Une jeune fille timide, rejetée par ses pairs et abritée par sa mère religieuse, déclenche la terreur télékinésique dans sa petite ville après avoir été poussée trop loin à son bal de fin d'... Tout lireUne jeune fille timide, rejetée par ses pairs et abritée par sa mère religieuse, déclenche la terreur télékinésique dans sa petite ville après avoir été poussée trop loin à son bal de fin d'année.Une jeune fille timide, rejetée par ses pairs et abritée par sa mère religieuse, déclenche la terreur télékinésique dans sa petite ville après avoir été poussée trop loin à son bal de fin d'année.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 7 nominations au total
Eddie Max Huband
- Harry Trenant
- (as Eddie Huband)
Commentaire à la une
I have been eagerly awaiting this movie since I heard of the casting of Chloe Grace Moretz. I could totally picture her portraying the character in the style and feel created by Sissy Spacek and followed up by Angela Bettis (2002 TV movie). I knew she would be a worthy successor after seeing the film Let Me In. I was, however, skeptical of the casting of Julianne Moore as the religious fanatic mother of Carrie, Margaret White.
After seeing the film twice this weekend, Julianne Moore turned out a creepy performance that should definitely garner her an Academy Award nod. Her portrayal of Margaret White was an emotional witches brew of fanaticism, insanity, and maternal instinct. For me, it was an unexpected treat.
As for Carrie, Chloe Grace Moretz did a fine job. She had big shoes to fill, and her performance does not top that of Sissy Spacek. However, she does hold her own. In all three versions of Carrie, each actress has portrayed Carrie in a different way. Each excelling in making the role their own while maintaining the artistic concept of Carrie herself. Chloe did deliver a chilling performance during the scenes where Carrie is exacting her revenge.
As for the movie itself, I would describe it as a remake of the 1976 film sprinkled with some additional elements from the Stephen King novel. It was very well made, and the modernization is appropriate without being too obvious of the change in times, i.e cell phones, the Internet, etc.
In closing, Carrie is an extremely competent attempt at remaking a classic. As I say with all remakes, you have to go into it with an open mind and not with the mind set of comparing it to the original. If you do that, you will find Carrie is a good movie.
After seeing the film twice this weekend, Julianne Moore turned out a creepy performance that should definitely garner her an Academy Award nod. Her portrayal of Margaret White was an emotional witches brew of fanaticism, insanity, and maternal instinct. For me, it was an unexpected treat.
As for Carrie, Chloe Grace Moretz did a fine job. She had big shoes to fill, and her performance does not top that of Sissy Spacek. However, she does hold her own. In all three versions of Carrie, each actress has portrayed Carrie in a different way. Each excelling in making the role their own while maintaining the artistic concept of Carrie herself. Chloe did deliver a chilling performance during the scenes where Carrie is exacting her revenge.
As for the movie itself, I would describe it as a remake of the 1976 film sprinkled with some additional elements from the Stephen King novel. It was very well made, and the modernization is appropriate without being too obvious of the change in times, i.e cell phones, the Internet, etc.
In closing, Carrie is an extremely competent attempt at remaking a classic. As I say with all remakes, you have to go into it with an open mind and not with the mind set of comparing it to the original. If you do that, you will find Carrie is a good movie.
Histoire
Le saviez-vous
- AnecdotesBecause Chloë Grace Moretz was a minor, she was limited to eight hours of work per day. When she was unavailable, director Kimberly Peirce substituted; she would be off-screen. This was only done with scenes that Julianne Moore would talk to Carrie.
- GaffesWhen Tommy collapses on the stage, he is facing Carrie, but when Carrie tries to cradle Tommy, he is facing the backdrop.
- Citations
Sue Snell: No! Carrie please don't hurt me.
Carrie White: Why not? I've been hurt my whole life.
- Versions alternativesThe theatrical version ends with a brief scene of Sue in court for the White Investigation (an integral part of the Stephen King novel otherwise omitted from the film) and then laying a flower on Carrie White's grave, which cracks as she walks away. The alternate Blu-ray cut omits the courtroom scene and features a different edit of Sue placing the flower on Carrie's grave. This scene is followed with Sue in the delivery room giving birth, but instead of a baby, Carrie's arm emerges from between her legs and grabs her. There is then a quick cut to Sue's mother, who is holding and trying to awaken her hysterical, pregnant daughter from this nightmare.
- Bandes originalesEnd of the Earth
Written by Ben Schneider
Performed by Lord Huron
Courtesy of IAMSOUND Records
By arrangement with Sony Music Licensing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Carrie
- Lieux de tournage
- Mississauga, Ontario, Canada(Carrie's House)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 35 266 619 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 101 552 $US
- 20 oct. 2013
- Montant brut mondial
- 84 790 678 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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