Stalingrad
- 2013
- Accord parental
- 2h 11min
NOTE IMDb
5,7/10
18 k
MA NOTE
En 1942, les troupes allemandes atteignent les rives de la Volga mais échouent dans leur tentative de franchir le fleuve. Les troupes soviétiques ont dû battre en retraite.En 1942, les troupes allemandes atteignent les rives de la Volga mais échouent dans leur tentative de franchir le fleuve. Les troupes soviétiques ont dû battre en retraite.En 1942, les troupes allemandes atteignent les rives de la Volga mais échouent dans leur tentative de franchir le fleuve. Les troupes soviétiques ont dû battre en retraite.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 13 nominations au total
Thomas Kretschmann
- Kapitan Kan
- (as Tomas Krechmann)
Heiner Lauterbach
- Khenze
- (as Khayner Lauterbakh)
Anna von Haebler
- Nina
- (as Anna von Abler)
Yuriy Nazarov
- V roli navodchika
- (as Yuriy Vladimirovich Nazarov)
Petar Zekavica
- Yurgens
- (as Petar Zekavitsa)
Georges Devdariani
- Kloze
- (as Zhorzh Devdariani)
Philippe Reinhardt
- Gotfrid
- (as Filipp Reynkhardt)
Avis à la une
WWII gets the 300 treatment as our fantastic heroes defeat the nasty Germans, sometimes single handedly killing a dozen men each in slow motion blood spraying hand to hand combat. It's that realistic, especially as Russians apparently keep fighting even when completely consumed by flames.
The defenders of Stalingrad were courageous real people but this belittles them as two dimensional action heroes.
A lot of effort and budget was put into making this but it was ill spent, there is no reflection, no feeling, no humanity, it is hollow. If you want to see a film about Stalingrad look up the earlier German film.
The defenders of Stalingrad were courageous real people but this belittles them as two dimensional action heroes.
A lot of effort and budget was put into making this but it was ill spent, there is no reflection, no feeling, no humanity, it is hollow. If you want to see a film about Stalingrad look up the earlier German film.
Unfortunately, this movie turned out to be what I expected from a Russian produced film about the Great Patriotic War. The film depicts the heroic soldiers and sailors of the Soviet Union fighting to the death the barbaric fascist invaders. The Soviet defenders are almost all saintly; one is even nicknamed Angel. The Germans are all beastly underlined by the atrocities they commit on screen against the surprisingly large number of Russian civilians living in the middle of the battlefield. This movie compares unfavorably with the German produced movie Stalingrad and Enemy at the Gates because of its simplicity. The only scenes that I found interesting showed the Germans preparing to attack and those which depicted the Soviets crossing the Volga. I have great difficulty recommending this movie especially considering alternatives.
I liked the movie! It shows ordinary people that became heroes within extraordinary circumstances. The battle scenes are astonishing and professionally shot. I watched many documentaries about Stalingrad defense and even the German veterans admitted that the Russian soldiers crashed them in combats. Kretschmann was perfect in his decadent role also. Movies about Russian heroic resistance could be made only by Russians themselves. As a total I don't think that this movie deserves worse rating than "Saving private Ryan" or "Enemy at the gates". In fact, the movie shows the Russian perception of the war. Some could find it propaganda, but having experienced in documentary literature and movies about Stalingrad siege and defense, for me the movie shows the real status of the war with modern cinema weapons!
As others have stated here what we though we were going to get with this film was finally an epic film about the battle of Stalingrad on the scale of the likes of A Bridge Too Far - Unfortunately of the three big budgeted movies made of this battle (The other two being the somewhat mishandled Enemy At The Gates and the Excellent German Stalingrad film) this is the worst, which is a shame as it had so much potential.
A group of Russian soldiers find themselves hanging onto a junction house blocking the way to the river which they must defend at all costs, and the Germans occupy the street across from them and continually fail to take it. The Russians all fall for the same girl, Katya, who is the only civilian survivor in the house. The German semi-senior officer (Kretchman) finds himself falling for a Russian woman who reminds him of his dead wife. After a promising start the film settles into over stated Russian melodrama with a huge intrusive score bashing its way into almost every scene making the moments in the film when its actually needed less effective. The film is narrated by the off spring of one of the main characters but I can't but wonder if this was an after thought to actually fill in for the lack of character that everyone seems to possess. Any real meant to fill out the characters bones is really missing from the script and while the acting is not at fault here the blame must lay with the writing and over concept here. True, by this time in the war, men are reduced to all but shadows of their former selves and having them revealed to be more human in fragile moments works at times and is one of the films few strengths but its not enough to save the film from being predictable, hollow and at times frankly boring.
What is out standing about the film is the VFX and Production design which is really first rate. The costumes and details of the period are incredibly accurate and everyone looks like they have been through several years of war already. the look of the film feels great but this cannot save the films many weak points. The Germans are all fairly one dimensional bad guys while the Russians are a little more redeemable but most of their back story always comes in the form of narration and not in their actual actions or dialogue. Some of the characters are a little more interesting than others but on the whole they're a pretty forgettable bunch. The big ending is rather an anti climax and there is no real pay off other than we know someone survived and had a kid who went on to tell the tale of their five fathers, being five characters in this film. (Even though at one point there's clearly six but never mind!)
The battle itself isn't put into any kind of historical context in the film in terms of the impact it had on the war or the change of history that followed. I mean this might as well have taken place in Kharkov or Rostov, save for the shots of the river, it really could have been anywhere, but we're reminded its Stalingrad because of some statues.
Films like A Bridge Too Far, The Longest Day and even the Historically inaccurate but far more watchable Battle Of The Bulge work because they tell the story of a large sweeping battle from beginning to end with and still manage to keep you interested with real characters and interesting moments. Here we have a film that can't make up its mind if its an action film or a love story - it tries to be both and succeeds at neither.
A shameful waste as the talent was clearly there.
A group of Russian soldiers find themselves hanging onto a junction house blocking the way to the river which they must defend at all costs, and the Germans occupy the street across from them and continually fail to take it. The Russians all fall for the same girl, Katya, who is the only civilian survivor in the house. The German semi-senior officer (Kretchman) finds himself falling for a Russian woman who reminds him of his dead wife. After a promising start the film settles into over stated Russian melodrama with a huge intrusive score bashing its way into almost every scene making the moments in the film when its actually needed less effective. The film is narrated by the off spring of one of the main characters but I can't but wonder if this was an after thought to actually fill in for the lack of character that everyone seems to possess. Any real meant to fill out the characters bones is really missing from the script and while the acting is not at fault here the blame must lay with the writing and over concept here. True, by this time in the war, men are reduced to all but shadows of their former selves and having them revealed to be more human in fragile moments works at times and is one of the films few strengths but its not enough to save the film from being predictable, hollow and at times frankly boring.
What is out standing about the film is the VFX and Production design which is really first rate. The costumes and details of the period are incredibly accurate and everyone looks like they have been through several years of war already. the look of the film feels great but this cannot save the films many weak points. The Germans are all fairly one dimensional bad guys while the Russians are a little more redeemable but most of their back story always comes in the form of narration and not in their actual actions or dialogue. Some of the characters are a little more interesting than others but on the whole they're a pretty forgettable bunch. The big ending is rather an anti climax and there is no real pay off other than we know someone survived and had a kid who went on to tell the tale of their five fathers, being five characters in this film. (Even though at one point there's clearly six but never mind!)
The battle itself isn't put into any kind of historical context in the film in terms of the impact it had on the war or the change of history that followed. I mean this might as well have taken place in Kharkov or Rostov, save for the shots of the river, it really could have been anywhere, but we're reminded its Stalingrad because of some statues.
Films like A Bridge Too Far, The Longest Day and even the Historically inaccurate but far more watchable Battle Of The Bulge work because they tell the story of a large sweeping battle from beginning to end with and still manage to keep you interested with real characters and interesting moments. Here we have a film that can't make up its mind if its an action film or a love story - it tries to be both and succeeds at neither.
A shameful waste as the talent was clearly there.
For the story, I give this movie a 5/10. I was a little bored by it. However, for the fighting, this movie gets a 8/10. This movie has some of the best fighting scenes I have ever seen. The visuals also are truly some of the best I have ever seen. Any future war movie needs to borrow from this movies visuals. I can't overstate how blown away visually the combat was.
This movie deserves better than a 5.6. I can understand a low rating for the boring scenes in between the fighting, but its just too low for what its really worth. It is clear this movie missed the mark in delivering a good story as well as making us truly love the characters who were rather still good. More fighting and less sitting around would have done this movie far better.
This movie deserves better than a 5.6. I can understand a low rating for the boring scenes in between the fighting, but its just too low for what its really worth. It is clear this movie missed the mark in delivering a good story as well as making us truly love the characters who were rather still good. More fighting and less sitting around would have done this movie far better.
Le saviez-vous
- AnecdotesStalingrad is the first Russian movie made completely in 3D IMAX and the first non-North American film in the IMAX format. However, it is not the first 3D movie to come out of Russian territory. The honor goes to "Concert" produced in 1940-1941 in USSR, directed by Alexander Andrievsky, and released on February 4th, 1941.
- GaffesCaptain Kan mentions how he had once been invited to meet Field Marshal Paulus. The problem is the movie takes place in November 1942 and Paulus was only a General at that time. Adolf Hitler didn't promote him to Field Marshal until January 1943, thinking that a Field Marshal would never surrender...He was quite wrong about that, Paulus surrendered to the Russians the very next day.
- ConnexionsFeatured in Being George Clooney (2016)
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- How long is Stalingrad?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Trận Chiến Stalingrad
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 013 945 $US
- Week-end de sortie aux États-Unis et au Canada
- 510 846 $US
- 2 mars 2014
- Montant brut mondial
- 68 316 452 $US
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