The Houses October Built

This is not an entirely awful movie. I do think they could have done more with what the premise was supposed to be. There were about 5, maybe 6 times that I jumped in the movie, but it wasn't from the climax, at all... It was a tad bit gimmicky at times and when the actors were supposed to be "frightened" and "scared", they weren't good actors at all. All the other moments of the cast "acting" in between were alright though. They could've done a lot more than what they did, and made it a ton more scarier than what it was. I was disappointed with the ending as well.

I loved the plot of the movie and what I thought it was going to be, but ultimately I was let down.

I did enjoy going through the different haunted houses with the cast, but that was about all I enjoyed out of this movie. If you like haunted houses, and don't mind cheesy acting here and there, give this movie a go. If you're looking for something entirely inventive and scary, this movie is not that.

If you go into watching this movie with low expectations, you'll probably be more satisfied than me.

I've been using IMDB for over a decade and this is the first time I felt the need to leave a review. This film was boring start to finish. Not once did my heart race or was I ever remotely startled. Seriously, don't waste your time on this film. Found footage horror is my absolute favorite, and now I know why I've never even heard of this film until today, despite it being 6 years old.

This movie is about 5 friends - 4 guys, 1 girl - who go on a roadtrip to various Halloween haunted houses. Along the way, they discover some rather weird people. Still, they're not satisfied with the "Mickey Mouse" halloween houses, so they opt for those of a darker, more realistic nature, which they soon find. Some of them chase the group of out the houses with chainsaws. That leads the group to wonder just how far some people will go not just to scare the guests, but to also a thrill for themselves, which is the message of the movie: How far will people go for a thrill.

The acting was good enough for what this was. Brandy Schaefer - the lead actress - is hot She reminded me a lot of Danielle Harris :D It's filmed through camcorders, which is an overused and rather annoying leftover gimmick from The Blair Witchcraft days. The movie finally starts moving along about 20 minutes before it ends; it's running time is 91 minutes, so yeah it's a bit boring up until then. I've heard there was an underworld of drugs, sex, and other dark vises, but I guess this movie is trying to say there's an underworld of Halloween houses, too. lol There is some nudity in this. The group goes to a strip club, and there are topless dancers with some of the fakest breasts I've ever seen.

I gave this a 4-star rating. The storyline about visiting haunted houses was original, and as I said, the acting was pretty good for a low-budget indie. I love Halloween; it's probably my favorite holiday, but this movie did very little to keep me interested. Most of it had the group traveling from one haunted house to another. It wasn't very enthralling. But if you're a fan of found-footage films, you might enjoy this more than I did. I would not watch this again because of the bore-factor.

This film sets itself up like a documentary, but veers very quickly from that point. If you don't know what you're watching, you'll be in for either a treat or a surprise. For a horror film, which is what this is, it can get pretty weird. Probably one of the weirder horror films that I've seen.

The film had a slow pace to begin with, but gets slower towards the end; and the ending is really strange. Best to watch when you're fully awake so you can figure out what's going on, and best to watch with someone if you scare easily.

I was surprised when a sequel was announced.

Nevermind the actual film, the idea is one of the most potent I've seen in some time.

A group of friends set out in a van in search of horror, haunted house attractions scattered around rural America. It's the days leading up to Halloween so we can have a pervasive atmosphere of masks and monsters roaming the streets. I like that it's a glimpse outside the usual and tied to a larger fabric of make-believe.

The idea is that we'll venture into these houses where horror is supposed to be controlled around us, the work of fiction, only to discover more slippery boundaries of truth. This would touch at the very essence of horror, exploiting the same perturbations that move viewers in both the actual houses and film; see, we know it's not real, but what to do when your body tells you otherwise?

So nevermind that it's actors we see and scripted reactions. Some of the most potent footage here are from within these houses where we go in with a camera and a swirl of monsters lunges at us, staged but it comes alive. I'm guessing these are actual places that partnered with the filmmakers and this is what tantalized me going in; it would be at least in part an actual tour of that America that goes to pilgrimage in actual places.

They manage to bungle this for my taste, the part where fiction blurs and we go to something that comes alive in the moment of watching.

For one, they chose the "found footage" mode (silly name, largely the baggage of Blairwitch - it really means "someone is filming this now"). It's the most apt choice I've seen since Last Exorcism, but no one ever films a sense of place and passing time, a physical sense of journey; they waste it on lots of blathering around a camera so that it ends up feeling like an episode of cable TV. Indicative of the actual makers holding the camera I guess.

And then there's the ending. This is where the staged scenarios in these attractions don't cut it any more as the characters push for more and more "real" stuff. Lo, there's rumor of a secret place that you can only reach by invitation. But once there, it's the most obviously staged part of the film, the complete opposite of where we were meant to be viewing-wise.

So this is a miss, filmmakers with maybe the strongest idea of any of their peers this year but none of the tools of insight to cultivate it. They outline enough for me to imagine it in more intuitive hands so all in all I would have this over the next paranormal film.

Someone has gone out with the urge for horror in mind (and it's our very urge to inhabit illusion that made us build these houses), thinking he knows illusion from real, but it begins to spill outside, perturbing reality. From a certain point on, the apparitions become aware of someone watching, aware inside the fiction, so conspire to stage the real thing as a cosmic prank that shatters lives.

Watch The Funhouse, Hooper's film driven by the same instinct, a funhouse that extends from the actual place to haunt the whole film.