Arthur Newman

Arthur Newman (Colin Firth) is trying to live a new life. He was formerly a struggling golf pro and shipping manager with a nice-looking girlfriend (Anne Heche). But, things were not going well. He was also estranged from his almost-a-teen son. So, since he lives near Jacksonville Florida, he fakes his own death by drowning and takes off. Newman, a fake name for his newly acquired life, is on his way to Terre Haute Indiana to become a posh country club golf pro, with made-up credentials, for the most part. But, on the long journey, he stumbles upon a lady, Mike, er, Michaela, (Emily Blunt) who may be suffering more than he is. She is drunk and Arthur views her being taken to jail by the police. Giving a made up story, Arthur springs her from jail and stays with her until she is sober again. Tentatively, they strike up a friendship, as Mr. Newman learns that Mike may not be her REAL name, either. In any case, Mike agrees to go to Indiana with this handsome man. Along the way, they strangely break into houses that are temporarily empty, try on clothes, take pictures and pretend even more. But, as Arthur soon learns, Mike does have some truly intense baggage in her past. Will they succeed in forging new lives without consequences? This somber, touching film is dead serious most of the time. Oh, the scenes from the dress-up days have humor and there are occasionally funny lines. But, mostly, this movie deals with very complex issues and is not really a light-hearted flick. Naturally, Firth and Blunt, excellent thespians both, do fine work and look great together. Also wonderful is the changing scenery, the supporting cast, and the courage to tackle the anything-but-fairy-tale life of its two main characters. No, its not a movie to watch when you, the viewer, have some sobering problems in your own life. But, fans of these two British thespians will want to try this one, too.

This road movie, featuring solid performances from its main players, doesn't seem to know where it's going. While "Arthur Newman" presents many quirky or compelling tableaux, I was rather frustrated by the filmmaker's (Dante Ariola) detours and dead ends. Or perhaps it was writer Becky Johnston's tepid story that ran out of fuel.

Frankly, I didn't care one way or another if the main characters ever resolved their respective conflicts, and after the first thirty minutes I felt like I was simply watching the same scene over and over again, like an endless roundabout. I was so uninvolved in the relationship(s) that it felt like nothing of any real substance was truly at stake or on the line.

"So you just ditched Wallace Avery for a total strangers half baked promise?" Wallace Avery (Firth) is a divorced man who hates his job and his life. Wanting to start fresh he decides to stage his own death and head to Indiana to become a golf teacher. Changing his name to Arthur Newman he is on his way when he meets a woman named Mike (Blunt). Both on the run from their own lives the begin to assume other people's identities but memories of their old lives begin to creep back up. This movie first and foremost has great acting and is very interesting and worth watching. On the other hand though it is a little slow in parts and seems repetitive. This is a movie of fiction but has the feel of a true story. I do recommend this movie but it isn't really a movie you can watch over and over because it is pretty depressing. It's hard to talk about this movie with out giving anything away and it really is a pretty good movie but don't expect a happy movie. Overall, a good movie with great acting that is worth watching but be prepared. I give it a B.

Arthur Newman (2012)

Though the whole enterprise is built on a huge and somewhat false contrivance (a man taking on a new identity and picking up a troubled woman along the way who also is playing games with her identity), it all works better than you might think. And it's largely because of Colin Firth and Emily Blunt, both strong and understated leads. Blunt in particular has qualities that are interesting without merely being "star" material. Firth, of course, is a mega-star and he's playing his quiet man with familiarity here.

The director Dante Ariola is only on his second film and the writer is on his first (after a few screenplays based on other people's stories). And I guess it shows in many little ways, including a script that doesn't seem believable at times. Then at other times it's believable but not that interesting. What keeps it floating through these waves is a sense of pace and ease with the two actors, who of course are seasoned and respected stars.

This is both a downer movie with two unhappy leads trying to survive their lives and a feel-good movie about people who find something in each other to survive. It's not quite a romance that develops (it's not "Leaving Las Vegas"), but there is a kind of loving co-dependence. It's meant to be deeper and more moving than it is— mostly a issue of the writing again—but you get the drift and it works overall.

In the end, at the end, you wish so much it had been more than it was. It has so many interesting qualities that don't get pulled out—the surprising convergence in the plot, the game of taking on identities, the psychological depth of being who you are and accepting that—I felt let down by what did happen. The solutions are a bit obvious and almost cheap, depending on formulas seen before. Which is too bad because the set-up and the actors are worth more than that.

I watched Arthur Newman simply because I found it by accident. While it's not the best film I've seen, I do believe everyone did a credible job with very little material. Colin Firth and Emily Blunt are good, doing the best they could with the somewhat underdeveloped characters. However, I feel the characters are presented as such on purpose, to make of them what we personally will.

The film moves slowly, but is in no way boring. An experienced film buff would be fine with its pace and be relatively engaged in the story line as well.

Arthur Newman is not for a generic audience. It requires a specific taste in films to be enjoyed for what it is - a thought-provoking story