Au coeur des volcans: Requiem pour Katia et Maurice Krafft

It's easy to see why Werner Herzog was attracted to the story of Katia and Maurice Krafft, seeing as they had a job that involved some kind of unusual natural phenomena, they had a determination that put themselves in immense danger, and they were also keen filmmakers, in a way.

Plenty of Herzog movies (his feature films and documentaries alike) have unusual or unconventional figures pursuing something outdoors, and I think The Fire Within feels almost like a spiritual sequel to Grizzly Man, in some ways. We learn the fate of the central figures straight away, and in both films, those figures left behind much film footage that more or less speaks to who they were. The key difference is that in Grizzly Man, grizzly bears were the dangerous threat within nature, and in this documentary, it's volcanoes.

I feel like there might be less mystery or psychological deep-diving here on Herzog's part, which might be the main reason this didn't grip me as much as Grizzly Man, nor some of the very best Herzog documentaries out there. Maybe there was less to ponder about when it came to Katia and Maurice Krafft, or maybe Herzog was more intent on letting the footage speak for itself (unlike Grizzly Man, The Fire Within does notably lack interviews with other people throughout).

But for the amazing footage on offer, and the interesting presentation/editing, The Fire Within's still good. It wasn't done any favors by coming out the same year as the superior Fire of Love, because that one focused on the same people and was, from memory, much more emotionally resonant, but I still feel like there's enough on offer in The Fire Within to make it worth watching alongside that other 2022 documentary about Katia and Maurice Krafft.

Some scenes were so awe-inspiring I had to watch twice. I particularly savoured the pairing of the Kyrie from Bach's Bminor Mass with erupting volcanoes and larvae flow as it gave an unexpectedly graceful impression. Later on we hear extracts from Verdi's Requiem but not the overly famous bit! We don't learn much of what motivates Katia and Maurice Kraft to be so consumed by volcanoes which is part of the charm of the documentary as it gives the viewer an opportunity to ruminate instead. The narration gives plenty of space. The few words which are spoken are very telling. A masterpiece which I feel immensely privileged to have watched.

Werner Herzog is presenting a documentary about French volcanologist couple Katia and Maurice Krafft. I've never heard of this couple and suddenly they get two documentaries in short succession. Herzog has the name and the pedigree, but the other film has the Oscar nomination. It is fascinating to see them back to back and compare the two.

Herzog is using almost exclusively footage shot by the couple. I do notice the classic Mount St. Helens explosion footage. I'm sure that there are other non-Krafft footage to fill out the story. It is very compelling that Herzog tells us that they are about to die on that Japanese mountain early in the film. It's like presenting the dead body early in a murder mystery movie. Both documentaries use the couple's awe-inspiring footage, but this one does not have their voices. It is all Herzog narration as in most of his films. He's the one pontificating. Throughout the movie, I kept wanting to hear the couple voices or at least their words. This is more like a tribute spoken in a funeral and that may be the intention. I just have a better sense of the couple from the other movie. That is the main difference.

The pictures of exploding volcanoes are quite extraordinary, the accompanying soundtrack is fittingly haunting, this documentary also shows how devastating exploding volcanoes can be for the human beings, animals & the countryside that lie in their paths. You just have to be in the wrong place at the wrong time. Also Werner Herzog's narration is magnificent in its wonder, tenderness & almost reverence for the power of nature - & his admiration of the Krafft couple is quite evident. You are left really regretting that they were killed during an eruption in Japan because their archive feels unfinished while their legacy lives on.

There is something so hypnotic for me when it comes to Werner Herzog and his creations, there is something almost animalistic, yet so sophisticated, poetic in all of his movies and documentaries. Werner's films (or book) make me leave everything I do to listen to him, to watch, learn. No different experience I had with this one tonight: so humane, gentle and poetic yet devastating film where humans and nature go in parallel with each of their steps and history. Beautiful, touching, compassionate but artistic, never pathetic - everything you would expect from this great filmmaker and creator. Highly recommendable.