In Another Country

The Korean film Da-reun na-ra-e-seo (2012) was shown in the U. S. with the title In Another Country. It was was written and directed by Hong Sang-soo.

Isabelle Huppert portrays three different women, all of whom are named Anne. The movie (well, movies) are set in a small seaside resort.

The first Anne is a famous French filmmaker visiting an equally famous Korean filmmaker and his pregnant wife. The problem is that the husband is attracted to Huppert.

The second Anne is the wife of a wealthy industrialist. She is here to meet her lover, who is a filmmaker.

The third Anne is a newly-divorced woman who comes to the resort with an older woman friend.

The segments sometimes move in the the same direction. For example, she sets out with a young woman to go shopping, but the next scene always is Anne alone on a barren road.

Anne is always looking for a lighthouse, which is a tourist attraction. Joon-Sang Yoo is a very muscular lifeguard that appears in all the segments. He should know the location of the lighthouse, but he doesn't.

Huppert was born to play these roles. She is one of the great actors of our generation and she is believable as all three women. It's worth watching the movie just to see her act.

Unfortunately, I'm in the minority about this film, because it has an anemic IMDb rating of 6.4. I don't like to recommend movies that have a low IMDb rating, but I definitely will make an exception in this case. I thought it was a wonderful movie, and rated it 9.

This isn't a film. Rather, it's a collection of rather uninteresting vignettes, all of them focused around an unpleasantly self-centred middle-aged Frenchwoman who happens to be visiting South Korea. Unfortunately, this means we're back in the world of low-budget filmmaker Hong Sang-Soo, whose previous films THE DAY HE ARRIVES and OKI'S MOVIE I've watched. I didn't like either of them, finding them pretentious, but this is even worse.

There's no story here whatsoever, just a trio of three short stories that are almost identical stylistically. Isabelle Huppert's protagonist is one of the most uninspiring I've seen in film, a woman who wanders around looking for self-gratification, boozing and smoking all the while. It becomes tiring after about five minutes. The characters she meets are equally self-absorbed, although the twist is that as she's foreign we have to put up with a ton of poorly-spoken English dialogue instead of the usual Korean language. Inevitably the shadows of sex, adultery, and alcoholism raise their head, but it's all so, well, pointless, I can't believe they bothered to make it.

I'm liking this movie more and more as I've had a chance to think about the poetry of it. Hong Sang-Soo has done something beautiful and lasting with In Another Country. Of course, having Isabelle Huppert as the star doesn't hurt.

Huppert embodies three different women named Ann, in three separate short stories. It all takes place in the sleepy beach town of Mohang. The supporting characters are mostly the same. But the circumstances change, sometimes only slightly. English is mostly spoken.

In the first story Ann is a French director staying a couple days with a Korean director friend and his pregnant wife.

In the second story Ann (wife of a businessman in Seoul) escapes to the beach town to have a tryst with as well-known Korean director.

In the third story Ann is taken to Mohang by her Korean professor woman friend to help her get over her husband leaving her for another woman, a Korean!

Other than the back-stories, not a whole lot happens in terms of plot. But the scenes unfold naturally, and with tremendous grace that they are almost painful to watch because the subtleties are just so right on.

There's one scene in the final story, when Ann, her professor friend, the man and his pregnant wife are dining alfresco, drinking soju and eating bbq. The man is obviously very curious about this white horse. He sees that Ann can enjoy soju so he pours her more, but neglects the professor friend. And worse than that, he only clinks glasses with Ann. Both the professor and the wife notice this without revealing their ire. The moment is unbearably tense.

Hong and Huppert earnestly present three slices of what it means to be a foreigner that you don't need to be Korean, French, or American to feel that weight.

Isabelle Huppert is having a great time making movies, taking on any kind of oddity they push at her. It's a bit rough on her fans, who get stuck with items like this and CACTUS but I suppose you take the rough with the smooth.

A Korean girl facing a crisis sets down to write a script in which Huppert appears as "the French Woman." Now you can't complain about mis-casting. Complete with the sound of typing (thank you Twilight Zone) she puts our heroine into three different scenarios set in the so nice timber beach front home, where she encounters the same characters in different arrangements, looking for a light house, losing an umbrella and getting amorously involved with the men. Kind of precious.

The material is presented in sharp, subdued colour with minimal editing. It's not worth it's star's time or the viewer's.

Apparently am in the minority here, but this is my 10th Hong Sang-Soo film, and it actually rates in the top 5. As a coherent narrative, it definitely isn't the best. But as an art film that can be experienced that cleverly overlaps 3 stories while incorporating meta fiction elements, ironic repetition, and creatively blurring the line between fact and fiction, "In Another Country" excels. Purposely nonlinear with its storytelling, this is the sorta film one could rewatch to catch the double meanings, hidden messages, and "spot the differences" between the always talented Isabelle Huppert as Anne #A, #B, + #C, in their respective stories. Same name, same actress, different characters? Or are they?