Ride

Interesting movie and though I have never really been a major fan of Helen Hunt, I was most curious to see this movie because she had written the screen play. True to form, her acting appears similar to most of the things she has done..a stilted kind of speech that at times feels forced,contrived, and not at all fluid. The beginning dialogues with her son force one to almost hit pause, rewind, to listen again....the words so verbose and clumsy with wordplay and intensity. Still, once the movie gives away to the California setting, the characters also appeared to "relax" a bit and things actually became enjoyable.. The underlying storyline appears...a story of loss and control over what was lost and to ensure what IS, can never be lost.. (and in that, lies the blurred and somewhat contentious relationship between mother and son).. If you can get past the beginning, I would recommend this movie...Helen Hunt has written a fairly poignant screenplay..

Helen Hunt looks vastly different in this movie. It's only relevant if you are a fan of Hunt's before this movie.

I found the movie very relatable as Helen hunt plays an overbearing single mother whose college aged son, drops out to surf in California and she follows him from New York in order to connect by learning how to surf herself.

It's a drama driven by Helen Hunt in center stage and a coming of age story that not only focus on a boy trying to figure out his life but a mother trying to let go of the boy becoming a man, so in a lot of ways it's her coming of age story as well.

Not the best movie about surfing I've ever seen but I think I've only see two (Point Break and Johnny Tsunami), but it's one of those movies that really grounded on real life emotions and dealing with real life things.

It was a good Helen Hunt movie.

I viewed this movie from the standpoint of a parent of an adult child as is the main character, Jackie. In my view this is what the story is about, how a parent lets go and enjoys watching her child make their way as an adult. In doing so, she is able to move on to becoming a more authentic person as well. I've always been a fan of Helen Hunt and although her appearance has changed, she still brings us her ability to make us feel we are watching a woman bravely dealing with what life is bringing her way. The film present a great contrast between their lives in New York and California. The son, Angelo, travels to CA to visit his dad. I'm a little surprised at how quickly the son, Angelo, adapts to the different lifestyle. Luke Wilson as Jackie's love life is a good match. His calmness contrasting with her franticness plays well.

This is a down to earth film about real life. It tackles among other thing the sometimes odd relationship between a mother and son, which are brilliantly played by Helen Hunt and Brenton Thwaites. The mother has a real hard time letting her son go as he's turning into a grown up that doesn't need his mother anymore. As a know-it-all person that likes to be on top of things she follows her son to California from New York and spies on him as he's trying to find himself and experience new things while living with his laid back dad that just want's him to do whatever makes him happy. Her ridiculous behavior is quite funny as is her interactions with the chauffeur that she hires to drive her around while stalking her son. This odd behavior is explained as the story enfolds and a tragedy from the past is brought to light. This a story about a person that seems to be in complete control of her life, but then she's swept away by changes and has to let her self go, learn to trust others and embrace the unexpected. The film is both funny and sad, and very beautiful, specially the surfing scenes that are a perfect setting for a person that is learning to be humble and accepting.

I'm conflicted.

Normally a movie of this type will be interesting and fun for most of the first 80 minutes and then end in a clunky manipulative way. It is that rare movie that is stubbornly insufferable for more than 80 minutes and then ends in a weirdly satisfying if predictable way.

It can be unbearable at times to watch Helen Hunt try and act her way through her impassively clay-like new face, as if she were a Star Trek Changeling character. It can be maddening at times at how sympathetic and misunderstood she thinks her character is. And it can be frustrating at how mechanical the scene construction and the in your face symbolism feels.

But I have to admit that there is a charming tone that coalesces nicely in the last 15 minutes. You know what's coming, and the unflinchingly cheesy dialogue up to this point is often unintentionally amusing, but when it happens at the end it feels real, just like the ending to the story she's been discussing with her son. There's just enough of a spark there to make you understand why she wanted to make this movie.