Knife Fight

Rob Lowe gained experience delivering political babble in The West Wing, and in this idealized satire about the workings and techniques of political strategists, he puts that experience to good use, delivering his quick-witted lines in typical Aaron Sorkin-ish tempo and tone. The film delivers a few jabs at the American political system, especially campaign advertising, but when push comes to shove writer/director Bill Guttentag is a little too much in love with his characters and their flaunting talent for the film to have enough edge and make a lasting impression. And while the narrative structure is semi-fresh and the agenda well-meaning enough, there's really not much progress or development to incur during the course of these ninety plus minutes. This may well be the filmmakers making a point by paralleling politics, but if so, it's as slight a point as there ever was.

There have been recent political campaign movies such as The Ides of March which had a more heavyweight cast. There are classics such as Robert Redford in The Candidate. Knife Fight reminds me of Sidney Lumet's Power from 1986 which also had a high calibre cast but a tepid reception by the critics and at the box office.

Rob Lowe plays Paul a highly sought after, cynical and ruthless election strategist. He declares, 'To win in politics, you have got to be the person who is willing to bring a gun to a knife fight.' Which is something Sean Connery said in The Untouchables before being shot a 100 times!

Paul can deal with any political disaster presumably such as those handled by the campaign team who dealt with Bill Clinton when he ran for Presidency the first time round, when his team realised that their was hardly any woman left in Arkansas that he had not slept with. In fact Chris Lehane, one of the co-writers was an aide to Clinton and Gore.

Paul deals with winners and over the years he has become jaded, cynical and has little time for people who are altruistic.

Things change when he takes on a doctor who runs a free clinic as a candidate for Governor and who tweaks the last shred of idealism left in him. Otherwise there are the usual politicians running for elections who are philanderers or are caught in some embarrassing situations that Paul needs to spin out.

The film is underwhelming and never strongly registers as the script is limp. Lowe underplays his role but apart from Carrie Ann Moss's idealistic character the rest of them are shallow and mean and they are supposed to be liberals as well.

As a political satire it does not work as it is not funny or biting enough. Even with story of the doctor you can guess the twist rather easily.

Some years ago I had a ood Assemblymember representing me in Albany. At least he epresented my point of view aboit 95% of the time. He got caught up in a sex scandal and managed to survive it for two more election cycles.

Watching Knife Fight I thought of him immdiately and it occured to me we lose a lot of good people who get caught up in these things. A lot of good people also never go into public service because they don't want their lives under a microscope. How many of us could withstand the scrutiny?

Rob Lowe and Richard Schiff veterans of West Wing star n tis political drama about a pair of political operators. Lowe has some idealim, but does what he has to for his candidates. Schiff prefers the low road in any event.

The film is scene through the eyes of their new employee Jamie Chung and by the end of the film she has learned her lessons well.

Their three candidates rnning for statewde office Lowe's firm is managing and all have crises of a sort. Eric McCormack the governor of Kentucky who is a Bill Clinton like figure whose libido may get the best of him. David Harbour a Senator from Massachusetts who made one indiscretion that could cost hi his career. Finally my favorite from nife Fight, Carrie Anne Moss an idealistic doctor who runs a medical clinic who wants to be governor of California and for all the right reasons.

Moss is my favorite from the film, but it is a well cast and directed piece ofwork. And one of te most realisti political films out there.

As a big fan of West Wing (in spite of its heavy doses of Democratic propaganda), I recognized very soon where we were in this movie, and was happy to see West Wing alums Rob Lowe and Richard Schiff together. I thought a couple other faces might have been familiar from there, too, but nothing happened to make me care enough to go check. This is more like a fan-made "next episode" of something similar to the West Wing than like a well-developed movie project, though that's slightly more on the writing and directing end than on the acting and technical end. It isn't actually awful, but it certainly isn't that good. There's no heavy lifting to do, and perhaps as a result all of the performances seem fine but nothing rises above "fine". Nothing here challenges the performers or the director, or us, and so they, and we, just settle in for a pleasant ride.

There's no particular reason to see Knife Fight, but if you like the type of story (look at the awful things we do in election politics!) you may want to see it just for completeness. There's also no particular reason to avoid Knife Fight. Nothing in it is truly bad. However, now I wish I had just watched the far superior Ides of March (2011) again instead. Ides is an excellent modern look at the same topic also well treated in Robert Redford's The Candidate (1972). Knife Fight is not in the same league as either of those, but it is playing the same game.

If Candidate and Ides are the bookends, then Knife Fight is one of the books they hold up. I suppose that just as we have murder and romance stories written for beach reading, there could be political movies for beach watching, and this would be a fine entry there.

There's more that could be said, but honestly, how much time do you spend analyzing your beach novels?

The audience gets is a casserole of movie elements and little of the satisfaction that comes from watching these types of movies. It's one of those films for which I could guess the plot exactly before I saw it. You can predict the whole movie and ending easily. Worse, these characters were walking cardboards. Overall, the film was..."eh". I was bored through most of it and I left the living room with no intentions to ever see it again. From an artistic standpoint, there were some plot elements and character developments I didn't think were totally needed. They do however drive the story, which seemed to be their purpose, so I can accept them.