Le Roi Arthur : La Légende d'Excalibur
- 2017
- Tous publics
- 2h 6min
Dépossédé de ce qui lui revient de droit, Arthur grandit à la dure dans les ruelles tortueuses de la ville. Mais une fois qu'il a retiré l'épée du rocher, il n'a pas d'autre choix que de rec... Tout lireDépossédé de ce qui lui revient de droit, Arthur grandit à la dure dans les ruelles tortueuses de la ville. Mais une fois qu'il a retiré l'épée du rocher, il n'a pas d'autre choix que de reconnaître son véritable héritage, qu'il le veuille ou non.Dépossédé de ce qui lui revient de droit, Arthur grandit à la dure dans les ruelles tortueuses de la ville. Mais une fois qu'il a retiré l'épée du rocher, il n'a pas d'autre choix que de reconnaître son véritable héritage, qu'il le veuille ou non.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 10 nominations au total
Avis à la une
Guy Ritchie's best? Not by a long shot. His worst? Nowhere near, nothing is worse than 'Swept Away'. 'King Arthur: Legend of the Sword' could have been much better but it's hardly a film with no redeeming qualities and there are far worse films around. Then again this is coming from somebody who tries to observe and talk about redeeming qualities even in really bad films (for instance 1 and 2 out of 10 ratings are pretty rare, and am generally giving out 10/10s a little less).
There are strengths with 'King Arthur: Legend of the Sword'. The costumes, scenery and production design are pretty audacious while never having a fake or too clean look, one does get sucked into the atmosphere and setting of the film and can feel the authenticity. The rousing, rich in energy and thrilling music score is a strong contender for the film's best asset.
Some nice humorous lines, some exciting and innovatively choreographed action and a mix of coarse realism and a mythic touch are further things to like. The story is never dull, actually mostly having a vibrant energy, as such and is just about easy to follow if not perfect in execution, do admire it though for putting a new spin on a timeless but old story sometimes in need of more freshness when adapted.
Charlie Hunnam has an easy-going and steely charisma in the title role, and he is perfectly matched by dignified Dijimon Hounsou and particularly a sinister but surprisingly rootable Jude Law as the villain of the piece.
However, Ritchie's direction has a tendency to be chaotic and overdone, while the shaky camera work is some of the most excessive of any film to use it seen recently and the editing has an awkward jerkiness that can feel nauseating. Special effects are a mixed bag, some are good, others are very artificial looking and reminiscent of a low-budget video game.
While there are good performances here, Astrid Bergès-Frisbey is pretty wasted in an underwritten role and David Beckham is dreadfully out of place with his amateurish acting standing out like a sore thumb. Generally the characters could have been better written, some needed more development and others needed their motivations expanded upon and made much clearer (particularly the titular character). The most interesting in fact is Vortigen.
Parts of the story do work well, but there are other times where the pacing could have slowed down and that there could have been less going on, some of it felt too frenetic and bloated.
In conclusion, better than expected but less than legendary. 6/10 Bethany Cox
I am a big fan of the Arthurian legend and all the movies and stories that have come before. This version doesn't take away from that. It's different and the Arthur origin story hasn't been done before. He's growing into his role as King. The editing, pace, sharp banter and bromances lighten some of the heavier moments and there are so many great scenes. And I can't say enough about Daniel Pemberton's score. It's a character unto itself and gives the film a medieval, modern, rock-and-roll edge. I was mesmerized and wasn't bored for a second. The film is visually dazzling, and I wanted to know more about these characters.
I came into the movie with no expectations, other than I couldn't wait to see Charlie Hunnam on the big screen again. I'm a devoted Sons of Anarchy fan, and it surprises me that he isn't a household name yet. He brings so much to this role. He flat-out looks incredible. He already lights up any screen, but putting on 20 lbs. of muscle makes him look like a super hero. But he also brings depth to the role – not easy to do in a movie full of stars and big-time special effects. He's cocky, charismatic, but also vulnerable. A reluctant hero, who's not sure he's ready or willing to embrace his destiny. I want to know more about his relationship with the Mage, played by Astrid Berges-Frisbey. There's subtle sexual tension between those two, that hints at more. I read that she's supposed to be Guinevere, so I hope they make more movies.
Jude Law has so much fun with his role and I liked his mix of swagger and shame. Djimon Hounsou and Aiden Gillen are fantastic, as well as the rest of the cast. You want to hang out with these guys and have a beer and you definitely want them fighting for you. The action scenes are big and over the top, but that's the fun of a Summer movie.
It's no secret that Guy made a 3.5 hour Arthur film that he had to cut down to 2 hours. There's more story to be told. But that was the plan for multiple movies. Stupid critics are trying to ruin that. Don't listen to them. And if you want to see more of Charlie's range, check out Lost City of Z.
Charlie Hunnam stars as the born king, Arthur whose father is murdered as Arthur's uncle, Vortigern (Jude Law) seizes the crown. The film traces Arthur's journey from the brothel life all the way to the throne. Robbed of his birthright, Arthur pulls the sword from the stone and finds himself become the king's threat number one.
At the very least, "King Arthur: Legend of the Sword" does have a clear story, so this is not as messy or as incoherent as a Zack Snyder presentation by any stretch of the imagination. And if you're a die hard Guy Ritchie fan, this too carries his usual brute montage style that often explains a subplot in a very quick, very humorous manner, so in that sense, it is a more dynamic film than any of the other versions of King Arthur you've seen on the screen.
Charlie Hunnam essentially plays a reluctant hero who's having difficulties coming to terms with his destiny but after a while, his continued reluctance becomes frustrating and downright annoying. Not to mention the fact that for whatever reason, this film is so obsessed with wasting time on VFX hallucinations and pointless creatures, there really is no good reason why this film's runtime has to be 126 minutes long. And the supporting characters aren't well-developed either which is why you'd get easily stoked at David Beckham's easily spotted cameo. Jude Law is probably this film's only redeeming quality, as the villain, Law is as incredible and reliable as he's ever been which makes his character, Vortigern, a formidable foe. Overall, I'm not saying that "King Arthur: Legend of The Sword" is not an entertaining film if you're a style-over-substance kind of an audience, but just be aware that you'll be viewing Arthur through Guy Ritchie's filters.
Le saviez-vous
- AnecdotesThis was supposed to be the first installment of a planned six-film series. Those plans were scrapped after it bombed at the box office.
- GaffesSeveral times the country was called England. Arthur was King of Britain and the Britons. England was formed by the invading Anglo Saxons several centuries later.
- Citations
King Arthur: Why have enemies when you can have friends?
- Crédits fousThe Warner Bros, Village Roadshow, Ratpac Entertainment and Weed Road Pictures logos are made of newly-forged metal and appear in reverse.
- ConnexionsFeatured in Talking with Chris Hardwick: Charlie Hunnam (2017)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El Rey Arturo: La leyenda de la espada
- Lieux de tournage
- Capel Curig, Conwy, Pays de Galles, Royaume-Uni(Gwern Gof Isaf)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 175 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 39 175 066 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 371 270 $US
- 14 mai 2017
- Montant brut mondial
- 149 175 066 $US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1