NOTE IMDb
6,4/10
22 k
MA NOTE
Un jeune homme retenu prisonnier par un tueur en série doit faire un choix de vie ou de mort entre suivre les traces de son ravisseur ou se libérer.Un jeune homme retenu prisonnier par un tueur en série doit faire un choix de vie ou de mort entre suivre les traces de son ravisseur ou se libérer.Un jeune homme retenu prisonnier par un tueur en série doit faire un choix de vie ou de mort entre suivre les traces de son ravisseur ou se libérer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 3 nominations au total
Alexander Doerksen
- Colin
- (as Alex Doerksen)
Avis à la une
For some reason I had some trouble tracking this film down but I was finally able to get my hands on a copy and boy am I glad I did, anything starring Vincent D'Onofrio always peaks my interest (I mean come on, have you seen his work in The Cell?!) and he is one of my most favored actors. D'Onofrio showcases his talents best when portraying the villain who I have to admit, I always find myself secretly rooting for. This film is well acted by all who participated and the grand twist at the end is a real shocker, it just goes to show that you never really know who you can trust. This was the first encounter I have had with Eamon Farren but I was very pleased with his acting, this film has a good story line that will hold your attention until the end and as gruesome as it was at points I just couldn't look away...that is how you know you have found a good film. I give Chained a 6 out of 10 stars and would recommend giving it a shot, it really is a KILLER film. ;)
The nine year-old Tim (Evan Bird) goes to the movie theater with his mother Sarah (Julia Ormond) and his father Brad Fittler (Jake Weber) tells Sarah to take a cab to go home. After the session, Sarah and Tim take the cab of Bob (Vincent D'Onofrio) that abducts and bring them to his isolated house. Bob kills Sarah and shackles and gives rules to Tim, nicknaming him "Rabbit". Along the years, the psychopath serial-killer Bob keeps killing women and Tim cleans the house and the blood, buries the women and eats Bob's leftover. When Tim (Eamon Farren) grows up, Bob decides to treat him as his son and unchains him, but Tim is reluctant to accept him. One day, Bob brings the gorgeous teenager Angie (Conor Leslie) expecting that Tim has sex with her and kills her. What will Tim do with Angie?
"Chained" is a disturbing, twisted and depressing loss of innocence of a boy kidnapped by a sadistic and deranged serial-killer and with a surprising plot point in the end. Vincent D'Onofrio is a scary psychopath with a twisted mind. The fate of Angie is omitted in the movie and this is the weakest part of the cruel plot that makes an ambiguous conclusion. My vote is seven.
Title (Brazil): "Acorrentados" ("Chained")
"Chained" is a disturbing, twisted and depressing loss of innocence of a boy kidnapped by a sadistic and deranged serial-killer and with a surprising plot point in the end. Vincent D'Onofrio is a scary psychopath with a twisted mind. The fate of Angie is omitted in the movie and this is the weakest part of the cruel plot that makes an ambiguous conclusion. My vote is seven.
Title (Brazil): "Acorrentados" ("Chained")
Bob (Vincent D'Onofrio), a cab-driving serial killer who stalks his prey on the city streets alongside his reluctant protégé Tim, who must make a life or death choice between following in Bob's footsteps or breaking free from his captor.
In the short time that Jennifer Lynch has been making her mark on cinema, I have grown to enjoy her style of film. At least, based on this one and her last effort, "Surveillance". I confess I am not familiar with "Boxing Helena". Her latest films are odd, but not absurd -- just odd enough to be unique and really draw people in by their novelty (a great quality to have). Here we have the serial killer story, but told in a very different way: through the eyes of a captive held for nine years. (Critics have said this idea was already presented in "Bereavement", but I would argue this is the better film.)
D'Onofrio gives a solid performance, one that may be among the best of his recent career. Trying to gauge his character is tough -- smart, stupid, slow? He is clearly clever enough to do what he does and get away with it, but his way of speaking clearly implies some sort of mental issues beyond the murderous intentions.
One could psychologically analyze Rabbit all day. He is the poster child for "learned helplessness", accepting defeat after years of beatings. Yet, he does not fit with the classic idea of Stockholm Syndrome -- he accepts Bob as his master, but only grudgingly so. And there could also be talk of nature versus nurture. Certainly, Bob is "nurturing" Rabbit to become a killer -- but will he accept it?
My friend and horror adviser, Aaron Christensen, had what he calls a violent, visceral reaction to this film and even had the urge to punch director Lynch in the face (particularly after she explained that the film was intended as a message against child abuse). For him, there is too much of a need for suspension of disbelief and this story could only exist in a "fairy tale" world. We are in disagreement. I have no opinion on the child abuse claim (though it seems rather strange), but I approach all horror films from the point of view of a fairy tale, more or less. Sure, this film was presented as more real than, say, "Nightmare on Elm Street", but I saw little need to pick out the plot holes -- some being so obvious that pointing them out is hardly a mental challenge (such as why Rabbit never escapes).
You may agree or disagree on the greatness of this film, or even have no strong reaction at all. I would be curious to hear more thoughts from people... I did not realize this film would be a conversation piece, but apparently it is.
In the short time that Jennifer Lynch has been making her mark on cinema, I have grown to enjoy her style of film. At least, based on this one and her last effort, "Surveillance". I confess I am not familiar with "Boxing Helena". Her latest films are odd, but not absurd -- just odd enough to be unique and really draw people in by their novelty (a great quality to have). Here we have the serial killer story, but told in a very different way: through the eyes of a captive held for nine years. (Critics have said this idea was already presented in "Bereavement", but I would argue this is the better film.)
D'Onofrio gives a solid performance, one that may be among the best of his recent career. Trying to gauge his character is tough -- smart, stupid, slow? He is clearly clever enough to do what he does and get away with it, but his way of speaking clearly implies some sort of mental issues beyond the murderous intentions.
One could psychologically analyze Rabbit all day. He is the poster child for "learned helplessness", accepting defeat after years of beatings. Yet, he does not fit with the classic idea of Stockholm Syndrome -- he accepts Bob as his master, but only grudgingly so. And there could also be talk of nature versus nurture. Certainly, Bob is "nurturing" Rabbit to become a killer -- but will he accept it?
My friend and horror adviser, Aaron Christensen, had what he calls a violent, visceral reaction to this film and even had the urge to punch director Lynch in the face (particularly after she explained that the film was intended as a message against child abuse). For him, there is too much of a need for suspension of disbelief and this story could only exist in a "fairy tale" world. We are in disagreement. I have no opinion on the child abuse claim (though it seems rather strange), but I approach all horror films from the point of view of a fairy tale, more or less. Sure, this film was presented as more real than, say, "Nightmare on Elm Street", but I saw little need to pick out the plot holes -- some being so obvious that pointing them out is hardly a mental challenge (such as why Rabbit never escapes).
You may agree or disagree on the greatness of this film, or even have no strong reaction at all. I would be curious to hear more thoughts from people... I did not realize this film would be a conversation piece, but apparently it is.
This is the most unpredictable horror thriller I have ever seen. I don't know a similar movie.
Though I was skeptical about Vincent D'Onofrio. I know him well from Full Metal Jacket and many episodes of Criminal Intent in the role of the investigating detective. How can I buy that he is a psychopath and a serial killer? But a few minutes later, I forgot that it's him, because of the shocking scenes. He plays a man-made psychopath without empathy and without compassion. Not a glimpse of compassion. The unpredictability of him generates horror since anything could happen at any time. The story reveals what has made such a monster out of him, but also shows, that not everyone becomes a psychopath.
The other main actor, Eamon Farren also plays brilliantly.
There is not a ton of action but it's not boring, trust me. It is frightening but also a sad story. You will see.
Though I was skeptical about Vincent D'Onofrio. I know him well from Full Metal Jacket and many episodes of Criminal Intent in the role of the investigating detective. How can I buy that he is a psychopath and a serial killer? But a few minutes later, I forgot that it's him, because of the shocking scenes. He plays a man-made psychopath without empathy and without compassion. Not a glimpse of compassion. The unpredictability of him generates horror since anything could happen at any time. The story reveals what has made such a monster out of him, but also shows, that not everyone becomes a psychopath.
The other main actor, Eamon Farren also plays brilliantly.
There is not a ton of action but it's not boring, trust me. It is frightening but also a sad story. You will see.
Dark, psychological thriller. Well fleshed out. Personally I think Rabbit would have been a better title, as he's an interesting character. Nicely done and claustrophobic.
Le saviez-vous
- AnecdotesBoth Jennifer Lynch and Vincent D'Onofrio have stated they would have preferred that the title of this film be "Rabbit".
- GaffesWhen Bob freaks out in his garage after having flashbacks, you can see a male crew member wearing a baseball cap in the side mirror of the taxi.
- Citations
Bob: Without education, you're fucked. I mean, you've seen some things. I've showed you some things for sure, but you haven't understood them. You ever do a puzzle? You know the kind of puzzle that has the picture on the outside of the box? That's what people are. Pictures on the outside, pieces inside.
- Crédits fousThe credits play over sounds of Rabbit in the house. There is no music. Among the sounds are what appear to be Rabbit cutting out an article for the scrapbook, exiting the garage, and leaving in the taxi cab.
- Versions alternativesThe throat slitting scene was originally more graphic, but was cut to avoid an NC-17 rating. It can be seen in the bonus features of the DVD and Blu-Ray release.
- ConnexionsFeatured in Film '72: Épisode datant du 16 janvier 2013 (2013)
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Détails
Box-office
- Montant brut mondial
- 77 839 $US
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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