The Return, le retour d'Ulysse
Titre original : The Return
Après 20 ans d'absence, Ulysse décide de revenir. Le roi est enfin rentré chez lui, mais beaucoup de choses ont changé dans son royaume depuis son départ pour la guerre de Troie.Après 20 ans d'absence, Ulysse décide de revenir. Le roi est enfin rentré chez lui, mais beaucoup de choses ont changé dans son royaume depuis son départ pour la guerre de Troie.Après 20 ans d'absence, Ulysse décide de revenir. Le roi est enfin rentré chez lui, mais beaucoup de choses ont changé dans son royaume depuis son départ pour la guerre de Troie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Francesco Dwight Bianchi
- Amphimedon
- (as Francesco Bianchi)
Alberto Boubakar Malanchino
- Eurynomous
- (as Alberto Malanchino)
Nicolas Exequiel Retrivi Mora
- Elenus
- (as Nicholas Retrivi)
Avis à la une
This screen adaption of the Odyssey - or rather just the part of it - is a modern take and is rather good.
Both Ralph Fiennes and Juliette Binoche are excellent, as is to be expected, and they are supported by a good cast. Charlie Plummer, in the role of Odysseus and Penelope's son, is equally good.
What stands out most from this short and low budget film is how good it is: Fiennes portrays Odysseus with PTSD with utter believability, and it makes you wonder (though you already know) what really happened to his men after the war.
The fights are also well choreographed, without many of the quick edits that hide an actor's lack of skill. In fact, Fiennes is so fit that that even the edited actions (with the bow) are believable. I wouldn't be surprised if he really did learn how to use it.
Even if you've never read the Iliad or the Odyssey, watching this movie might pique your interest in these classics.
Both Ralph Fiennes and Juliette Binoche are excellent, as is to be expected, and they are supported by a good cast. Charlie Plummer, in the role of Odysseus and Penelope's son, is equally good.
What stands out most from this short and low budget film is how good it is: Fiennes portrays Odysseus with PTSD with utter believability, and it makes you wonder (though you already know) what really happened to his men after the war.
The fights are also well choreographed, without many of the quick edits that hide an actor's lack of skill. In fact, Fiennes is so fit that that even the edited actions (with the bow) are believable. I wouldn't be surprised if he really did learn how to use it.
Even if you've never read the Iliad or the Odyssey, watching this movie might pique your interest in these classics.
While watching the trailers for Gladiator II, this film was teased. That was certainly the best part of the Gladiator II experience. What I was expecting to see from the teaser was not what I experienced, and that was wonderful. I was expecting, simply, a modern play of the third act of the Odyssey with some great modern actors. Instead, I was treated to a thought-provoking exploration of many difficult topics involved in the human experience. They just so happened to find their home in Odysseus's return home at the end of the Odyssey. This film comes across as a passion project of the lead actor and producer. I would love to look into the story of the making and funding of this project. This movie was not at all what I was expecting but found it to be a real treat and left me and my viewing companion discussing the different themes and meanings. The cinematography is where this film shines.
"The Return" offered a deeply human perspective on the timeless tale of Odysseus, blending the epic grandeur of Greek mythology with a raw, emotional core.
This 2024 adaptation breathed new life into Homer's Iliad, focusing on one of its most iconic narratives-Odysseus' long-awaited return to Ithaca following the Trojan War.
What set this film apart was its decision to strip away the traditional heroism that's often associated with Odysseus. Instead, I saw a man burdened by guilt, exhaustion, and the scars of war-more flawed and vulnerable than the larger-than-life figure of legend.
This Odysseus was not the triumphant warrior of old but a soul-weary traveller grappling with the weight of his past and the uncertainty of his future.
The story unfolded against a backdrop of simmering tension in Ithaca. Penelope, Odysseus' wife, was trapped in a precarious position, besieged by suitors vying for her hand and the throne.
Her portrayal as a "prisoner of peace" added layers of complexity to the narrative, highlighting the struggles of a woman navigating a world dominated by men.
Meanwhile, their son Telemachus faced his own danger caught in the island's web of political peril-a nod to the brutal logic of ancient Greek storytelling, which has since resonated across cultures and time.
The film's emotional depth was elevated by its stellar cast. Ralph Fiennes and Juliette Binoche reunited on screen and delivered powerhouse performances as Odysseus and Penelope (resp.).
Their realistic chemistry captured the fraught dynamic of a couple separated by decades of war and longing.
The love they once shared had faded, replaced by misunderstanding and resentment, but their journey of reconnection felt achingly real.
Fiennes embodied Odysseus' internal conflict with quiet intensity, while Binoche brought a steely resilience to Penelope, making their scenes together quite compelling.
"The Return" was not a film driven by action or spectacle. It was a slow-burn character study, rich in atmosphere and emotion.
The pacing felt deliberate, but it served the story well, allowing me to empathise with the characters' struggles.
The tension built steadily, culminating in a climactic finale that delivered both emotional and narrative payoff.
What made "The Return" truly remarkable was its ability to feel both ancient and modern. While it stayed true to the spirit of the original epic, it also explored themes of trauma, identity, and redemption that will resonate with contemporary viewers.
Watching this movie felt like peering through a time-travel window, and the emotions the script evoked felt timeless. Instead of serving the role of a flashy blockbuster, "The Return" stood out as a poignant and thought-provoking piece of cinema.
The film continues to linger in my mind, a testament to the enduring power of Odysseus' story. If you're looking for a fresh take on a classic tale, this is one ship worth boarding.
--- --- --- Laudable contributions from Charlie Plummer (as Telemachus), Marwan Kenzari (as Antinous), Claudio Santamaria (as Eumaes), Tom Rhys Harries (as Pisander), Amir Wilson (as Philetius), and Jaz Hutchins (as Hippotas).
This 2024 adaptation breathed new life into Homer's Iliad, focusing on one of its most iconic narratives-Odysseus' long-awaited return to Ithaca following the Trojan War.
What set this film apart was its decision to strip away the traditional heroism that's often associated with Odysseus. Instead, I saw a man burdened by guilt, exhaustion, and the scars of war-more flawed and vulnerable than the larger-than-life figure of legend.
This Odysseus was not the triumphant warrior of old but a soul-weary traveller grappling with the weight of his past and the uncertainty of his future.
The story unfolded against a backdrop of simmering tension in Ithaca. Penelope, Odysseus' wife, was trapped in a precarious position, besieged by suitors vying for her hand and the throne.
Her portrayal as a "prisoner of peace" added layers of complexity to the narrative, highlighting the struggles of a woman navigating a world dominated by men.
Meanwhile, their son Telemachus faced his own danger caught in the island's web of political peril-a nod to the brutal logic of ancient Greek storytelling, which has since resonated across cultures and time.
The film's emotional depth was elevated by its stellar cast. Ralph Fiennes and Juliette Binoche reunited on screen and delivered powerhouse performances as Odysseus and Penelope (resp.).
Their realistic chemistry captured the fraught dynamic of a couple separated by decades of war and longing.
The love they once shared had faded, replaced by misunderstanding and resentment, but their journey of reconnection felt achingly real.
Fiennes embodied Odysseus' internal conflict with quiet intensity, while Binoche brought a steely resilience to Penelope, making their scenes together quite compelling.
"The Return" was not a film driven by action or spectacle. It was a slow-burn character study, rich in atmosphere and emotion.
The pacing felt deliberate, but it served the story well, allowing me to empathise with the characters' struggles.
The tension built steadily, culminating in a climactic finale that delivered both emotional and narrative payoff.
What made "The Return" truly remarkable was its ability to feel both ancient and modern. While it stayed true to the spirit of the original epic, it also explored themes of trauma, identity, and redemption that will resonate with contemporary viewers.
Watching this movie felt like peering through a time-travel window, and the emotions the script evoked felt timeless. Instead of serving the role of a flashy blockbuster, "The Return" stood out as a poignant and thought-provoking piece of cinema.
The film continues to linger in my mind, a testament to the enduring power of Odysseus' story. If you're looking for a fresh take on a classic tale, this is one ship worth boarding.
--- --- --- Laudable contributions from Charlie Plummer (as Telemachus), Marwan Kenzari (as Antinous), Claudio Santamaria (as Eumaes), Tom Rhys Harries (as Pisander), Amir Wilson (as Philetius), and Jaz Hutchins (as Hippotas).
The Odyssey has been adapted many times, often focusing on the fantasy and adventure elements of Odysseus' journey. This is not one of those. Starting off when Odysseus lands home on his native island kingdom, the film deals with Odysseus' inner journey of wrestling with his guilt, anxiety, PTSD, and longing to reconnect with his family after being away for 20 years. Fiennes and Binoche are superb individually and enthralling when together on the screen. Watch for their eyes, so much is said with them alone. Don't believe the low ratings, this is a fine adaptation of the deeper and human parts of The Odyssey. Not for those expecting a fast action flick.
The final acts of greatest poem of titan of literature cinematicly is more then good. This time Homer embodyment looks great in a sense director brings it. Thanks to the greats -Ralph and Julia whose personifications of Penelope and Odissey are of magnificent power. You can feel and touch the pain and lost both of them -Odissey not being able to come home due to God's will, so tired and not sure of everything and Penelope keeping faith and hardly understanding world of men's desire dominate at any cost. Clasic antic literature so powerful. The brutal killing scenes reveals to us that not much has changed....
Le saviez-vous
- AnecdotesFilmed on the island of Corfu in Greece.
- GaffesWhen searching for Telemachus, the suitors use greyhounds to track him by his scent. Greyhounds are sight hounds and can only hunt or track visually, not by scent.
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- How long is The Return?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 703 979 $US
- Week-end de sortie aux États-Unis et au Canada
- 361 505 $US
- 8 déc. 2024
- Montant brut mondial
- 3 215 577 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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