Chained

Dark, psychological thriller. Well fleshed out. Personally I think Rabbit would have been a better title, as he's an interesting character. Nicely done and claustrophobic.

This is a really excellent film, a real psychological horror, no gore but you get the idea and have to use your imagination, and the performances are superb...the twist is brilliant, totally caught me off guard, jaw to the floor! But then again, I have watched Surveillance so should have expected something...if you haven't do!

CHAINED starts off giving you the impression that this could be just another torture fest where a young boy and his mother get kidnapped by a taxi driver who is really a serial killer and taken to his home. There the boy's mother is murdered and he is made to live with the killer and do whatever he says.

After all that the plot actually becomes more intriguing with superb character development and it is very disturbing and comes up with some very unexpected moments and the final half is what raises this film above many others in the same genre.

The performances are excellent, Jennifer Lynch certainly found the ideal actor to play the serial killer in Vincent D'Onofrio and even the actors with the smallest roles manage to shine.

Overall, CHAINED is a very impressive film although not for everyone but the final half is sure to impress anyone who sees it.

Bob, a cab-driving serial killer who stalks his prey on the city streets alongside his reluctant protégé Tim, who must make a life or death choice between following in Bob's footsteps or breaking free from his captor.

Be prepared, this film is not for the faint of heart or the more sensitive viewers. Chained is the most unsettling film of 2012 that grips you by the throat and doesn't let go, as well as a kick in the stomach. Dread consumes this twisted, dark and provocative crime/thriller. In the vein of Henry: Portrait Of A Serial Killer, this film takes you inside the mind of a ruthless killer, the character study is a very disturbing, heart shattering and shocking. Filled with depravity! The performances were powerfully tense and keeps you glued to the screen and on the edge of you seat. Vincent D'Onofrio, who you may know from Law & Order, plays Bob, a serial killer cab driver and gives one hell of a chilling performance. You feel horrible for but hate him at the same time, a killer that's a product of his environment. Eamon Farren plays older Rabbit, which is the name Bob gives to him after he abducts him and his mom when he was a young child. Now he is chained to a wall with no way out, but to only buddy up with his captor enough to be freed from the chains. Eamon gives a captivating performance and you root for him to escape the horrors and at one point having you shout at the screen to fight back and get revenge. Harrowing film! Director, Jennifer Chambers Lynch who directed the equally startling film Surveillance, has crafted yet another distressing, graphic and wicked film. The rawness of her films is now very much signature to me, she always has a way of getting under your skin, keeps you in suspense and hits you hard with a shocking conclusion. Her film will make you think twice about calling for a cab! Very much interested to see what she throws at us next, I won't be surprised if it leaves me in the fetal position, shaken out of my mind. She is that good! Overall, this film is definitely not for everyone as it's blood curdling, but the performances are some of the best of 2012 from this twisted genre. The story will keep you in cold sweat, wondering and guessing if poor Rabbit will make it out OK and has one hell of a shocking ending that will leave you breathless. A tough watch, but worth it! 7 out of 10.

Bob (Vincent D'Onofrio), a cab-driving serial killer who stalks his prey on the city streets alongside his reluctant protégé Tim, who must make a life or death choice between following in Bob's footsteps or breaking free from his captor.

In the short time that Jennifer Lynch has been making her mark on cinema, I have grown to enjoy her style of film. At least, based on this one and her last effort, "Surveillance". I confess I am not familiar with "Boxing Helena". Her latest films are odd, but not absurd -- just odd enough to be unique and really draw people in by their novelty (a great quality to have). Here we have the serial killer story, but told in a very different way: through the eyes of a captive held for nine years. (Critics have said this idea was already presented in "Bereavement", but I would argue this is the better film.)

D'Onofrio gives a solid performance, one that may be among the best of his recent career. Trying to gauge his character is tough -- smart, stupid, slow? He is clearly clever enough to do what he does and get away with it, but his way of speaking clearly implies some sort of mental issues beyond the murderous intentions.

One could psychologically analyze Rabbit all day. He is the poster child for "learned helplessness", accepting defeat after years of beatings. Yet, he does not fit with the classic idea of Stockholm Syndrome -- he accepts Bob as his master, but only grudgingly so. And there could also be talk of nature versus nurture. Certainly, Bob is "nurturing" Rabbit to become a killer -- but will he accept it?

My friend and horror adviser, Aaron Christensen, had what he calls a violent, visceral reaction to this film and even had the urge to punch director Lynch in the face (particularly after she explained that the film was intended as a message against child abuse). For him, there is too much of a need for suspension of disbelief and this story could only exist in a "fairy tale" world. We are in disagreement. I have no opinion on the child abuse claim (though it seems rather strange), but I approach all horror films from the point of view of a fairy tale, more or less. Sure, this film was presented as more real than, say, "Nightmare on Elm Street", but I saw little need to pick out the plot holes -- some being so obvious that pointing them out is hardly a mental challenge (such as why Rabbit never escapes).

You may agree or disagree on the greatness of this film, or even have no strong reaction at all. I would be curious to hear more thoughts from people... I did not realize this film would be a conversation piece, but apparently it is.