Gladiators

"I took these fights to pay off your debt, do you understand that? I fight one more time and that's where it ends." Dillon (Chatham) is among, if the the best NCAA wrestlers in the country. One night when him and his friends are at a convenience store something goes wrong and he ends up in jail. Ten years later he is finally out and ready to start his life again. After his friend is taken and beaten because he owes money Dillon agrees to do cage fights in order to pay back the debt. After he goes on a winning streak the wrong kind of people begin to find him. In the 80's it seemed like any type of fighting movie was based in the boxing world. Little by little that has changed and UFC-style is now the go to sport. After movies like "Warrior" more and more are being made about that life. To start with I will say that this is actually a very good movie with the most realistic fighting scenes I have seen in a movie in a long time. The acting is decent and passable for a movie like this, but most people don't watch this for the acting. Very entertaining and exciting but a little predictable. That doesn't really hurt the movie at all though. I recommend this. Overall, if you liked "Warrior" then you will really like this one too. I did. I give it a B+.

Ever since the popularity of HUNGER GAMES the concept of watching young people in cages fight each other with no holds barred even to the death, have proliferated. Says something about the audience desires, or fads, or the gladiator mentality in all mankind since the Roman arenas. THE PHILLY KID is a low budget little pertinent drama that for the genre is better than the usual. Written by Adam Mervis (who also acts the role of the main character's understanding parole officer) and directed with fine pacing by Jason Connery, the movie somehow catches fire - likely due to a cast of up and coming young actors.

Dillon (Wes Chatham, a hunk newbie the camera loves) is a former NCAA champion wrestler has just been released form 10 years in prison for braking the neck of a thug during a holdup in front of a liquor store where he (at around age 16) was buying alcohol with a fake ID for his friend Jake (Devon Sawa, impressive in a difficult role). Dillon now lives in a filthy halfway house and is without money until his old friend Jake finds him a job in a liquor store owned by a kindly man Lenny (Bernard Hocke). Jake's sister Amy (Sarah Butler) is on the scene and eventually becomes the love interest for Dillon. It seems Jake is heavily in debt to conman Ace (Lucky Johnson) and Jake, knowing Dillon's ability as a wrestler, pleads with Dillon to fight for money in the underground cage fighting scene to save a Jake's life. Another evil force is the police officer Marks (Chris Browning) who arrested Dillon and who hates him and threatens his life if he doesn't fix a fight. Dillon trains, wins some fights, (he is supposed to fight only three fights for Ace to release Jake's debt), and is observed and ultimately trained by LA Jim (Neal McDonough). From there on it is a succession of bloody fights and gore until the end finds a resolution.

The cat is strong and is supported by some solid work by Eric Scott Woods and Michael Jai White. It is always satisfying to see new faces take on tough roles and this cadre of actors pulls it off very well. Not a great film, but a well crafted one for the genre.

Grady Harp

"The Philly Kid" has some nice punching sounds. I mean that, really. Of all the low-budget martial arts action movies in recent years, there's finally a fight movie with some impressive punching sound effects. Of course movies in recent years are going for more realism than in times past, but sometimes I really yearn for the old-school days of outrageous sound effects sometimes.

But despite the obviously low budget, "The Philly Kid" has a typical-sounding plot that serves merely as a thread for impressively choreographed fight sequences. But the by-the-numbers plot is carried by an enthusiastic lead performance by Wes Chatham, who is able to make his character all of likable and sympathetic - like the best characters that Jean-Claude Van Damme played early in his career in movies like "Bloodsport" (1988), "Kickboxer" (1989) and "Lionheart" (1990), the latter film which this movie (and most others like it) owes the biggest debt of legacy to.

And despite his impressive good-boy looks, he is not a lunk-head, but is actually bright and intelligent and believes in doing the right thing. And it certainly makes his progression through the film's flimsy plot not a chore but something close to an actual journey as he undergoes some form of a positive transformation into a better person, however marginalized by society at large.

Things begin with a simple quest for booze for a night of harmless underage drinking with Dillon Maguire (Chatham), his friend Jake (Devon Sawa), and a third friend. When they're accosted by a trio of thugs, Dillon, the top collegiate wrestling prospect in the world, accidentally kills one of them in self-defense. To make matters worse, one of his friends was carrying a gun and accidentally shot and killed one of the police officers responding to the disturbance.

As a result, both Dillon and Jake are sent to prison for 10 years. When Dillon is finally released, Jake (who had been paroled four years earlier) manages to track him down and get him a job with his uncle in a liquor store. Because Jake has suddenly become indebted to some ruthless local gangsters, Dillon agrees to settle his debts for him by jumping into the world of underground mixed martial arts fighting. In doing so, he seeks out the training of a former champ, LA Jim (Neal McDonough), so he can compete and settle his friend's pricey debts.

"The Philly Kid" is a lot like most underground fight competition movies in the four decades since the explosion of martial arts movies in the 1970s in the wake of Bruce Lee. But what gets it by is the lead performance by Wes Chatham. As I stated before, his character has been through some pretty rough patches for such a young man, and his journey into the world of underground cage fighting can be seen as his way of seeking redemption and becoming a better person so he can enjoy a better life for himself - and his new love Amy (Sarah Butler).

The fight sequences are pretty brutal and look realistic, with Dillon Maguire dishing out punishment to his opponents while also taking some punishment of his own. "The Philly Kid" was directed by Jason Connery and written by Adam Mervis, and it's an impressive low-budget feature with some good performances. The action scenes are also stand-out, as I previously mentioned.

It's well worth at least one viewing.

7/10

I think anytime you watch a movie about something in which you are knowledgeable there is an excellent chance you will be disappointed. Movies when people click on a keyboard for 2 minutes and crack the CIA firewall or alien codes! Or when Japanese import cars are red-lined but seem to continue to rev higher and go faster with nitrous. Or football movies where people are diving left and right, but never at the ball carrier.

This film is no different. The fight scenes weren't bad. Not even close to real, but better than other movies I've seen. The acting wasn't bad. The plot wasn't bad. Bearable, entertaining, but nothing exceptional.

The plot has the lead actor fighting THREE fights to pay off a debt of his loser friend. After TWO fights, against virtually unknown local fighters, an MMA organization seeks him out and offers him a contract fight. The representative of the organization says they've been tracking his career. What??? His first fight was with no training after 10 years in prison. The second a few weeks later. Thousands of fighters across the nation, and they take notice of a guy with 2 wins in as many weeks against local nobodies??? Good grief.

His third fight is against a guy twice his weight that moves like an 80-year-old. Look, it isn't the UFC, but there are still weight classes! I won't reveal any more and risk spoiling the end.

Bottom line... worth watching over regular TV... but nothing beyond average.

OK, It's not an epic, and it certainly could have some smoother edits, but as jaded as I can be after roughly 5000 movies I think that this is a very good film.

First remember the genre'. The story is well paced and shot nicely. They have resisted the urge to cut too fast, and this gives actors the chance to embrace a scene, making it believable. This is better than many big budget, big name parades that present themselves as quality but miss the mark. Fun,engaging and well acted,Wes Chatham,Devon Sawa, Sarah Butler,and Adam Mervis do a lot to develop believable and vulnerable characters within the constraints of a compact but well written script. I look forward to following their promising careers. Butler in particular is need that one big opportunity and she'll light up the screen. Sarah Butler deserves kudos for being extremely endearing quickly and adding real weight to the tension within the story. Devon Sawa, a winner.He just is. I've always been Neal McDonough fan and he has the talent and charisma that makes the viewer hope for more screen time.

A very good movie. AND I am a very jaded reviewer.