Memory

This film is almost impossible to talk about without disclosing both characters mental illnesses so if you'd consider that to be a spoiler stop reading now.

Memory is a drama that unbeknownst to me was released back in February but from my understanding only had a limited cinema run if at all.

It stars Jessica Chastain as Sylvia a social worker who after attending a high school reunion is followed home by Peter Sarsgaard's Saul.

Saul is suffering from Dementia and as is unfortunately the case with a lot of dementia sufferers he's become a burden to his brother who he lives with. His brother leads a busy work life and whilst she is initially hesitant Sylvia eventually agrees to look after Saul when she's not working her other job.

What I felt this film did a great job of getting across is how in the midst of the hustle and bustle of life when a family member has such an illness like dementia where they require care it's easy for the sufferer to start to feel less human.

This film shows Saul and his struggles but it also shows that he's still a human being who still has the cognitive ability to form relationships and be of use, he just requires extra care from time to time.

Sylvia on the other hand is a recovering alcoholic, the film explores the reason she started drinking but that would be going into spoiler territory. I will say though that although she's been sober for a long time she is still haunted by the events that unfolded in her past that lead her to start drinking.

The film whilst undoubtedly bleak in tone which is to be expected given the subject matter never has any images that are there purely to shock. Instead it's a very real take on how two people with their own individual struggles can find comfort in eachother.

I appreciated the films unique look at dementia and whilst it's certainly one you have to be in the right mindset for its worth watching if you get the chance.

It's a drama of two persons with damaged memories seeking solace. The film is set in New York City in the early 2000s. Sylvia (Jessica Chastain) is a single mom who is overly protective of her 12-13-year-old daughter, Anna (Brooke Timber). Sylvia, an alcoholic who has been sober for 12 years, relates to her younger sister, Olivia (Merritt Wever), but is estranged from her mother, Samantha (Jessica Harper). The viewer soon learns of Sylvia's memories of abuse as a pre-teen.

Saul (Peter Sarsgaard) lives with his brother, Issac (Josh Charles). Saul's wife died some time ago. He has early-onset dementia that displays in unusual ways. Sylvia and Saul encounter each other at a reunion at the high school they both attended.

The film follows their improbable relationship that evolves despite a very rocky start. Their families react in different ways to what they observe in the relationship, and the ending is, in my mind, ambiguous.

Chastain is marvelous in her character. Sarsgaard is good, but the nature of his role makes for a relatively narrow personality. The role of Anna seems a tad unrealistic, but Timber plays it well. I found the film's editing to be superb. And I've always loved the Procul Harum song, "A Whiter Shade of Pale," that repeats as a theme throughout. Although the story feels improbable, I loved it.

I really liked this one. I'm sure other's will have their ideas of what it's about but it's really about love and broken people. And really isn't everyone broken to some degree?

I found the movie tackled the subject matter and characters in a very intimate way, it's almost a meditation on how people deal with trauma and prevail and how even broken people can love.

One character can't remember the other can't stop remembering. I'm sure there is something there, I'll have to think on that more- but they find each other and it turns out they have a lot to offer each other.

Marvelous film in my opinion.

I have been keeping up with Michel Franco for awhile as I have enjoyed his works on "After Lucia, Chronic, and April's Daughter". While "New Order" and "Sundown" aren't perfect, I expect Franco to offer some interesting concepts and direction in his movies. "Memory" isn't the best movie he has done but it's still captivating with strong performances from Jessica Chastain and Peter Sarsgaard, atmosphere, and direction throughout.

The narrative explores heavy traumatic themes that are pretty interesting without feeling cheap or exploitive. Although some of the narrative choices and concepts are left to more to be desired and at moments, a bit confusing on certain decisions, the writing and Franco's direction keeps the story on feeling compelling. The camerawork and production is solid. The performances are really good as Jessica Chastain and Peter Sarsgaard gave great performances to their characters and emotions. Unfortunately, some of the child performances aren't very good and noticeably poor.

The dialogue is solid as there are some interesting conversation moments, the characters are interesting and the themes, while at times it feels a little heavy-handed, are well-explored without feeling messy or cheap. However, unlike Franco's other works, it doesn't feel as impactful as it could have been and probably Franco's more tamer works unlike his usual style. Which does at times feel a bit detached.

Overall, despite the flaws, I still found the narrative, the performances and concepts to be interesting.

Story of the encounter of two lonely, battered souls, searching for love, peace, acceptance and meaning in life. Told with class, cleverly avoiding cheap sentimentalism, treating viewers as intelligent breed. Scenes are woven together so that story runs smoothly, lightning is beautiful. Jessica is on top form, acting with her usual style, persuasion and expressing just what the story needs. Sarsgaard gets under your skin with ease and charm. Merrit Wever is again persuading with her detachment and minimalism, reasons revealed at the end.

Movie that touches you deep, connects and lets you leave the theatre grateful for what it gives you. Highly recommended.