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6,1/10
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Ajouter une intrigue dans votre langueA disturbed, delusional high-school student with aspirations of a career in medicine goes to extremes to earn the approval of her controlling mother.A disturbed, delusional high-school student with aspirations of a career in medicine goes to extremes to earn the approval of her controlling mother.A disturbed, delusional high-school student with aspirations of a career in medicine goes to extremes to earn the approval of her controlling mother.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 11 victoires et 12 nominations au total
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A paradoxical myriad of influences and styles runs through Excision, the feature debut from NYU graduate Richard Bates Jr. A development of his 18 minute short which played the festival circuit in 2008, the film charts a brief spell in the life of Pauline (AnnaLynne McCord), one of the most dysfunctional teenagers to hit the screen since Todd Solondz's Welcome to the Dollhouse (1995). Far less fetishized than Terry Zwigoff's teenage female outcasts, Pauline is the epitome of awkward. Her gait eschews any form of grace, leaving her a hunched over, lumbering mess. Even keeping her mouth closed appears, at times, to be too much effort. In short, she's the perfect representation of the unfathomable levels of apathy and brooding that exist within the mind of the troubled teen.
McCord, better known to television viewers as the star of shows such as Nip/Tuck and 90210, is almost unrecognisable as the scowling girl with greasy hair and bad skin. It was not, however, an easy part for her to attain. In a recent interview both Bates Jr. and McCord stated that it was a difficult process. From the offset, the director refused to entertain McCord's persistent applications to be associated with the feature. Luckily for us her tenacity paid off and she was granted an audition. Bates' scepticism continued until the young actress showed her commitment to the feature by responding to the statement that she would have to cut her hair for the role by hacking at her locks right there and then. Seeing more of Pauline in the glamorous actress than he could ever have imagined, the partnership was made and the process began.
One of the aforementioned paradoxes within the film is the drafting in of a delightful range of the Hollywood bad boys (and girls); Traci Lords, John Walters, Malcolm McDowell and Ray Wise all appear. All of these characters could have been utilised as the outsiders and freaks of the movie with whom Pauline connects and finds solace, yet in a clever play against type, it is this motley crew who comprise the upstanding, conservative and unprogressive adults in the movie. Lords plays Pauline's God-fearing mother Phyllis with her trademark vigour and wit, clearly loving the experience of taking the moral high ground over the rebellious youth. Waters plays a chaplain and Wise and McDowell both work at the school as headmaster and teacher respectively.
Pauline aspires to one day become a successful surgeon, something which is greatly hindered by her lack of academic capability. Experimenting on roadkill and dreamily pondering over medical textbooks culminates in bizarre fantasies which range from brutal eviscerations to necrophilia.
All of this is heavily coincides with the social dilemmas which she faces on a daily basis (ranging from puberty to friends and relationships). Modern Family's Ariel Winter plays Grace, Pauline's younger sister, who is suffering from Cystic Fibrosis. The strain which her illness puts upon the family often trivialises the nature of Pauline's growing pains. This parallel makes for one of the most interesting aspects of the movie, alluding to the insular and self- absorbed nature of the teen mind.
There is a great deal of dark humour on display in Excision. Humour as pitch black as coal and as sharp as surgical steel. The nightmarish surrealism which is achieved will resonate for days afterwards. A well written and enjoyable debut which manages to balance a sinister side with a tender character study, resulting in an exceptionally strong feature, Excision is well deserving of the praise which it is currently receiving.
Excision is available now through Monster Pictures UK. You can find out more about the movie on the Official Website, Twitter or Facebook.
Colin McCracken writes extensively for zombiehamster.com as well as a number of genre publications. He can be found on Twitter as @zombiehamster
McCord, better known to television viewers as the star of shows such as Nip/Tuck and 90210, is almost unrecognisable as the scowling girl with greasy hair and bad skin. It was not, however, an easy part for her to attain. In a recent interview both Bates Jr. and McCord stated that it was a difficult process. From the offset, the director refused to entertain McCord's persistent applications to be associated with the feature. Luckily for us her tenacity paid off and she was granted an audition. Bates' scepticism continued until the young actress showed her commitment to the feature by responding to the statement that she would have to cut her hair for the role by hacking at her locks right there and then. Seeing more of Pauline in the glamorous actress than he could ever have imagined, the partnership was made and the process began.
One of the aforementioned paradoxes within the film is the drafting in of a delightful range of the Hollywood bad boys (and girls); Traci Lords, John Walters, Malcolm McDowell and Ray Wise all appear. All of these characters could have been utilised as the outsiders and freaks of the movie with whom Pauline connects and finds solace, yet in a clever play against type, it is this motley crew who comprise the upstanding, conservative and unprogressive adults in the movie. Lords plays Pauline's God-fearing mother Phyllis with her trademark vigour and wit, clearly loving the experience of taking the moral high ground over the rebellious youth. Waters plays a chaplain and Wise and McDowell both work at the school as headmaster and teacher respectively.
Pauline aspires to one day become a successful surgeon, something which is greatly hindered by her lack of academic capability. Experimenting on roadkill and dreamily pondering over medical textbooks culminates in bizarre fantasies which range from brutal eviscerations to necrophilia.
All of this is heavily coincides with the social dilemmas which she faces on a daily basis (ranging from puberty to friends and relationships). Modern Family's Ariel Winter plays Grace, Pauline's younger sister, who is suffering from Cystic Fibrosis. The strain which her illness puts upon the family often trivialises the nature of Pauline's growing pains. This parallel makes for one of the most interesting aspects of the movie, alluding to the insular and self- absorbed nature of the teen mind.
There is a great deal of dark humour on display in Excision. Humour as pitch black as coal and as sharp as surgical steel. The nightmarish surrealism which is achieved will resonate for days afterwards. A well written and enjoyable debut which manages to balance a sinister side with a tender character study, resulting in an exceptionally strong feature, Excision is well deserving of the praise which it is currently receiving.
Excision is available now through Monster Pictures UK. You can find out more about the movie on the Official Website, Twitter or Facebook.
Colin McCracken writes extensively for zombiehamster.com as well as a number of genre publications. He can be found on Twitter as @zombiehamster
This film played as part of the 2012 Sydney Film Festival's "Freak Me Out" section. Director, Richard Bates Jr, set out to make a movie that he and his friends would have loved to watch in high school. This he's achieved and so much more.
From the outset, Excision seizes your attention, with its deliciously macabre imagery and malevolent audio track. Unfolding amidst the perfect banality of middle class suburbia, the stage is set for a savage assault on your sensibilities.
Annalynne McCord is fantastic as Pauline - the slouched, ragged, blemished, sociopathic, vexed atheist, sangrephile*, virgin with surgical aspirations and necrophilic fantasies.
In fairness, the entire cast is impressive. You need to keep in mind that this film is the debut feature for a 25 y/o and he claims that persistence worked a charm in signing the talent -- including an Academy Award Winner!
But it's the fantasy sequences that will leave you truly in awe of Excision. Pauline's dreams are tantalisingly lurid, so utterly vile -- yet shot so beautifully. Luminous and vibrant, these scenes impact and leave a stain that won't come out in a cold wash. In fact, at least one person passed out at the screening I attended -- for real.
Far from wallowing in this depravity, Excision succeeds in exploring complex relationships, themes of religious zealotry and how problematic being a self-taught expert can be. All this and a killer soundtrack to boot.
I have to add that I had the extraordinary privilege of enjoying the greatest Q&A session in Sydney Film Festival history! Richard Bates was "slightly intoxicated" and proceeded to share some outrageous stories with us all. It caused a slight scandal, but, given the content of the film we all came to watch, his conduct was completely acceptable. Moreover, it was rare to see a person be so genuine and hysterically funny.
With his next project in the works, Richard Bates Jr just might be a name to keep an eye out for. I mean, if Peter Jackson can start with Bad Taste...I'm just sayin'... ;)
More importantly, for those of you with a taste for twisted film making - Excision is a must see.
*sangrephile - I made this up because I couldn't find a word for someone who loves blood & isn't a vampire!
From the outset, Excision seizes your attention, with its deliciously macabre imagery and malevolent audio track. Unfolding amidst the perfect banality of middle class suburbia, the stage is set for a savage assault on your sensibilities.
Annalynne McCord is fantastic as Pauline - the slouched, ragged, blemished, sociopathic, vexed atheist, sangrephile*, virgin with surgical aspirations and necrophilic fantasies.
In fairness, the entire cast is impressive. You need to keep in mind that this film is the debut feature for a 25 y/o and he claims that persistence worked a charm in signing the talent -- including an Academy Award Winner!
But it's the fantasy sequences that will leave you truly in awe of Excision. Pauline's dreams are tantalisingly lurid, so utterly vile -- yet shot so beautifully. Luminous and vibrant, these scenes impact and leave a stain that won't come out in a cold wash. In fact, at least one person passed out at the screening I attended -- for real.
Far from wallowing in this depravity, Excision succeeds in exploring complex relationships, themes of religious zealotry and how problematic being a self-taught expert can be. All this and a killer soundtrack to boot.
I have to add that I had the extraordinary privilege of enjoying the greatest Q&A session in Sydney Film Festival history! Richard Bates was "slightly intoxicated" and proceeded to share some outrageous stories with us all. It caused a slight scandal, but, given the content of the film we all came to watch, his conduct was completely acceptable. Moreover, it was rare to see a person be so genuine and hysterically funny.
With his next project in the works, Richard Bates Jr just might be a name to keep an eye out for. I mean, if Peter Jackson can start with Bad Taste...I'm just sayin'... ;)
More importantly, for those of you with a taste for twisted film making - Excision is a must see.
*sangrephile - I made this up because I couldn't find a word for someone who loves blood & isn't a vampire!
Film about an 18 year girl called Pauline and her rather shocking dreams or fantasies of sex and death. She is also desperate to lose her virginity. AnnaLynne McCord plays the role and considering she is a model the make up team have done a good job of making her look, frankly, pretty ugly. Traci Lords, Malcolm McDowell & John Waters, a few famous cult names, also help make up the cast.
Hard to classify this type of film. My TV guide, Wikipedia & IMDB all describe it as horror and it certainly has a lot of nightmarish stuff and gore going on. But it's also a teen drama, a black comedy and dare I say even a bit of an art movie. But whatever genre you want to label it as it's a shocking, strange but also riveting watch. Perhaps experience would be a better word. Certainly not for everyone & a strong stomach is advised but credit due for pushing the boundaries.
What a deserved change from the same old recycled junk out there. Now Im no professional movie critic, and I wouldn't even know what category Id place this movie, but to me it wasn't a horror. Whatever the genre is, Id like to see more like it. McCord did an excellent job and I hope she stays out of the mainstream roles. The cast delivered in a big way and sucked me in to the story. For some reason McCords character makes me think of Napolean Dynamite, but a sick, twisted and female version. I don't want to say much, you can form your own opinion. But it is a solid movie with good acting, great visual dream segments and a decent plot. So check it out if you want to see something weird and different and get some really good laughs along the way.
Overall i thought this film was superb! The acting was outstanding by AnnaLynne Mccord and Traci Lords who made the film well worth a watch. If you like your strange/obscene movies this is one definitely to watch. There are bound to be some negative reviews of this movie but trust me when i say this take no notice. If there is one criticism it would have to be the ending of the movie but i wont go into detail as don't want to spoil it for potential viewers. The director of the movie has made a fantastic movie especially for his debut and this will hopefully not be his only movie, i cant wait for the next movie of his! Overall strange, weird, exciting movie so give it a watch.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Cắt Xẻo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 2 757 $US
- Durée1 heure 21 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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