Borgman

Borgman is not a vagabond or a homeless, but the evil, the Antichrist itself. He emerges from under the ground with his followers when the local priest and some helpers try to destroy them. They manage to escape and set out on a journey to capture new souls. Borgman is not interested in money or wealth, not interested in seducing women or hurting children. He could get it all if only he wanted to. His only interest is to bring out the evil residing in all humans - men, women, children. He manipulates, sedates or kills people when it is necessary, but it is not a goal, just a tool for him. When he finds a potential follower, he marks him or her with a stigma on their backs. He does a perfect job with an upper-class family turning the family members, the babysitter and her boyfriend against each other, uncovering their worst thoughts and desires. Borgman ends up by capturing new followers, and abandons the beautiful house by cleaning up any traces of his terrible deeds. The movie is surrealistic, full of symbols related to the Bible, and lightened up with lots of spooky humor. It does have a clear plot and a full ending, and undoubtedly makes one wonder about his/her own inner dark side.

One of the best films of the Philadelphia Film Festival, Borgman is a hilarious, darkly satirical, mysterious, sexy, fascinating, and surreal allegory for social upheaval.

In the beginning, there was armed men looking to kill underground hobos. We will never find out why they want to kill them or why the hobos are underground (or why the hobos have nice cellphones). One of them, Camiel Borgman, escapes and warns his friends. He washes himself at a gas station and begins wandering down an extremely affluent street with the intention of getting a proper bath in one of them, simply by asking at the front door. One house in particular strikes his fancy, and he begins a slow process of worming his way into the household and the lives of everyone who lives there.

But that's when things get REALLY strange.

This film is destined for hopefully a good deal of international attention in the art-house circuit due to its exceptional storytelling, unpredictability and very weird plot.

With the matter-of-fact way it presents absurd goings-on, it reminded me of Dogtooth a little.

I think it's better than parasite though. And more dark and twisted for sure.

This is a dark and at the same time irresistible funny movie about them and us, inside and outside, reality versus imagination. It's about somewhat strangely organized hobo's who are invading a posh house and taking over a family. It's a great, great movie, with a pitch perfect production and a deeply disturbing - and therefore significant and meaningful - message. Every viewer will make up his own story about what takes place in the house that is at the central stage, and in the dark woods that surround it, but in the end it's like a Rembrandt: deep and dark with some light touches that make you laugh and remember what art and humanity are all about: to overcome fear.What's extremely good about this movie is that it will make your film brain spin: what's going to happen next?

This film seemed to come out of nowhere, similar to the way Camille Borgman did. I am a long time fan of the horror/dark drama genre but a new member to IMDb. with that being said, I absolutely loved this film. I loved the darkness to Camille. What was with him living in the ground though? The movie never fell back on that fact nor did it have an explanation for it. I wouldn't say the viewing nature of this film is horror, but the concepts that the film holds are horror. The ideas are extremely dark and the violence is extreme. This is an atmospheric movie that sets quite the mood. It had me thinking about it for a few days after seeing it. It's one of the better movies I've seen this past year