Kenshin le vagabond

First off - many of the reviewers thus far seem to be comparing this movie adaptation to "Samurai X" instead of its source material which is the manga. What they must realize is that "Samurai X" was an OVA created for western audiences done by people who had no connection with the manga or the original anime and thus was a departure from the original intent and feel of what the creator of the manga had in mind. He even disagreed with how "Samurai X" ended regarding the fate of Kaoru and Kenshin, so much so that he insisted on having the proper ending he envisioned for his own characters put into a collector's box edition of the original anime released in Japan. Even though it was gorgeously rendered, it was overly depressing and moody. Whether you want to believe it or not, Kenshin really wasn't that way. The whole point of his redemption was that, in spite of the pain of his past, he was still able to appreciate the simple joys in life and even laugh at things. The Kenshin in "Samurai X" was a somber, overly-wrought, super-tortured fellow who was awash with his own suffering. As a fan of RK, seeing him portrayed that way in "Samurai X" really broke my heart because a huge chunk of his personality went missing and all that was left was this emo dude. Onto the review:

PLOT/STORY: Understandably, this movie had a hard time trying to capture everything in the first volume of the manga in just over two hours. Because the manga was continuous, there was no way for the movie to be cut and dry in terms of villains and side characters. The director had to draw the line somewhere so the movie could have an ending. So, many fan favorite scenes were cut or changed in order to accommodate a more fluid movie. Time constraints didn't allow for a deep fleshing out of all the characters but, since this the first installment of other movies to come (it has been greenlit as a continuing series) I suspect that the audience is going to be exposed to that over time. I was taken aback at just how many things were changed (Sano's intro, Jin'e's concocted connection to Kanryu, Hanya's choice of weapons, the Oniwabanshu but no Aoshi?!) but I felt they did their best to stay true to the spirit of the story by trying to streamline events. There is even a flashback scene of Kenshin's past included in this movie but it gave you a hint (just a hint) of his tortured past and leaves you wondering.

ACTORS: The casting was very well done for this movie. Kenshin is supposed to be relatively diminutive and almost feminine in his looks and stature (the creator based him on an actual historical figure who could carry out assassinations in broad daylight, he was that good), which is why people always underestimated him in a fight or commented on his slight figure. He was a Jekyll and Hyde that way. He could go from unassuming, humble Rurouni to out-and-out killer who's eyes would change into a murderous gaze when the "hitokiri" side was provoked (straight outta the manga). You could say Kenshin can "hulk-out" lol. Sato, with his pretty looks and physicality, really did well in portraying the conflicted character of Kenshin. Emy was cute as a button, perhaps too cute, since Kaoru is supposed to be a bit more plain and a tomboy but it was satisfying to see her bickering with Yahiko. The kid playing Yahiko was spot-on with the brashness and stubborn pride. Sanosuke's portrayal was a little goofy. There is no allusion to what drives Sano into being a fighter for hire but read the manga for clarification and you will see why he and Kenshin create such a strong bond of friendship. In the movie, there was no time to do so, I guess and Sano's a lot tougher than he is portrayed. Megumi's actress did her justice, I think. Again, not too deep in fleshing out her past either but still, you can see her intelligence and intensity underneath her manipulations. Lastly, Saitou's actor was awesome. He captured the cold, brutal carriage of the Wolf of Mibu very well with his stoic face and the constant badgering of Kenshin. I will stop at the main characters or else this will be too long. All in all, the casting was superb.

MUSIC AND CINEMATOGRAPHY: The music ranges from fairly modern (techno beats with tribal vocals) to standard orchestral. I don't remember hearing any traditional Japanese instruments being played over scenes but I could be mistaken. Sometimes the music seemed to be out of place or over-used. For example, dramatic fight scenes seemed to bring out that techno song again and again). A part of me wishes they had somehow incorporated Kenshin's theme from the original anime series; just s simple wooden flute part or something as a nod since it's so recognizable. Otherwise it was fine. The look of the movie is fantastic. Whether it's a war-torn forest or just a village scene or a shot of Kaoru's dojo, it looks thick and substantial. I remember seeing shots of the creator of the manga (Nobuhiro Watsuki) on the set of the movie and watching over the set building. It gave me great comfort that he was there to see it through.

Overall, this is one of the best, if not THE best, live-action adaptations of a manga I've yet seen. For those of you who are going to see it, if you haven't read the manga yet it certainly isn't required in order to enjoy the movie but it was thoroughly more enjoyable to see these beloved characters come to life on screen. In any case, I am greatly looking forward to the next installment and will relish in trying to figure out what storyline is going to be featured next!!

Relying on the familiar narrative of a warrior who tries to shed his violent past in pursuit of a peaceful existence, this live-action adaptation of the highly popular manga and anime series (sometimes known as 'Samurai X') based on the well-known Civil War hero Himura Kenshin makes one wonder why there aren't more of such films coming out of Japan. To say it is good is an understatement, because director Keishi Otomo's film really is a rip-roaringly entertaining samurai movie that packs a riveting punch.

We'd have to admit that we aren't acquainted with Nobuhiro Watsuki's original shonen manga nor the anime series that followed, so we won't be able to inform fans of the former or the latter if this adaptation stays close to its source material. From what we have gathered though, Otomo – who co-wrote the screenplay with Kiyomi Fujii – has taken from the first two story arcs of the series, namely Kenshin's vendetta with an opium dealer during the early years of the Meiji Restoration as well as his harrowing past during the Civil War that led to the cross-shaped scar on his face.

When we are first introduced to Kenshin, it is already the deciding battle of the revolution - the battle of Toba-Fushima in 1868 – and amid stark sobering scenes of bloodshed and death, Kenshin, better known as the fearsome 'Battosai the Killer', slices the last remaining cohorts of the Shogunate. As news spreads of the Emperor's victory, Kenshin is content to ditch his sword for the solitary life of a wanderer – even as his fellow samurai, Jin'e (Koji Kikkawa), warns him that a samurai lives and dies by the blade.

Ten years later, Kenshin has pretty much managed to live his choice of seclusion, before running one day into Kaoru (Emi Takei). Kaoru runs the fencing school left to her by her father, a school whose name has however been vilified for being that of 'Battosai' widely believed to be responsible for a string of murders around Tokyo. A psychopathic warrior who manages to escape death from Kenshin's blade in the battle has assumed the name of 'Battosai' and now goes about doing the bidding for the ruthless businessman Kanryu (Teruyuki Kagawa).

Rapacious for power, Kanryu amasses his own private army of ex-samurai, most of them he wills into his service by getting them hooked on a special brand of opium he develops with reluctant pharmacist Megumi (Yu Aoi). Kenshin is forced to revisit his deadly ways when Kaoru, whom he develops an affection to, is threatened first by a sudden run-in with Battosai and later on when Megumi seeks refuge from Kanryu's men at the dojo. The only difference? Kenshin now fights with a 'reverse sword', or simply one with the sharp edge reversed.

Truth is, you can pretty much guess where the story is headed, but what makes the movie so enjoyable is the exhilarating fight choreography from action director Kenji Tanigaki. Indeed, the best parts are when we see Kenshin wielding his sword against numerous other opponents, even without the benefit of a lethal blade. Tanigaki ensures that the action is never repetitive, and each sequence boasts its own balletic rhythm to keep you engrossed. Unlike some wuxia films, Tanigaki also opts for a realistic style even with the requisite wirework, offering his audience the spectacle of fluid and furious swordplay without the exaggerated embellishments.

In between the clashing of swords, Otomo stages confidently the bond that develops between Kenshin and Kaoru. Rather than conforming their relationship to some formulaic romance, both characters are allowed to play out a more complex relationship that is entwined with Kenshin's own demons from the past. And in that regard, it is fortunate that both Sato and Takei are better actors than to resort to the melodramatic trappings of TV romances where both hail from, with both performers also sharing a graceful chemistry with each other.

That they are able to deliver such nuanced performances is also to Otomo's credit, who directs the movie with an assured hand. Rather than the slapstick humour we are told is part and parcel of Kenshin's character in the manga, Otomo opts for a more down to earth portrayal, so even the light heartedness is never overplayed. Similarly, Otomo drops the exposition on the various schools and techniques of kenjitsu, and keeps to having some other character name the cool-sounding move that Kenshin executes whenever it is expedient.

It is inevitable given its origins that fans of the manga and anime will bring their expectations to bear on this live-action version. Nonetheless, in going for a more true-to-life feel, this adaptation is, in our opinion, all the better for it. It's not one of those Yoji Yamada samurai movies, nor is it anywhere close to Takashi Miike's '13 Assassins', but this is solid blockbuster entertainment with universal themes of pacifism, vengeance and love packed with a distinct Nippon flavour.

I went to see this film last night with absolutely no knowledge of the manga upon which it was based, which was both a good and a bad thing. Good, because I understand how the average movie goer like myself will feel about this film. Bad, because I feel like as a fan of the original comic, I would have taken a lot more out of this film.

I'll start with the positives - this movie is beautifully filmed. There is not a single unattractive shot within it. I really feel like this movie was made for fans, by fans, because it is so lovingly crafted. The sets are gorgeous, the lighting and colour palette lovely, and the choreography of the fight scenes? FUN. It's actively enjoyable to watch Kenshin dance around with his sword. You actually believe that he is this extraordinary swordsmen, agile and swift.

Which brings me to Sato Takeru, who plays Kenshin himself. Again, I feel like he was a fan of the series, as he seems to be so invested in the role. I've no idea what the character of Kenshin was like in the manga, but Sato's portrayal is so layered and believable, I can't imagine it strays far. On that note, I felt like all of the actors did quite a good job. I've a friend who assures me the personalities of all the female characters do not line up with the manga, but I was actually completely satisfied with them! I was particularly enamored with Aoi Yu (whom I don't think has ever disappointed me in a role) who did her best with the script given to her in the role of Megumi.

But this brings me to what I felt were the weak points of the film. First, was the over inclusion of bit characters. I said this to friends afterwards, I'm sure if I was a fan of the series they would have been charming cameos from beloved fan favourites. As it is though, to me their inclusion seemed pointless, and stole time that could have been better spent on plot development.

And honestly, the plot for the film? A bit weak, and never properly fleshed out. A lot of characters who seem important to the story are never given proper motivations, leaving them seeming 2 dimensional - and the story as well, as a result. Particularly at the end, I feel like the storyline fell to pieces in a series of rushed character inclusions/fight scenes. This is the problem with a film made by fans for fans - while you can feel the love that's been poured into it, you can also see that they're trying too hard to put EVERYTHING in to a two hour film. These sort of films really suffer because they don't have someone ruthlessly eliminating the excess, and making the film more accessible to the public at large.

I read that they're hoping for an international release for this film, and I'm not terribly convinced that it will succeed. Fans of the original anime overseas will be at best a niche market (at least for the domestic release, there's a good chance the majority of the audience will have at best a passing familiarity with the series) and I feel like the rapid inclusion of bewildering useless characters will leave many in the audience feeling somewhat alienated.

I thoroughly enjoyed the film, don't get me wrong, and I intend to seek out the manga as a result. However, I feel like they've pigeonholed themselves somewhat with their audience, if not so much domestically, then definitely abroad. However, if you can manage to be like me and just sit back and let the beautiful cinematography and Sato's truly excellent portrayal of Kenshin wash over you, you'll derive plenty of pleasure from this film.

Rurouni Kenshin Trilogy is the best anime based live action movie ever! All three of it are the best. I didn't really appreciated the anime series when I was a kid but then I grew up and I saw the first movie. I was like, "Wow, even live action movies based on an anime is possible!" Because of this movie, I'm now interested to watch the anime series.

The story was great, the characters were also great, even the setting. This is the movie that made samurai battles more realistic. As anime fan, I also like this movie from start to finish. The sequels were also great and I might review those in the future.

In conclusion, Rurouni Kenshin is a must watch especially to Samurai X fans and other anime fans out there.

When I was a teenager, I used to love watching the highly-popular anime series called Samurai X (an international title otherwise known as Rurouni Kenshin in its native Japan) back in the late 1990s. Now, over ten years later, writer-director Keishi Otomo finally brings RUROUNI KENSHIN to life. At first, I was doubtful whether a live-action adaptation from such a popular manga can live up to its high expectation since most like-minded movie like this always ends up as a rip-off. But thankfully, fans of the anime/manga series will be (mostly) satisfied the way this first live-action adaptation of RUROUNI KENSHIN has turned out admirably.

The movie opens briefly on a gritty battlefield in 1869 during the battle of Toba-Fushima, where a young samurai named Hitokiri Battosai (Takeru Sato) almost single-handedly defeated a score of enemies. He walks away from the battlefield as the Empire is finally declared victory and thus a new era has born.

Ten years later, Battosai becomes a wanderer and now calls himself as Himura Kenshin. He vows himself not to kill people anymore and even carries a reverse-edged sword. He arrives in a countryside of Japan and subsequently meets Kamiya Kaoru (Emi Takei), the owner of a fencing school used to run by her late father. After Kenshin manages to save her from getting killed by a fake Battosai named Jin-e (Koji Kikkawa) and also helps her to stop a group of thugs trying to take over her dojo, he moves in with her. Apart from them, Kaoru also has an orphaned boy named Myojin Yahiko (Taketo Tanaka) who happened to be her only student.

Meanwhile, Jin-e is actually a hired ex-samurai who works for a wealthy businessman named Kanryu Takeda (Teruyuki Kagawa). Takeda is also a notorious criminal who runs a huge opium operation. Megumi (Yu Aoi), who is being forced to make opium, manages to escape from his mansion and subsequently seeks shelter at Kaoru's dojo. Things get worse when a number of innocent people around the countryside are suffering from rat poison in the community wells, but luckily Megumi, who used to be a healer, manages to cure them with sufficient medication. She knows that this is the work of Takeda, and prompts her to return to his mansion so she can kills him. However, she fails to do so and ends up being a hostage. To save Megumi, Kenshin and his newfound friend, Sagara Sanosuke (Munetaka Aoki), who was a street brawler, make their way to Takeda's mansion and settle the matter once and for all.

Most of the cast are spot-on excellent. Takeru Sato is excellent as the titular character and he certainly looks the part fans have to use to see him in the anime series -- his trademark red-haired and long ponytail, curvaceous lips, wide eyes, his outfit and even the way he runs, jumps and draws his sword. Not only that, fans will also be delighted with Sato's signature delivery, "oro?" as well. As the street brawler Sagara Sanosuke, Munetaka Aoki carries that familiar rough-and-tumble attitude effectively, while Teruyuki Kagawa is gleefully over-the-top as the villainous Kanryu Takeda. The rest of the supporting cast are equally captivating -- ranging from Yu Aoi, Koji Kikkawa and even Taketo Tanaka. The only (slight) disappointment is Emi Takei as Kaoru. Her character is supposed to be a tomboy-ish type, but yet she is too pretty to pull off the part convincingly. Most of the time you'll see her more of a damsel-in-distress than a so-called tough vixen she meant to be.

RUROUNI KENSHIN is particularly noted for its impeccable technical values here. It is clear that Keishi Otomo has poured his heart to make this live-action adaptation as stunning as possible. The art direction and costume design are perfectly detailed, while Takuro Ishizaka's lush cinematography is right on target. The action sequence is also top-notch. The sword-fights choreography is fast and furious, yet it's well-staged with an adequate help of elegant slow-motion. The particularly final 30 minutes is downright entertaining -- Kenshin vs. Gein (Gou Ayano), the masked ex-samurai; Sanosuke vs. Banjin Inui (Genki Sudo) in a brutal fisticuffs; and of course the final sword-fight between Kenshin and Jin-e in a forest. Added to the excitement is Naoki Sato's energetic score which often gives the already well-choreographed action scenes a much-needed kinetic boost.

The movie has its flaw, though. Clocking at over two hours long, the story feels laborious at times, especially in the middle section. At the same time, the movie is a bit overlong as well. But such flaw is forgivable because RUROUNI KENSHIN manages to accomplish a rare feat for being a highly-satisfying, Japanese live-action adaptation I've ever seen so far.