Noé

Get your feet wet Upon a terrifying nightmare that is clearly an omen, Noah(a roaring and fanatically determined Crowe), along with his family, begin building an ark. They get some unexpected help, but will it be enough? Especially when the king of the land(Winstone at his most vile, representing the wickedness of our species) shows up with his army, threatening that if that boat is the only safe place, they will board it one way or another.

Causing controversy from before anyone had watched it, this is a non-literal update-for-our-times take on the Bible story, that nevertheless seeks to engage with the same, genuinely universal, values – honestly, everything added here is not only critical to even make it a feature length drama(such as adding a present, physical form to the evil that is being drowned out, as it were), it serves to flesh out what was already there. This is aggressively environmental, thus rendering it highly relevant; the Earth(which could be 1000 years in the past, or the future) is here a barren, post-apocalyptic wasteland, and while it could have been made clearer, the idea is that excessive and relentless mining of resources is the cause. Not only are we beyond rescuing, the storm that will come will deliver water sorely needed to reinvigorate nature.

This has everything we've come to expect from Aronofsky: solid production values in every aspect, with a solid, and nicely limited(so that there is room for them all to represent some element endemic to us Homo Sapiens, and this is very much a character study of our titular protagonist, and an examination of humanity) cast, a compelling Clint Mansell score, and, of course, amazing(and all with a distinct purpose, artistically) visuals(the desperation of a dying breed is one of the images that will stick with you, something that is in everything Darren has helmed), employing techniques not often seen in the mainstream, including silhouette(such as a brief and stunning extrapolation of Cain) and time-lapse photography(the construction process itself). If you at all intend to watch this, and your first viewing is not a 3D showing, you will be committing a cardinal sin.

There is a lot of brutal, gory, violent and disturbing content and some sexuality in this, none of it gratuitous. I recommend this to anyone not put off by it being based on a Genesis account or the fact that it takes liberties with it. 7/10

Just watched this on Pay-Per-View having missed a chance to see in theaters (dithered over whether or not to see it due to wildly mixed reviews). It was visually engaging enough to keep me watching till the end but as the credits began to roll, I found myself feeling dissatisfied.

Some of the scenery and shots featuring animals were really cool, I found myself wishing for more (that is, more time spent on animals...and a closer look at different species as imagined by the creators of this film).

Ray Winstone is a distinguished actor but I found his portrayal at times creepy, at times laughable, overall weak (how much of this was due to direction and/or other factors...not sure, when it comes to this film I didn't get a sense either way). Emma Watson and Jennifer Connelly impressed me, I got a sense of quiet strength from their characters.

Russell Crowe, also one of my favorite actors (I thought his Robin Hood was masterful, a fresh new take), disappointed. Without giving anything away, there were some parts of this film that called for a more dramatic narrative...his timing and (at times) rushed speech took away from the grandeur of what was meant to be an epic film. You find yourself wishing he would deliver certain lines a bit more theatrically, like David Wenham in 300 or one of the greats of classic film (Charlton Heston, perhaps).

I didn't realize when I started watching that Anthony Hopkins was also in the film. When he popped up on screen I laughed and thought: 'Of course...can't make an epic film without Anthony Hopkins!' Probably just me but it seemed a bit tired as far as casting goes.

I might have enjoyed it more on the big screen but don't regret watching at home on my TV. Bottom line, entertaining enough to watch...just a bit of a let-down.

Greetings again from the darkness. Since I am no biblical scholar, my comments are those of a movie lover. Tackling any part of a story from the bible is a journey filled with land mines and aggressive criticism - and that's before your movie is released! Surely director Darren Aronofsky was prepared for backlash from those who forbid any interpretation of the Good Book. The story of Noah lasts but a few pages in the bible, meaning Aronofsky had to creatively fill some space to produce a 2-plus hour film.

Russell Crowe makes a fine Noah. He is relentless in his quest to fulfill The Creator's request ... and he flashes his "Gladiator" glare on a few occasions. Rather than an uplifting childhood bedtime story, this Noah carries the burden of God, his own family and the survival of all beings ... his days are filled with moral dilemmas much larger than what you and I go through.

With all the miscommunication afforded by email and text these days, imagine if God conversed with you through images in your dreams. Maybe that process creates some areas of gray? Not if you are Noah. I guess he only dreams when God wants to show him something, so his decision making and mission is pretty focused. He is to build a giant floating warehouse to save two of every creature. Yes, that means a lot of death for those not invited. See, God is using Noah and his family to help cleanse the earth of mankind ... God is ready for a re-boot. He is really not happy with how mean and nasty man has become ever since that whole apple debacle and the murder of Abel by Cain.

Some of the visual effects are spectacular. I especially enjoyed the high-speed montage showing the creation of life ... you know that first week. Also, the beginning of the flood is quite a spectacle, but the ark itself is actually quite stunning ... constructed per the size noted in the Bible. The animals are all digitally created and we actually see little of them, though the on-boarding process goes remarkably smooth - considering this happens before the herbal sleep concoction is disbursed.

Most of the discussion will probably be on The Watchers ... the fallen angels who once tried to help mankind, and for their efforts, God turned them into giant stone creatures. I will add that The Watchers need a new nickname since they did the bulk of the manual labor in constructing the arc and then protecting it ... not much watching going on for these poor guys (voiced by Nick Nolte and Frank Langella, among others).

Noah's wife is played by Jennifer Connelly and their sons are played by Logan Lerman, Douglas Booth and Leo McHugh Carroll. They welcome Emma Watson into their family in what turns into a very odd plot twist, and the villain, Tubal-Cain is payed by Ray Winstone. Methuselah, Noah's grandfather, is played to the hilt by Anthony Hopkins. All of these characters are pretty one dimensional, but this is Noah's story. The burden he carries is quite heavy and his decisions aren't always popular.

If you are looking for the well documented story of Noah, it's no mystery what book you should be reading. If you are after a pretty impressive visual interpretation, you could certainly do worse than Aronofsky's take. And the best news ... no Morgan Freeman voice-over!

I'll start by stating I'm a Christian, and of course the movie is different from the Genesis account, because it also adds a bit from the Apocryphal text of the Book of Enoch, although there are differences there too, and it's a movie and needs embellishing because Noah's story is only like three pages. Artistic license in any film is a given. You think Braveheart is historically accurate? No, but it's a darn good film and nonetheless it's true.

I believe Christians get too caught up in the "letter of the story" and can't accept the Spirit of a story. Noah is a deeply complicated man in this film, as all people prophets of God are. I felt the filmmakers captured the spirit of the man well. I love how it shows his personal struggle to even want to save mankind after witnessing the violence and depravity of most of his fellow beings. Do we deserve to survive? The movie tackles that head on and says unequivocally ,"Yes!" in the end. God loves us and knows we can be good if we choose to follow him.

The story is fun, uplifting, and shows the true difficulty of interpreting and following the will of God. This film shows the power of forgiveness and redemption also, first with the fallen "Watchers" from the Book of Enoch, and then Noah's family as well. The Watchers also gave the film a "Lord of the Rings" vibe which I appreciate. The story is complicated and there are moral dilemmas to be solved.

Is it a perfect film? Heavens no! But it is a good one and made me appreciate what Noah and his family may have gone through in all its richness and complexity, and made me grateful to have Mr. And Mrs. Noah as my ancient covenant parents. I enjoyed it thoroughly and will watch it again one day.

I was really looking forward to this for one reason and one reason only . The director Darren Aronofsky is just about the most interesting director working today . He doesn't always hit the bullseye but he did direct REQUIEM FOR A DREAM one of the very few films I would describe as a masterpiece and he really upset an uninformed audience who went in to BLACK SWAN thinking it was going to be a high brow film featuring ballet as its theme . Indeed the only time I've seen audience members walk out in obvious disgust was during a screening of BLACK SWAN . With a title like NOAH one wondered Aronofsky might have the same effect on Christians . This is a film that promised to be controversial and as soon as preview audiences saw it there was a very sharp divide between love and hate . Interesting that it had an average rating of 8.8 then quickly started falling as people on this site gave it bad reviews . One can't help thinking there's a campaign by religious believers who seem angry at this film because it deviates from scripture . As an anti-theist my only reservations before seeing it were that the trailers looked like it was inspired by Peter Jackson's version of Tolkien

The bad news is that we've got Peter Jackson meets Peter Watkins meets Professor James Lovelock . NOAH is a heavily religious film as you might expect but not in the way you're expecting . From the outset we're told that the tribe of Cain have built " industrial cities " and it's this that has brought " the wrath of the creator " . It's not the religion of the Abrahamic cult but the cult of environmentalism and Gaia theory . The subtext is so obvious that it doesn't qualify as subtext because it's far too blatant . Noah and his family are all vegetarians who don't eat meat while the villain Tubal-Cain does because .... well he's the bad guy . Actually this is the major failing of the film . There's no one to root for because the screenplay is an absolute mess . Tubal Cain shows signs of Darwinian practicalities by eating animals in order to survive but there's no real in depth psychological analysis to the character . He wants the Ark because the story needs a villain and is so overdone you're surprised why the other characters can't see through him . . Noah isn't any better because he's an animal loving psychotic misanthrope . Can you think of any obvious society full of nature loving animal loving psychotic misanthropes ? I'll give you a clue . It was a Central European country built on Neo-Pagan ideals that used an ancient Sanskrit symbol and lasted from 1933 to 1945 . People should stop to consider who they should adopt as role models and when people treat environmentalism as a religion bad things will surely happen but we're ordered to take the side of environmentalism and not to question it

In the hands of a lesser director NOAH would have sunk at the box office but thankfully we are talking about Aronofsky . And the good news he's reigned in some the excesses that made me hate THE FOUNTAIN . Yes it owes a lot to Peter Jackson but Aronofsky recognises the strengths of Jackson when he made the LOTR trilogy . We see beautiful locations that captures the bleak brutal beauty of nature throughout the film and some of the cinematography is genuinely stunning . The cast are rather uneven which is hardly surprising considering the screenplay and an audience will find their performances divisive , none more so in Crowe . Connelly is rather bland , Winstone is rather one note and is ...well Ray Winstone .love him or loathe him . By far the best performance is by ,Emma Watson as Ila who might have been a mere cypher or plot device and yet manages to flesh out her role without being showy in any way .

In summary NOAH might just fall in to a" flawed masterpiece /interesting failure " camp . It's an extraordinarily beautiful looking film that I'll buy on DVD and one hopes it'll be up for Best Director , cinematography and score when the Oscars come around but since it's been released in the Spring the studio don't seem to have much ( Pardon the pun ) faith in it and it'll be quickly forgotten . While the visuals deliver it does have a very sententious , sombre confusing screenplay that feels the need to both shout at and talk down to the audience . Whatever the flaws of this film it still showcases the talents of Aronofsky and here's to the future and whatever it brings