Last Days of Summer

Today I gave my rating for this movie that I really liked. I did not want to write a review but I was a little disappointed by the summary for the movie written on IMDb. It says: "Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride." Adele and her son do not offer the man a ride which is very important for the story. Having said this, let me say a little about this movie. The movie plays very nicely with fear and tension. Any moment we expect something very terrible to happen. Murder, betrayal, rape, you name it. In contrast, an interesting and amicable relationship between the three main characters develops. The movie even has a happy end that is kind of unexpected. Seeing this movie I felt like being in an earthquake only to learn afterwards that no damage was done.

I attended the premiere of Labor Day at the Toronto International Film Festival. Most people walked in expecting a Juno/Up in the Air style comedy and if that's what you expect you'll be mildly surprised. The film is darker that Reitman's usual works though you still recognize the director's touch.

The movie tells the story of Adele (Kate Winslet), a woman who slowly shut herself off from the world, relying heavily on her young son Henry (Gattlin Griffith), whose father abandoned them to another wife and other children. Enters a menacing escaped convict (Josh Brolin) who finds refuge with Adele and her son as he tries to remain hidden from the police.

The summary will have you believe that 'the mother and son gradually learn his true story as their options become increasingly limited.' or that the family realizes they're now prisoners in their own home which makes it sound like the movie is going to be some sort of Panic Room 2 but the story is nothing like that. As Adele and her son get to know the prisoner, they both find the family they've been longing for.

It's a beautiful story despite being somewhat implausible but I found what mattered wasn't the story we see, so much as witnessing the characters finally having a shot at happiness and how the remainder of their days is shaped by this weekend they spent together. This film isn't driven by dialogue as much as Reitman's other films were. The director has said in interviews that he found it challenging to do a movie where there was little dialogue (he actually said without music or dialogue and I walked in half expecting to see a silent film.) He worked around it by having Tobey Maguire narrate the film as an older Henry. The narration works though I think the film could have done without it as well. Don't let the whole 'silent' thing keep you from seeing this film, I found there was enough dialogue, and there is music as well though unlike Juno it doesn't play as a whole hipster soundtrack.

The movie is more subtle yet more raw, slower than his usual films and it lets the actors take us through every emotion. Kate Winslet is a terrific actress and she gave a beautiful performance as Adele, very convincingly portraying a woman who's given up on living. Josh Brolin was great as well, giving us both a tough convict and a soft hearted man at times. Gattlin Griffith was great at a kid who grew up faster than he should. I'm always very iffy when it comes to child actors but he pulled it off very well.

In conclusion, Labor Day is a different, more adult and more mature film from Jason Reitman. It's a nice transitions from his previous comedies and goes a bit deeper than his other films, bringing tension, tears and some laughs. Whether you're already a Reitman fan or not, I recommend this film, you'll be pleasantly surprised.

If you're interested in a good adult romantic drama, look no further than the movie "Labor Day."

Superior acting by Kate Winslet, Josh Brolin and young Gattlin Griffith, this is a story with multi- layered depth and haunting flashbacks through dreams ... some viewers might become impatient as the various dream scenes flicker across the movie screen. Just wait, it's all done with amazing dramatic effect, and when the dream scape finally reveals itself, you'll be impressed with the final story.

More importantly, "Labor Day" displays the under utilized message of the impact of relationships, even though the positive results are revealed many years later.

The soundtrack is unusual and haunting, providing a surreal effect on the entire production.

I haven't got to say a lot about this upcoming motion picture but praise Kate Winslets dynamic intimate and breath taking performance.Kate once again gives it all on the big screen. And one thing I am telling you for sure, she is going for an Oscar. Since we saw Kate winning that golden statue back in 2009 for her performance in the historic ''The Reader'', Kate has been a bit distant from the screen. Apart from her minor movie roles in ''Contagion'' and ''Movie 43'' and of course the successful ''Carnage'', Kate hadn't had a big emotional performance like that for years. The English Rose once again leaves us with tears on our eyes with her performance. She proves us through the film that she for sure deserves the title of one of the greatest actresses of all times. Apart from Winslet's praised and acclaimed performance the film is generally very good and it will make you tear a bit that's a fact! However, the screenplay is a bit dull for this film and the rhythm of the whole motion picture a bit slow. I wont be surprised if the film receives mixed reviews from critics.

Labor Day is an unbelievably gorgeous mood piece, a finely-tuned film which is strongly driven by senses and emotions over plot or story. It's arguably one of the best films of 2013.

I haven't seen a Reitman film since Juno so I haven't caught up. So I'm not sure where he matured from a 'good' director of a quirky script to an 'art' director who can carry an entire film on his shoulders. That's not to say everyone else in this film didn't do a great job. But the film works because of Reitman's meticulous vision.

Heavy use of cross-fades, editing driven by emotional undercurrent over logic, and some stream-of-consciousness flowing from a mysterious source. The music is avant-garde and beautiful, one moment eerie and unsettling, the next pleasant and lilting. Which reflects the way the film, like a piece of classical music, displays sudden shifts of mood or tonality, back and forth, requiring your utmost concentration and appreciation.

Writing too much else would spoil the fun. But the mindset you should bring this film, should you want to see it, is to give yourself over to the experience, rather than bringing an overly (and unnecessarily) critical mind to it's 'unoriginal' or 'uneventful' plot.