must unlock potential". And those themes work well when developed and executed properly, but here they seemed rushed. Again it seems like they were going for Kung Fu Hustle, and they succeeded in the visual aspects, but Stephen Chow is also a tremendous writer and storyteller and it is pretty apparent that Kuo-fu Chen has some learning to do before he reaches Chow's level. Again, maybe I need to see Hero before making final judgment.

The acting is good for the most part, considering the limited character depth. Tony Leung and Angelababy carry the film while newcomer Yuan Xiaochao plays the dopey loser role well enough. The action sequences are entertaining, but Xiaochao doesn't really get to strut his stuff, hopefully the sequel will showcase this man's true skills. There is comedy and cool video game overlays sprinkled in to add some flavor, as well as a few animated sequences to add some more "new school" style.

Overall it seems like all the ingredients were there for success, but the writing just wasn't up to par for a really engaging storyline. It was hard to feel emotional attachment to many of the characters because little time was spent developing them and building a bond with the audience. It all felt rushed leaving the actors and director little to work with substance wise.

I still recommend seeing the film because it is a fun ride. The story centers on the Chen village where Chen style Tai Chi originates and, historically correct, outsiders from the Chen family were forbidden to learn. The hero travels there and gets his butt kicked around a bit, then the evil British foreigners come to build a railroad and he helps defend the village. The end comes abruptly but really leaves you wanting to see the sequel, which is a good thing.

My 10 year old son really enjoyed it; he loves video games, and cartoons, kung fu and a good laugh so it was right up his alley. My kung fu Sifu found it to be a bit too slapstick and style over substance, but did acknowledge the Tai Chi was authentic. I found myself right in the middle; I really did enjoy the look and feel of the film, but it just fell short in the story and character department. Hopefully the sequel ties it all together. Fortunately Tai Chi Hero opens in January so I won't be waiting long to see how it turns out.

I am giving it 8 stars on the strength that the sequel brings it all home. If this was viewed as standalone I would prob be more in the 6 range.

A lot goes on in 'Tai Chi Zero' - the first in a planned trilogy that attempts a revisionist take on the classic martial arts movie – but too little of it registers in a memorable way by the time it is over. Inspired by the life of Yang Luchuan – founder of the Yang school of taichi – this kinetic frenzy of a movie sees director Stephen Fung drawing from broad pop culture and cinematic influences to create something fresh, fun and irreverent, though the end result is probably noteworthy only for its ambition.

Barely five minutes into the movie, you get the distinct sense that Fung is trying too hard. Opening with what is supposed to be an epic battle between the Imperial Forces and a band of resistance fighters, we are quickly acquainted with Yang's supposedly superhuman powers that are unleashed whenever someone hits him on a small horn-like bump on the side of his head. Not content to leave it at that, there is an unnecessary flashback that transports us to the day of Yang's birth just to unravel his tragic childhood.

If what was supposed to be poignant turns up less so, it is squarely Fung's fault, employing the silent film treatment complete with a playful score and old-fashioned inter-titles to convey the characters' dialogue over the course of that flashback. That is when you also realise that Fung is serious about greeting all the famous celebs he's managed to get to cameo in his movie, using captions to tell you who and where an actor playing a particular character comes from – including Hong Kong director Andrew Lau of 'Infernal Affairs' as Yang's father and Shu Qi as his mother.

When we return to present time, Yang has blacked out and is advised by a physician (look, there's legendary kungfu actor Leung Siu Hung!) to seek a new form of inner martial arts, as the brute methods he's been learning so far will only drain his physical strength and lead to quick and certain death. So Yang escapes in search of the legendary Chen village, renowned supposedly for its tai chi techniques – though he will have to spend the rest of the first half of the movie convincing the villagers to teach their fiercely guarded moves to an outsider.

There's never any doubt Yang will eventually earn the respect of the villagers, so the first half instead takes a light-hearted tone as Yang faces off against the various village pugilists (one of them played by kungfu veteran Xiong Xin Xin) a la video game style. Amidst the stylised visuals that resemble Edgar Wright's 'Scott Pilgrim Vs. The World' in its pop-art, the film tries to earn some dramatic credit through Yang's unusual tutelage from a solitary labourer (Tony Leung Kar-Fai), as well as the unwelcome arrival of the East India Company on the heels of former village boy Zijing's (Eddie Peng) return.

The former follows the narrative convention of a wise old master teaching a brash young kid, while the latter adopts that of a humble village standing up for itself against the forces of modernisation. Except for the fact that the latter involves a massive steam-run metal machine called 'Troy No 1' that seems ripped from the celluloid of Barry Sonnenfeld's 'Wild Wild West', both stories stick faithfully close to formula, and the emotional beats they are meant to hit seem all too perfunctory to resonate.

Ditto for a subplot that fails miserably at building some sort of love triangle between Zijing, the village beauty Yuniang (Angelababy) and an 'ang-mo' officer Claire (played by some Hong Kong Caucasian model whose name is among the many we cannot remember) – the dialogue between the apparently starstruck Claire and Zijing is so stilted it is guaranteed to make you cringe. Even with a surfeit of visual distractions, it is clear that the plot is one of the movie's weak points.

So too in fact are the stylistic choices that Fung settles for. It's one thing to try to be different and another when you actually succeed – 'Tai Chi 0' unfortunately only manages the former. Indeed, all the elements for a good-ol throwback to the classic martial arts movie are in place – a true to life character, an ensemble of notable kungfu actors, and the evil Western revolution (think 'Once Upon A Time in China' – but Fung overdoes the cheekiness in messing with the form, and all that animation, comic book graphics and on screen captioning just grows tired and tiresome too quickly.

Still, if Fung doesn't have Stephen Chow's wacky sense of humour to make this the next 'Kung Fu Hustle', his love for the martial arts actors of the past is never in doubt. He also does his bit for the kungfu genre by unearthing a new bunch of young actors – including casting a suitably charismatic Yuan Xiaochan in the lead role of Yang Luchuan. With Sammo Hung as action director, you can be sure that the numerous action sequences in the movie do not disappoint – and the ones between Yuan and other true-blue martial arts actors like Xiong Xin Xin are especially thrilling.

Thankfully, most of them do make it alive for the second-parter, which is slated to open just three weeks later. The ending is tantalising to say the least - what with two formidable swordsmen arriving at the gates of the Chen village to challenge Xiong Xin Xin and an army of Western battleships heading towards the Chinese coast loaded with big cannons promising bigger and noisier battles – demonstrating a lot of promise here for a new 'Wong Fei Hung'-type franchise. While we're not objecting to Fung's choice for a playful and inventive take on the kungfu genre, he would do well to pay heed to the oft-told martial arts adage – restraint, and not excess, is what ultimately makes one potent.

this movie is another coffin nail of how Chinese movies have already past the point of no return unsalvageable terminal disease. this movie has wasted lot of money on nothing but messy childish soul-less hollow gimmicks. the screenplay was also a milestone of the worst of worst Chinese screenplay writers who got the incurable brain damage from reading too many absurd comic books and playing too many ridiculous video games. viewers who praised this movie as an epic masterpiece should also have their heads thoroughly checked, but i doubt MRI could find how their brains were damaged since those comic books and video games are like untraceable virus. this movie also proved that the failure of the Chinese education system which only created copycatting self-claimed geniuses like guys eating too much American junk food after endless garbage-in, garbage-out digestion. all kinds of crap to these people are like most tasteful cuisines.

oh my god, what a mess of this movie has created. i don't even have appropriate words to describe how disgusting this movie is. i always wonder why those rich people would invest money on such pure garbage. by ridiculing one of the legendary Chinese martial arts masters is on the par of the Chinese communist party who claimed itself was the sole party fighting the Japanese invasion. this movie is so disgusting that i don't even know how to review it with proper words. god forgive me.

The above just about sums it up: if you dig the film's sense of humour, you'll enjoy it so much more. Alas, most western viewers probably won't, so will brand its uniqueness simply as a "mess".

To be fair, this is a very "seen it all before" story, but with warp-speed cuts, great use of SFX, above par wire-fu and superb cinematography, the flick is elevated way beyond its humble plot. I think that when film fans talk about "vision", they mean something like what the director managed to convey on screen in this very film.

So, what's it all about?

A kid with the mark of a born kung fu legend is exploited into fighting for a cult, until a doctor warns how such violence will lead to his death and that he needs to learn the passive art of tai chi in order to live a happy life... as opposed to plain dying. Naturally then, our somewhat dim-witted lead ventures off to Chen village to learn, only to be constantly turned away, as the art isn't taught to outsiders. And on it goes...

With eye-candy galore, this film truly caters for men! I mean: a fast-paced kung fu flick full of gorgeous women? Yep, Tai Chi Zero ticks all the boxes, but again, it's that sense of humour that'll make or break the film for you, and for me, despite all its positives, there was only so much enjoyment from this that I could get.

It seems obvious, but I'll nutshell anyway: others will call Tai Chi Zero "dumb" or "awesome", but the only real way to determine if you'll enjoy this film for yourself, is to watch it.