Red Hook Summer

...Clarke Peters (Freemon from HBO's "The Wire") should get an Oscar nomination for this. His performance is at once over-the-top and understated as a Brooklyn pastor who seemingly is a righteous pillar of a community that continues to wane under material violence and generational malaise. However this 'man-of-black-jesus' is hiding a terrifying secret that lifts what is at first another half-cliché movie about coming-of-age into unexpected darker and deeper territory. It makes "Red Hook Summer" into a risky, uncomfortable film and a film quite necessary in this day and age when institutions will blanket even the sickest of monsters to save their own public rep (I won't get more specific, but the contemporary story I'm alluding to concerns a man who's last name rhymes with 'Sam Clusky'). Aside from Peters, the film is worth watching for the loving touches Spike Lee brings to the setting. The music (by Bruce Hornsby), design and photography perfectly capture Brooklyn in the summertime in the same way "Crooklyn" did. Although Lee's approach, which here resembles Cassavettes at times, will upset some due to the obvious shot-on-the-fly-digital look and the after-mentioned below-par performances of the child actors.

I give this film an 8 out of 10 only because of it's obviously miniscule budget, a few more takes on some of the scenes and we would have yet another great 'Spike Lee Joint'. Gotta let you know, Spike Lee is my favorite director, has been since the death of Stanley Kubrick, and, although neither here or there, they both made/make superior films whose appreciation oftentimes came way too late! The film begins a bit preachy in its dialog, contemporary religious and social and political pontifications, and I am OK with that, it's what Spike has always done. The slice of life tale of a young boy spending a summer with an extremely religious grandfather he's just met, and the unexpected denouement is very good storytelling and very worthy of Spike Lee. I really wanna spoil the story, but, please, see it for yourself.

Don't even pay attention to the rating on this movie. It was good. Some might say the movie is not worth watching after the first few minutes, but I would challenge them to watch the movie a bit longer. This movie was very well written, it was classic Spike Lee style (but written better than some of his old movies), and it even had a surprise twist (which I won't divulge). This movie is not like one of those gospel stage plays or even some of the movies that you would find on Netflix. This is much better. A person needs to really give this movie the 2 hours it deserves and have a good time. It may make you cry (when the secret comes out), but this movie is not a waster. It certainly deserved a better rating than it received. Please give it a chance, and you will not be disappointed.

Red Hook Summer, was funny, thought provoking, tugged at your emotions, and made you think...Classic Spike! You felt a sense of nostalgia with the return of characters Mookie (Do the Right Thing) and Nola Darling (now Mother Darling - She's Gotta Have It). The use of colors was wonderful, as usual Spike and his director of photography has a way of bringing the viewer right into the scene both visually and emotionally. I felt like I was living in Red Hook. The third act of the film was one of the most powerful scenes I have viewed in a looooong time...particularly with films of color. The symbolism Spike used just gave me goose bumps. That makes me want to see this film at least another 3 times, just to study the genius of this filmmaker. The overall music used in this film by Judith Hill and Bruce Hornsby was light and warm - a perfect contrast to the set of the film taking place in the projects of Red Hook - where there's much "death" - I suppose that is the irony of life. There was of course a turn at the end, and the music became more hard hitting during the last scenes of the film - the combination of the visuals and the music REALLY brought me emotionally into the "disturbing situation", brought tears to my eyes. 10 stars! And "that's the truth, ruth!"

A middle-class boy from Atlanta is forced to spend the summer with his deeply religious grandfather in a poor housing project in Red Hook, Brooklyn.

Spike Lee wrote and directed this boring tale. This rambling tale gets very tiresome. Did Spike Lee turn anti-religion? The story turns even uglier with a twist that comes out of nowhere. I'm uncertain about what is happening to Spike Lee. After great successes in the 90s and the 2000s, is he on the road to big time experimentation? What is going on? I don't get it. This movie is a mess. Maybe it's some kind of personal project. But even then, I'd expect more skills than he's showing here.